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D. Woods Performs On ‘Mo’Nique’

It’s been a while since we’ve heard from former Danity Kane singer D. Woods. However, the singer recently made a guest appearance on ‘The Mo’Nique Show’ where she performed ‘Legalize Me’ and took part in an interview with the BET host. ‘Legalize Me’ stands as the 1st single from her upcoming ‘The Gray Experience’ LP which will be released later this year.

It’s clear that D. Woods has been keeping her dance game in check because she didn’t miss a step during that performance. It’s great to see that she doesn’t need former Danity Kane choreographer Laurie Anne cracking the whip over her to get her moves in check. The only problem in the performance were her vocals which were noticeably thinner than the last time we heard her sing. Either way, it was still good to see D. Woods doing her thing. Check out the interview below:

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Making The Band 4: Danity Kane Reunite (Well Kinda)

The finale (and rumored last ever) episode of Making The Band 4 aired last night. Hosted by MTV’s Sway, the night saw the former members of Danity Kane (sans Aundrea) come back together to discuss the demise of the chart-topping group.
While I’m cautious about taking sides, I will say this made great television! You could cut the tension with a knife; the bitchiness levels were off the Richter. Besides the back and forths between Aubrey, Dawn, D. Woods (Shannon, as ever, seemed to take a backseat to it all), just watching their body language (and seating arrangement – notice how it changes after the commercial), made it all the more evident that there are still issues between the ladies. A shame, as they, IMO, were one of the most promising collectives to emerge on the music scene in a long while. It’ll be interesting to see how the future plays out for all five ladies…

Your thoughts?

That Grape Juice Interviews D. Woods

9ca14689bb50d81778350791708a68d7 That Grape Juice Interviews D. Woods
*Apologies for the delay guys. Rest assured it won’t be happening again. An end the ‘Sam roasting’? LOL*

With all the drama and hysteria surrounding the recent break-up of Danity Kane, many fans and observers have been left wondering what exactly caused the demise of arguably the industry’s most promising group. What’s more, many are keen to know what the future holds for the Danity Kane brand as well former members, who they have come to know and love over the years.

We caught up with former Danity Kane star and friend of That Grape Juice D. Woods, recently, who, as ever, spoke frankly about e-v-e-r-y-t-h-i-n-g! The cause of the break-up, Dawn going solo, Bad Boy, her own solo plans, Aubrey’s Playboy spread, the future of the group and so much more. A lengthy, yet really great read. Enjoy!
Interview by: Sam – That Grape Juice // Transcription: Bisi Kade

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D. Woods Shouts Out That Grape Juice

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Sam: Hey D, how are you? It’s been a while since we last met up, at last year’s MOBO Awards. What have you been up to since then?

D. Woods: I have been doing a lot of revamping and reinventing myself (laughs). (I’ve) been doing a lot of work in the studio, as well as setting up some new business ventures. So that’s been like from last November till now. And of course you know the election, being all excited and going to the events for our new president! Obama. So that’s just been another big part (laughs), I feel like Obama is part of the family now.

Sam: Ok, so this week saw Dawn from the group confirm that Danity Kane is indeed no more, citing the fact only she and Aundrea turned up for the filming of the new season of Making The Band – despite all being invited. What’s your take on what appears to be the official demise of Danity Kane?

D. Woods: Well… I mean, the official split and break up was aired during the last episode of last season. It was on our season finale so that’s been fact for some time now. It was a lot longer than what the general public knew because the split happened about two months before it aired. It’s something that had been in existence since the end of August of 2008.

You know it’s unfortunate. I do believe that we had great potential, but at the same time you know all things do come to an end and I feel like we accomplished a great amount of things as a group. Now it’s just a new season, you know a season of life and just time to support each other in what we’re doing after.

Sam: What would you say led to the issues with the group to begin with? (i.e. trust, commitment, friendship etc)?

D. Woods: Well I even voiced this on that ‘final meeting’ that we had. However you know because of television editing and stuff, it didn’t quite get aired! (Laughs) But I definitely voiced it and it was definitely the general feeling of all 5 of us that the cause was the issues we were dealing with as a group with the structure around us. From the onset, you know almost literally from day one, after our names were called out to be the official 5 members of Danity Kane, we were dealing with a lot of issues – everything from business and structure, team-wise, foundation and just how to function as a group, as well as how to put the right people around us.

We were 5 individuals, with different prior experiences with the music industry and entertainment industry. So when you have all these people who have been doing it on their own and then we’re in a situation where we never had like a team leader or a coach. It’s like on a basketball team, you can’t have all these star players and not have the right coach to utilize everyone’s best assets for the good of the team, and that was something we were struggling with from the jump. And I mean you could probably even attach to knowing that ‘Danity Kane’ was capable of so much more then what you saw, but we just never quite got there, you know what I mean? 

All that always goes back to the team (laughs) you know what I’m saying? The team around us. It’s not enough to just be talented, and it’s not enough for us to just work on our friendship. Our individual relationships were the smallest of issues; after all that happens with any group of people, you know what I mean? Your gonna have special relationships, your gonna have a little bit of clashing of personalities just because we hadn’t known each other before we were put into the group. These are things everyone goes through, yet really trying to make it work under such a microscope of that reality show camera (laughs), where every single issue was magnified and dramatised, took its toll, I think.

Sam: There seemed to be sentiments in the last episode that Dawn was being groomed for a solo deal of some sort?

