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Hot Topic: The ‘Oversexualization’ Of Pop Music.

RIHANNA GRAMMYS 20121 Hot Topic: The Oversexualization Of Pop Music.

“I love it- I love it- I love it when you eat it.

“Stop at the light Imma jump out my Barbie dream car/Imma jump on it- Imma ride him like a theme park.

It’s lyrics like these Cyndi Lauper may have been addressing, when she billed modern music ‘too sexual’ during an interview with ‘The Metro‘ recently.

Revealing that she shares her fans sentiment that much of today’s music is aggressive ‘Rape music’, the ‘She Bop’ belle had this to say on the matter:

“One young woman walked up to me recently at a concert and thanked me for my work ‘in the midst of all this rape music. I never thought of it like that, but so much music nowadays is about sex, sex, sex and is quite aggressive.

She called it rape music.I thought, ‘Oh my God, I guess she’s right’.

I just try to write music that connects with people’s conscience and make music for awake people rather than sleepwalkers”

So, considering ‘imagery’ endorsed by the likes of Marky Mark, Madonna and Adinah Howard in the 90s compared to outings by the likes of Chris Brown, Rihanna and Nicki Minaj today, we ask this:

Has Pop