D. Woods: Well, we knew that was happening for almost a year, (laughs) prior to it actually coming to a head at that finale meeting. And it’s just like, to me, you know that is the decision of the record label [Bad Boy]. It is what it is. During the finale meeting (not all of which was aired), I was just like (to Diddy) “I’m happy that you took to her (Dawn), I think she’s a great talent” Everyone’s preference is different, and his was her, you know what I mean? I was like you know “congratulations I hope you guys do great things”’. Unfortunately, I feel it wasn’t really presented in the right way. I feel like it’s about what you do, it’s about how you do it and I don’t feel like they (Diddy and the label) really prepared the whole collective for that particular decision in the most constructive way. That said (laughs,) it’s not really my place to say, I’m not the executive of the company and it’s not my life and my career; that’s Dawn’s decision. So, like I said when I was departing from the meeting at the last part of that episode, I was like “I’m glad he believed in you, I’m glad he saw something you in you and I hope you go far”.

Sam: Ok. Do you feel, in light of the escalating issues you described the group as dealing with, that you would have left the group irrespective of whether or not Diddy had called the meeting or ousted yourself or Aubrey? Or do you think you have probably would have stayed?

D. Woods: I can never really say, because it happened they way it did. I know that I tried many different tactics of making the situation work (laughs). During the 2 year+ span of being of a part of Danity Kane, I know that I offered as many parts of myself – my talent, my intellect, my resources, my relationships. I’m just definitely the type of person where I don’t really through my hands up and walk away. I feel like God had to make an exit for me (laughs), because I probably would have tried whatever other9521933b2e8860c7d1d6bf21d829cd0c That Grape Juice Interviews D. Woodsr tactic I could think of to make it work. I probably would have like just kept trying until I was forced out, and that’s what basically happened (laughs). It was like “get out” and I was like “alright then, fine, I’ll leave” (laughs) you know what I mean. But, you know, when I’m a part of something I believe in I go 110%. I’m a Cancer so loyalty is definitely a prominent personality trait I have, and sometimes loyalty is to my detriment and I’m that’s just a life lesson that I’m learning, how to fine-tune that.

Sam: In our last interview, just before ‘Welcome to The Dollhouse’ dropped, you expressed that management and label issues were staple problems during the release of your first album. Did this change the 2nd go round?

D. Woods: It’s kind of like putting a bandage on a gunshot wound for a little bit, you know (laughs). That’s just the first analogy that I came up with (laughs). It’s like you can stop some of the bleeding, you make it a little bit numb to the pain, but all in all the problems were still there. I was happy that MTV did air and did showcase a little bit of the struggle that we were going through just to kind of like to gain some type of artistic integrity during that ‘Welcome to The Dollhouse’ album. I mean they only showed like the tip of the iceberg, but you know that was one of the times that I know myself and Aubrey we were tag teaming, like “Okay you talk to them (Diddy, the label, producers etc) now”… “alright you say this cause you better at talking to them in those type of ways and you know Rick Ross so why don’t you ask him to get on this song” etc. We were just really putting our heads together as to how to really make the album something that we could genuinely call our own.

But at the same time, we were like “why were we doing that?” We were just the artists, yet we had to play a lot of different roles and wear a lot of different hats, when we really should have been just thinking about being the best artistically and letting our management take those battles for us, you know what I mean? [Sighs] So, yeah experiences… it’s been a learning experience and I’m definitely proud of the album at the end of the day. Sometimes you go on an uphill battle and then you finally get to a Plateau and you’re like ‘Wooo, that was hard I don’t want to do it again like that, but I am glad I did it’ (laughs).

Sam: (laughs). Ok, so with Reality TV a lot if left on the cutting room floor, what didn’t we see that, perhaps would have shed more light on the situation?

D. Woods: Umm… I think you would have seen more of the individual roles that each one of us played, you would have seen a lot more of the creativity that I know I, myself, brought to the table. I think you would have seen a lot more of the passion, (you would have seen) that we weren’t just a bunch of whiny girls wanting it our way. We were trying hard (laughs), you know what I’m saying. We had already gone through the whole issue of proving ourselves initially and there we were proving ourselves once again; so you would have seen just more of a determination which screamed “alright okay we made it through door number 1, but we still have to get through door number 2”. You would have seen how we basically picked ourselves back up, and put ourselves back together from (a predicament of) almost being dropped from the label after the first album; and then putting ourselves back together as well as getting that motivation to not only do it again, but do it better than before.

I also wished they showed more of some of the silliness (laughs), you know what I mean? Like they made it so serious and so dramatised; we had so much fun while we were in Miami and we had some great times also at the ‘Circle House Studio’. I mean I really love those people over there. I built up a lot of good relationships with writers and producers that I probably would not have met had I not gone through that experience. One is producer Kwamѐ. I and he have continued to work together, and we have a really good working relationship. We balance ideas off one another really well. So yeah, more of the fun times.

Sam: In the trailer for the new season of ‘Making the Band’, Dawn is seen speaking to a few members of the Day 26 in one of their bust ups and she was quoted as saying ‘that DK actually thought physically’. Is there any kind of light you can shed on that?

D. Woods: I, myself, have never been in a physical altercation with any of the group members (laughs). I just know that that’s just not the way you solve problems, especially if you expect to come back together and work together. I just knew that, because, as heated as some of our discussions could get, I never wanted it to get to the physical, physical abuse…

Sam: But is it something that did go down in the group, during the time you were together?

D. Woods: I will say that a lot of objects flew (laughs) not from me, and I had to duck a few (laughs). My stature is just bigger than all the rest of girls’ I’m just tallest one, I’m a more muscular shape and everything. So I just knew that I just never wanted to be put in that position (laughs) where I would have to go into any of that. I didn’t want any of that to happen (laughs).

Sam: (Laughs!) Do you feel the direction of the group was restricted due to commitments on Making The Band in terms of International promotion, strengthening the brand as a whole? Many were perplexed when after just one single, the group went on tour, with a 2nd single (‘Bad Girl’) being released so long after.
09508595bbf4d5cfdb4de5f52972bf2c That Grape Juice Interviews D. Woods

D. Woods: To be honest, I can’t really say. I know that I wanted us to definitely have a bigger international campaign. That is one of the main arguments I made and fought for with the 2nd album and some of the things I fought for, because I just know that the world is so much bigger than just the U.S market. It’s great to be accepted at home, but there are so many opportunities to tap into and knowing that if our music could relate more to an international market then there would be so many opportunities of touring, of collaborating with other artist etc. Unfortunately, that never happened and I can’t put my finger on the exact cause (budget, etc). They (the label and team behind us) just never really like pushed it for us to travel and nurture our audience Internationally. That said, that’s definitely something I’m aiming to do with my future project; I’ve already started putting work in on that front. That’s why I was there for the MOBO Awards (back in October). I was like “I need to come over here (laughs)… I need to touch this ground because I know it’s there”. I befriended Estelle and she had a lot of things to say in terms of how things work on the UK scene. I have some friends in Amsterdam and West Africa and I’m just like ‘okay ya’ll, I just got to get there, I got to get there’. I’m making preparations for myself to be able to do things I knew that Danity Kane would have been able to do. I’m gonna make sure I do them myself, now that the opportunity is there.

Sam: In last year’s season finale, you stated that everyone hasn’t been happy for long. How long has it been since you where happy in DK and what was your last memory of enjoying moments with everyone of the girls (specific with moments with each one)?

D. Woods: (Sighs) Like I said earlier, we were dealing with problems from the very beginning, yet there were A LOT of good times. I really can’t like pinpoint a month day or anything where I can say ‘yeah this is where like the good out ways the bad’, it was always kind of like a fight between the two. It was a fight to just try to look at the glass as being more half full, (rather) than half empty.

I recently wrote a letter to my fans on MySpace ‘cause I hadn’t really spoken out about anything. But I just wanted to let them know that I was having one of those moments when I was remembering how a lot of the time it was them that kept us (DK) going. ‘Cause we were like “we have some great fans… we have some really like great people who show up to every show”. There’s fans that I know personally; I know their first and last names, their mothers, their little brothers and sisters that they brought, and it’s like they almost became like our family…we called them our ‘fanily’ instead of ‘m’ for family, but we put a ‘n’ because it’s like our fans ‘like ya’ll our fanily’. So like, it really was like those experiences with them… the things they would give us cards, scrapbooks. That, more than anything, kept us pushing because we knew that there was at least you 50 people waiting outside right then, who just want to just hang out (laughs).

Sam: D, could you please elaborate on ‘Swagga like Us’, the Girls Club song

D. Woods: Girls Club! (Laughs). The group (we write and perform together), consists of myself, Meka Means, and Shanell. You know, we are definitely all about the girl power; we will be like U.S, raunchier version of the Spice Girls (laughs).

But (about the song)… we started hearing all the remixes of ‘Swagga like Us’ and we wanted to do one. We love M.I.A (the song’s originator), so we felt we got to represent for her because all these dudes jumping on her song. We wanted to give her something for the females and that’s really it you know…

Sam: People were under the impression that you were kind of taking aim at particular members of the group [DK].

D. Woods: (Pause) well I would just have to say that if you thought (laughs) I was talking about you, maybe you did something. But I really wasn’t, though. That’s an issue one has to take on for them and ask themselves: “Is it me? Did I do that? Did she feel that way?” But generally, it’s boasting that’s all Hip-Hop is. It’s talking junk, it’s playing dozens, it’s doing all of that. It’s making analogies and that’s all that it is. Like ‘Swagga’ you know what I’m saying (laughs).

Sam: I hear you. So, Diddy is quoted as saying that he is not allowing anyone out of their contract? What’s your current contractual obligation to Bad Boy / Making The Band looking like as at now?

D. Woods: (Sighs) Well, umm, someone called me and told me about that. It was674db3c8974f12a6309e9d29c8beb14a That Grape Juice Interviews D. Woods on a promo or commercial or something right? (Sighs) yeah I would have to say that (laughs) they do a lot on that show, the creators of that show, and the creators of the promos, and the editors, the producers… they’re wonderful at doing their job…on making content and baiting people to want to watch. On top of that, Puff knows his reputation in the industry and so they play on that. So I think that is that is what that was I mean… yeah….

Sam: Is it one of those things you can’t comment on?

D. Woods: I’m just not gonna (laughs) comment on it.

Sam: Sam: (Laughs). Alrighty. What does the future hold for D. Woods? Will we be seeing you on the next season of Making the Band? Sound we can expect from your solo project etc…

D. Woods: Well you should look forward to definitely seeing me; I know that is a lot of folks’ concern. Like you asked me earlier “What have you been doing since the split?”

I definitely have been taking this time to really like decompress. Especially after being so committed to Danity Kane and what we wanted to create as a group, in terms of image perception and what specifically 325472601571f31e1bf00674c368d335 That Grape Juice Interviews D. Woodswe wanted to stand for. It’s a case of trying to switch lanes from that.

It’s a process of really getting into myself and what I want to stand for, and what I want to use my talent and my art to do. So that’s what I’ve been doing, generally.

I have a couple things (that I’m working on) that kind of touch a lot of different interests of mine. I’m developing my known profit organisation called ‘Project Girls Club’. My group ‘The Girls Club’ is kinda like our version of a music industry sorority, so Project Girls Club would be like an outreach to younger girls to inspire them to do whatever it is that interest them. Investing in their interests and coming up with different ways to just support and give outlets to the youth. So that’s what I’m currently working on as well as a lot of new music for myself and other people.

And then there’s also finding creative ways to fuse my more artsy theatrical background with my more commercial industry status right now. So one of my professors from New York University we’ve been talking, and he actually is publishing some of his writing and actually quoting some my writing that I did when I was under him (in his writing). So I was like ‘wow so I’m gonna start delving back into that side of myself and developing some stage performance stuff’. I have a degree in theatre in NYU [New York University]. So I’ve been reading scripts and looking into film and television, but also like developing new work specifically for theatre. I love being creative, which is a really great feeling and space to be in mentally. Because after having to wear so many different types of hats (laughs) you kind of forget that you’re an artist. I’m a artist, first, at the end of the day.

Sam: Can we expect a solo deal in the future?

D. Woods: Well you definitely can, yeah.

Sam: So that’s a yes?

D. Woods: Yes… and you can also expect, my mix tape series to start hitting the information airwaves, my mix tape series is entitled ‘Independence Day’ gonna drop the first of the tapes in February, and it’s gonna be a little warm up (laughs) and definitely having fun on records. You can expect ‘Swagga Like Us’ remix to be on there too (laughs).

Sam: Cool. On the season finale of making the band, Diddy insinuated that he may have made a mistake in letting you go, yet continued to defend his decision to get rid of Aubrey. If he approached to rejoin the band sans the 2nd half of ‘D. Breezy’, would you consider a return?

D. Woods: Umm I think that after being fired so publicly (laughs), I think I’m ‘damaged’… to use one of our songs (laughs). Yeah, I’m a little bit damaged. Like, for whatever reason he (Diddy) may use as to why he kicked me out of the group, it was reason enough for him to do it. I don’t believe that the reason was just because of Aubrey. There was a real reason why he decided to terminate me, which I guess only he knows; a reason that will probably come up again, if I was to return.

Sometimes when you break up with someone in a relationship, that’s really where it should end, know what I’m saying? And I wish all of them well, but trying to put it back together usually brings to the forefront why you broke up in the first place.
(Laughs) I broke up with somebody actually! I just keep going back to breaking up with my ex-boyfriend…random…(laughs) so I’m kind of like damaged in that way too…

Sam: Is that a recent occurrence?

D. Woods: Yeah so I didn’t have a Valentine this year…

Sam: Awww (laughs). I’m sure there are plenty of guys queing up for you…

D. Woods: I wish (laughs)…

Sam: Aubrey…what’s your take on her recently released Playboy spread?

e25465071aebd5d22725da23aa19f915 That Grape Juice Interviews D. WoodsD. Woods: She told me she was gonna do it, she called me when she got the offer. We talk about everything that we’re both actually offered. We talked when she was offered ‘Hairspray’ [musical], we talked about when she was offered Playboy. And I just said “You know what? If you don’t have a problem within yourself, then do it! Just make sure that it’s tasteful”. Her main thing was that she wanted to make sure it looked tasteful. She wanted to make sure it was more of an artful photo-shoot, rather than just putting it all out there. So she told me, after she was done with the shoot, that it was done really beautifully and that she was really proud of the pictures. She really loved the photographer and she the loved the stylist and the makeup and the hair. And I could tell that it was something that made her feel good, I feel good for her. You know what I mean?

Sam: Some argue Aubrey changed in comparison to when she first joined the band. What’s your take on this?

D. Woods: It depends on what everyone’s opinion on her ‘change’ is. I will say, though, people change (laughs), people do not stay the same. When she auditioned for ‘Making the Band’, she auditioned a year before I did, so now that’s going on 4 years. People change in 4 years! You know what I mean, so you can’t expect anyone to stay exactly the same.

Sam: Very true. Do you still speak with any of the girls, as well as Diddy? What’s your relationship with each of the ladies like at present?

D. Woods: Umm the relationship that we had before the spilt is basically the same. The same amount of communication that I had with each of the girls then is the same as now now…

Sam: So is it a case of you more closer to Aubrey and the other girls you speak to more sparsely?

D. Woods: Yeah.

Sam: What about Diddy?

D. Woods: Exactly the same (laughs). When it was time to talk to the boss, we talked to him. He is not my boss anymore (laughs).

Sam: Harking back to one of the earlier questions; it was said that all of the girls were invited back to the most recent season. Is there truth to that? Were you invited back but declined?

D. Woods: Because of the situation and the way that it did play out, it was very complicated. It wasn’t as simple as just an invitation to just come back and someone just saying no. It was some other things that are very delicate and we never came to an agreement on the terms of how to come back.

Sam: Ok, what are the chances of reconciliation among all five girls? Is it possible at all for the girls to record under a different label with the same etc?

D. Woods: There’s always possibilities. I think that it always depends on each individual and where they are in their life and definitely how each person conducts themselves in that time span. When we left that finale meeting, I didn’t have any bad blood with anyone. So it just would depend on how each person conducts themselves, from now till whatever reunion or whatever.

Sam: Another question people are kind of keen to pose is if it is possible for the girls to perform under a different label, but with the same name? Is that a possibility at all?

D. Woods: (Sighs) (laughs) People have been wanting to know that since the first album. Again these are all things that music industry 101, take it, read all the books (laughs) and then it’s not just ABC 123 it’s defiantly a business yeah.

Sam: Are you aware of the division the DK split has caused between the fans? Many fans are finger pointing. Any message to the fans to stop hating on one another?

D. Woods: Yeah, I mean I knew that was gonna happen. Especially in the way it was aired and shown, the whole story is never told. So I would just to anyone who may want to choose a side, you know just really… I would say thank you first of all for being so invested and so concerned, that you are emotionally to the point where you want to point a finger and your mad. Because if you didn’t care you wouldn’t be mad, so obviously we made you care enough about all of us as a group or as a individual in a group, that you feel some type of way that the group spilt up. I would say thank you first. Second I would say it was a television show that these people watched at home in their living rooms, we lived it 24/7 all your seeing is about 35 minutes or I don’t know if it’s the 30 minute episode your only really seeing 19 minutes of are 24/7 life. So you don’t know the whole story please just support each person when they do what they gonna do after it. Because you can never understand the full scope of the situation at hand. And we ourselves who lived it we’re still trying to understand what happened.

Sam: Anything else you wish to add?

D. Woods: My website is missdwoods.com, I’m re-launching the site as well this month, to come along with my mix tape ‘Independence Day’ coming soon and stay tuned be excited cause it’s a new phase and I’m always aim to just be inspirational innovative in whatever I do so just be excited for what’s gonna come, cause its gonna be good.

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Your thoughts on the interview?


That Grape Juice To Interview D. Woods

d+woods+that+grape+juice That Grape Juice To Interview D. Woods
I’m sure many of you will be pleased to hear that That Grape Juice has secured a confirmed interview slot with former Danity Kane star D. Woods – ironically on the same day as our interview with Dawn Richards from the group! Some of you may remember, we were meant to interview D late last year, however scheduling conflicts caused for a delay.
When catching up with D here in London last year, she insisted she would be setting the record straight about the Danity Kane / Making The Band fiasco, as well as what the future holds for her.
Therefore, please drop any questions you have for her in the comments section below. As usual, only legit questions will be considered. Thanks guys!

That Grape Juice To Interview D. Woods (Reminder)

d+woods+that+grape+juice That Grape Juice To Interview D. Woods (Reminder)

As announced last week, That Grape Juice will be interviewing recently ousted Danity Kane member D. Woods this week. You can submit questions for her at the link below. Thanks!

Click here to submit questions for D. Woods


Dawn Talks To Essence About Danity Kane Drama

dawn+essense Dawn Talks To Essence About Danity Kane DramaOne third of the remaining members of Danity Kane, Dawn Richard, spoke with Essence Magazine about the drama surrounding the group following the sacking of Aubrey O’ Day and D. Woods, as well as speaking on the the group’s future. A long, yet interesting read:

ESSENCE.COM: Last night’s finale of “Making The Band 4” was sort of subdued drama with a pretty ambiguous ending. Diddy has left the ladies of Danity Kane to decide what the group’s future will be. What is your hope for the group?

DAWN RICHARD: We talked about it and there’s a fear we have of losing our fan base. But at the end of the day, Diddy made his choice to let us decide and we would like to continue with the name and the group. This is our lives and you can’t just say no to your dreams. I love working with the group. However, it’s so hard to say what will happen. I would prefer that the original group members remain. It’s hard enough for fans to follow as is.

ESSENCE.COM: Diddy is a beast when it comes to whipping his groups into shape and his truth hurts. He already let Aubrey go and then D. Woods was a no-show last night. Have you spoken or plan to speak to any of the ladies?

RICHARD: No, I haven’t. Honestly, we really don’t talk that much, but I wish them the best of luck. I showed up, and as one person, I can only do so much. If they want to get in touch with me, they will because I totally support them and always will. All of this stuff affects us because these are our lives. Diddy tells us to try to save our group and some of us don’t show up? We’re making a serious statement to him about the future of this group by doing so.

ESSENCE.COM: There’s been much hearsay about Diddy’s intentions of making you the lead of Danity Kane as well as offering you a solo record deal. Is that true?

RICHARD: It’s so interesting how the media chooses to interpret or report things. I have never said that I was pursuing a solo deal. I told someone that I have waited so long for my dream, and singing is my dream and has been for so long. I have done nothing on the side as far as solo projects; I’m not sidestepping. I have totally been supportive of the group—that’s my priority. We had shows where Aubrey didn’t show up and we had her back and no one wrote about it or said anything. Some of the other girls have pursued their interests and I have sat back and supported them in their individual pursuits. It truly hurts my feelings because I work so hard and I’ve been so honest from the beginning. I can’t control it if someone says, `I respect your artistry and I’d like to work with you.’ What’s wrong with that? Instead of getting support there is nothing but negativity. Again, my priority has always been Danity Kane. I’ve never missed a show or meeting so it’s just interesting how people perceive things. I can only put it in God’s hands.

ESSENCE.COM: But has Diddy ever approached you personally about a deal?

RICHARD: Everyone should ask Puff if that’s what he has in line for me. If he does, then I’m honored and I will work hard as I’ve always done. What I know for certain is that he would never break up Danity Kane. I’ve always been on that same train, too. At the end of the day, I’m going to rock with the first priority, which is Danity Kane. Who knows what can happen, because Puff changes his mind every five seconds. I’m going to work hard. I’m going to be the same person I was in the beginning. What’s honest and true is that I respect people. I respect and love the group. I wish it could still be five of us. I didn’t make Aubrey leave. I didn’t make D. Woods not show up. People choose their paths and you do what’s best for your situation. This is your job and you do the best you can do. All we’re trying to do is survive.

ESSENCE.COM: Because you’ve written songs for the group and named the group, do you think the other ladies might be envious of you?

RICHARD: I will never say anyone is jealous of me, because that’s not the type of person I am. I just never see it like that. You work hard, people respect you or you don’t. Growing up in my household, nothing was ever easy, especially as an African-American woman. You can be perceived as a b—-. When I work so hard, some people say all these mean things when you’re trying to be righteous and it’s so hurtful. I’m human, so in the beginning of my career when I read those things, they were the worst and meanest things. I couldn’t conceive why my own people wouldn’t be more positive and support me, so I couldn’t help but be hurt and think, Why don’t you have my back? I’m doing something positive? I’m not a hater. You don’t even have to like me. I’m going to respect everyone. Now I don’t let the negative talk affect me; I just do me, because no one is perfect and you can’t live for everyone else.

ESSENCE.COM: Dawn, you’re extremely positive and that is to be respected. Do you have any personal issues with the group?

RICHARD: I stated this once before when Diddy asked what the problems were. The reality is that some days we get along and other days we don’t, but it has never made me feel differently about the girls or the group. I always wanted to rock with those four girls. I’m about business and how do we keep the fans happy and how do we make our business work better. I’m pro-Danity Kane.

The drama continues…

Your thoughts?


That Grape Juice Interviews D. Woods

n making the band mtv 0393 That Grape Juice Interviews D. Woods That Grape Juice recently caught up with D. Woods from Platinum selling group Danity Kane. During the course of our telephone interview, D. Woods spoke, quite openly, about the group’s success, the break-up drama, label/management opposition, her body image and much more. A long, yet interesting read. Enjoy.

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D. Woods Shouts Out That Grape Juice

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Sam: Hey D.Woods, how are you?

D.Woods: I’m great. How are you?

Sam: I’m doing fine, thank you. I’m doing fine. It’s great to be able to speak with you.

D.Woods: Likewise.

Sam: I’m sure you’ve been very busy as of late, describe your day today.

D.Woods: Oh, today. We were in rehearsal all day today. We’re actually about to shoot the video for our new single ‘Damaged’. So we’ve just been rehearsing, dancing and sweating (laughs).

Sam: That’s great. Let me just say, I’d like to congratulate you and the group on being certified Platinum with your self-titled debut.

D.Woods: Thank you.

Sam: You’re welcome.

As has been seen previously, coming from a popular reality show doesn’t always transcend into high record sales. How, then, does it feel to have achieved such a major feat with the first album?

D. Woods: It was definitely a surprise. I mean, it’s what we all hoped for, but we knew the odds that were against us. So after all our hard work, achieving it (platinum status) was like the icing on the cake because we, basically, had our dreams turned into a reality.

Sam: Ok. Your sophomore album is interestingly titled ‘Welcome To The Dollhouse’. How did the group come up with the name for the record?

D. Woods: Well, one of the records we have on the album called ‘The Key’ has a very…the music sounds kind of like a wind-up doll. So we had a whole visual brainstorming session for the direction of the album and (came up with) the fact that we can be likened to these dolls that can be made up, positioned and dressed. Yet, at the same time, we wanted to get a little bit deeper; open the doors to how we really feel because last time we didn’t really get too emotional, touch on things that matter and our personalities didn’t really shine as we would have wanted them to. This time, it’s like, welcome everyone in; we are like these dolls, pristine and whatnot, but at the same time we have other sides to us.

Sam: The record you mentioned, you said it was called ‘The Key’, right?

D. Woods: Yeah. It was written by a writer/artist named Shanell, who is actually my sister.

Sam: Yes. Is she signed with Ne-Yo?

D. Woods: Yes she is.

Sam: (laughs) I did a bit of research on that.

D. Woods: Yeah. Myself, my sister Shanell and another partner Mika, are a writing team called the The Girls Club.

Sam: Having watched the current season of Making The Band, Diddy seems to have given you ladies more of a creative input this go round. In what ways was this so and how did it impact the final product?

D. Woods: It definitely (impacted the final product). I mean, the title ‘Welcome To The Dollhouse’ is some thing that we as a group created. We definitely went toe-to-toe with him on choosing which songs (would feature on the album) out of the ones we recorded. We had a lot to say about the direction of our upcoming video. Everything, this time, is a lot more organic and believable.

Sam: You guys did a lot more writing on the album this go round, right?

D. Woods: Yes. We worked collectively to co-write. By ourselves, we wrote about six of the tracks on the album.

Sam: How many tracks are going to be featured on the album?

D. Woods: That is still in the works right now. We’re still going back and forth, choosing songs, keeping them and taking them off. I’m not sure just yet.

Sam: The album’s lead single, The Stereotypes produced ‘Damaged’ is markedly more pop sounding compared to the radio-friendly R&B on your first album. Is this the ‘sound’ we can expect to hear more of on ‘Welcome To The Dollhouse’?

D. Woods: Definitely. We definitely wanted a dance record, something that was Pop, with international appeal. We wanted something in the vein of what some other people were doing, like Justin Timberlake and Nelly Furtado. To be honest, we wanted to have that energy because we are all dancers. I mean, we were in rehearsal today just killing it (laughs). It’s exciting for us, for me. I’ve been dancing since I was three years old and me being able to express (myself) goes hand-in-hand with the vocal part of our performance. So yeah…

Sam: Great. As well as newcomers such as The Stereotypes, who else did the group work with on the album and what collaborations etc can we expect?

D. Woods: We did a couple of songs with the producer Danja. There’s also a song called ‘Bad Girl’ that Missy Elliott features on and we were really excited to be able to work with her. Some of the other producers include The Runners, Bryan Michael-Cox, 7even. We have writing teams like The Clutch. Our vocal producer, who basically vocally produced the entire album and we wrote songs with him, was Jim Beans. He had a really wonderful way of working with our different voices, voice textures and making us blend together. He helped us find new ways to get five voices on one track.

Sam: A lot fans wanted to know when the ‘Damaged’ video will premiere.

D. Woods: We are actually shooting it this Wednesday. So soon after.

Sam: Who will be directing the video?

D. Woods: The director is Syndrome.

Sam: I’m assuming the album has been completed; you’re just in the process of selecting tracks. Do you have any personal favourites?

D. Woods: Yeah, the recording is done, we just choosing the songs. I have to say that ‘The Key’ is my personal favourite because it comes from my camp…

Sam: (laughs)

D. Woods: There’s another one I wrote on called ‘Flashback’, it’s actually an interlude. I was one dwoods That Grape Juice Interviews D. Woodsof the last ones that we did. Me and Dawn wrote it. It kinda almost has an alternative/rock edge to it. After recording it as an interlude, we were like ‘Dang, we should made this a full song!’ Also, there is a song called ‘Striptease’, which myself, Dawn and Jim Beans wrote together. It’s very tongue-in-cheek, sassy, and sexy, using a lot of metaphors…it’s real sexy (laughs). I’m hoping that it will end up being a single so that we can match the visual to the cleverly written lines. Danja produced that song, so the beat is crazy.

Sam: Definitely a lot to look forward to there.

We have to talk about the drama surrounding the group this past summer. There was a lot of talk among the media, as well as some of the group members themselves about a possible break-up/new line-up etc. Obviously, now things are fine, but what exactly went down then?

D. Woods: Well, there were the rumors that we were breaking up and I stress that they were rumors, as they were never confirmed. That was never a reality, so that was that. The other part of the drama, definitely, was that we had to ‘clean house’ with our business organization. Being a group that was constructed on a reality TV show, we were not in control of a lot of the things that were going on around us. I mean, as you saw with our last album, it kind of picked up and then the ball was dropped. So, we had to address those issues and take matters into our own hands; and that takes time (to restructure your business). We had to fire our management…actually, it was a mutual split, and both parties weren’t happy (laughs). We, basically, had to pick up the pieces. There wasn’t a lot of support from the label at that time, because they didn’t know what to do with us. We really just had to pull together; we live in 5 separate cities across the country…It was just a real reality, we really found out the real reality and that was what that (the drama) was all about.

Sam: There was a rather lengthy gap between the group’s first and second single, ‘Show Stopper’ and ‘Ride For You’ respectively. Was this linked to the restructuring process you mentioned?

D. Woods: Uh huh. Yeah.

Sam: Despite selling very well with the first album, the group have stated, on quite a few occasions, that you all didn’t make any money from it. Why? How did you all safeguard yourself this time around?

D. Woods: Well, being that we weren’t allowed to write anything on the first album, I say ‘allowed’ because we definitely submitted lots of songs but they weren’t…

Sam: Allowed to be placed on the record?

D. Woods: Right. It was in other people’s best interest to not have us writing on the first album (laughs). I mean, that’s the main way you will make money when releasing an album; after you recoup everything, there’s not much left over (besides what one would receive on writing credits). I think, that during the lengthy gap between ‘Show Stopper’ and ‘Ride For You’ – as you observed – that was actually the record company figuring out that we are actually a credible group. They were figuring that out at that point.

Sam: I know a lot of fans were hoping for more singles from the record. I remember hearing a lot of calls for ‘Sleep On It’ and other tracks to be given the single treatment. For obvious reason, it…

D. Woods: With the state of the industry, a lot of record companies are not gonna risk anything. They don’t want to spend a lot of money, but they want a lot of returns. I think people weren’t sure they could spend a lot of money on us and get a return on us; but we definitely proved them wrong –time and time again (laughs). So with that, we definitely fought for the right to take creative control, to be able to write on our album, to put new management in place so that business opportunities will be there that would allow us to make money outside of just the records. At this point in the industry, you make most of you money outside of the music. We didn’t have any of that set up by our last management. We were basically doing shows and paying ourselves, the people on the road with us etc. So when the shows stopped, the money stopped. That’s the part of the industry (people don’t see). Yes, it’s ‘Lights, Camera, Action’ and glamour, but it’s a job at the same time, you know. If you’re not out there making people move their feet and clap their hands, then you don’t get paid (laughs). It’s like at IBM, if you don’t press those buttons on the computer, you’re not getting a paycheque.

Sam: … (laughs) On the current season of Making The Band, much ado has been made about the fact that you ladies reached Platinum status with the first record. Do you feel any added pressure this go round? Are you fearful of the dreaded sophomore jinx?

D. Woods: No. I feel like this is the first album that we’re doing. We’re actually able to be ourselves. I feel it’s a better way for us to step out. Already, we’ve had great feedback on ‘Damaged’. From little listening parties here and there, people are real excited about the music, images, photoshoots, everything. The photoshoots etc we are doing now are just cohesive with the music; so it feels like now we are just starting. So it doesn’t feel like ‘Oh my God, the sophomore jinx’ (laughs); it’s more like ‘Oh, we really about to do it now. We weren’t playing the last time’ (laughs).

Sam: That’s great. Bad Boy’s track record with artists is, arguably, hit and miss. How does Danity Kane plan to sustain in the industry for the long haul?

dwoods21 That Grape Juice Interviews D. WoodsD. Woods: We just plan to learn from the mistakes of the past (laughs), keep moving forward and not rely on anyone. I mean, all of us in Danity Kane, this isn’t our first taste of the industry – we all have our own levels of experience and know what’s going on. Like if we don’t know something, we know someone that does and will get the information. We’ll have the right attorney around us to give us the information, have a music business book etc at hand and make it happen. That’s what you really have to do; do it for yourself; you can’t rely on everybody else to do it for you.

Sam: Cool. On this season of Making The Band, you have co-star with the guys from last seasons show. How does the show’s new dynamic sit with you? Did you have any apprehensions going into it, as things have obviously changed?

D. Woods: Going back into it, I was a little nervous because I didn’t know what the direction of the show was going to be and how we were going to be portrayed. I was very protective of our image; I didn’t want it to go down as some ‘Flavor Of Love’ or ‘Real World’. This is our career and we weren’t looking to make a mockery of ourselves to get camera time. So that was my main concern, but I’m very happy; we have the comedy, the drama, the little romance that keeps it interesting. Yet, it also comes back to the music and I’m glad that it’s not all about the beat down or the ‘Oh, you couldn’t get your part right in the studio’. We are actually being portrayed as artists. People can walk away from this and they can respect our process, instead of criticizing it. If you look at how we were shown on the first couple of seasons, it wasn’t bad, but they would show a lot of the downfalls, but not much explanation behind it. So the viewers at home, who don’t know about recording in the studio for 12 hours trying to make hits, they don’t understand. That’s why we had a lot to fight against the first time coming out. Now I feel that the respect level is a lot higher.

Sam: As at writing, the episodes that have aired thus far, show you and Robert (from the guys) to have a situation of sorts going on. A potential romance, perhaps?

D. Woods: No.

Sam: (Laughs!)

D. Woods: That episode you got the gist of the relationship (laughs). We made up and, by the end of that night, we had an understanding. I think when you don’t know people, you don’t know the buttons people have…it was trying me. You know, sometimes with the male macho ego, he probably thought he could just do whatever he wanted. Me just being a jokester, along with Aubrey, we just think such things are funny. I guess some people don’t have the same sense of humor (laughs).

Sam: Are there plans for any more seasons of Making The Band?

D. Woods: At this point, I don’t really know. I think we’ll find out depending on how the ratings are and what the network (MTV) is saying. mtb4+s2+cast That Grape Juice Interviews D. Woods

Sam: Moving on; with your evidently curvaceous build – something touched upon in previous seasons- and individuality (the hair etc), do see yourself as a role model to younger females. If so, why do you think it’s important?

D. Woods: What did you call it (laughs)?

Sam: Curvaceous build (laughs).

D. Woods: Awww

Well whether I see myself as a role model or not, I probably am. There are probably people that I will never meet that know about me, know what I’m doing, look at me in articles etc and it’s something that I always have to keep in mind…sorry what was the rest of the question (laughs)?

Sam: (Laughs / repeats question adding…) like, there was an episode from two seasons ago, where Diddy called you out (for being heavier than the other girls). A lot of the reaction was, obviously sympathy for you, and at the same time there was a collective ‘Oh wow, D. Woods is actually real. She’s just like a real woman’. So to some extent women see you as a role model.

D. Woods: I think above all, you just need to be true to yourself and that’s what I’ve been doing. As far as my physique, I’ve always been body conscious – not in an obsessive, compulsive way – but I’ve been a dancer all of my life, so I’ve always been into body conditioning, staying in shape and making sure that I’m able to perform and do what I do to my best capability. I try to maintain that in a way that’s neither mentally or physically damaging. Yes, it comes to a place where you accept genetics and you have to take care of your process and what you’re willing to do. Like, I’m not willing to change myself to fit into anyone’s mould. If you feel like I need to be a certain size to be in this group, then you probably should have picked somebody else.

Sam: (Laughs)

D. Woods: … because, no matter what, there’s certain things on me that aren’t going to change or get much smaller. Even with the hairstyle, I just do what I feel like doing. Like today, I decided to cut a little of it off (laughs). It’s all a part of how I express myself. (I) Express myself through song, through dance and through the way I look.

Sam: Who would you say are inspirations to you, as an individual?

D. Woods: My parents would listen to a lot of Soul music and those types of singers, so I was inspired by that. I was also inspired by Whitney Houston with her legendary, powerful voice. I was inspired by Patti Labelle, in the way she’s so individualistic. When you look at her, her track record, being in a group and then moving on to become a solo act, throughout she never compromised her style. The way she decides to sing or wear her hair etc, just exudes a lot of confidence (which inspires me). I’m very influenced by Hip-Hop, like Outkast, Jay-Z, Nas, Biggie, The Fugees, that’s the stuff I know all the lyrics to. There’s countless singers like Stevie Wonder, Brandy, Bjork, a lot of different people. I did a lot of musical theatre coming up; I majored in Theatre at college. So those are really my influences.

Sam: You have a lot of international fans (especially here in the UK), many of which are hoping to see/hear from the group this year. Will you be touring/releasing etc this year?

D. Woods: Most definitely. We’re definitely putting pressure on our label; we’re always telling them ‘y’all need to put together an international market’. We’re going to be all over the globe this year. So, yeah.

Sam: That’s awesome. A few quick random questions:

Have you heard Laurie-Ann’s new single ‘Addictive’?

D. Woods: I sure have (laughs)

Sam: (laughs) Are you liking the single?

D. Woods: How do you feel about it?

Sam: (laughs)…(silence)…Errr…

D. Woods: I’ve only seen the video once, I think I have to see/ hear it a few more times (laughs). I think it’s very interesting, I know it’s something she’s wanted to do for a while. I have to now get myself into looking at her as an artist and not a choreographer.

Sam: Uh huh. What songs you’ve had on constant rotation?

D. Woods: Without sounding cocky, I’m listening to my own music (laughs). I like it, what we put together and ready to get it all out of my system. I definitely like Kanye’s ‘Graduation’. I work out to ‘Stronger’, Rihanna’s ‘Don’t Stop The Muisc’ is another of my workout songs (laughs). I really love Alicia Keys’ album too. For some reason, I’m listening to a lot of throwback stuff recently. Like I just bought Madonna’s everything off iTunes (laughs). If someone was to go through my iPod, they’d probably wonder how it (the different music) all comes together, but somehow it just does.

Sam: Rounding up, the release date for the album?

D. Woods: March 18th

Sam: That’s great. Do you have a message for the fans?

D. Woods: Get ready to be excited. The album, the tour, everything. Get ready.

Sam: Thank you for your time.

D. Woods: Thank you.

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Danity Kane’s sophomore album ‘Welcome To the Dollhouse’ hits stores on March 18th. In the meanwhile, you can catch D. Woods and the rest of the ladies on MTV’s Making The Band 4 (check your local listings for air times).

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Your thoughts on the interview?


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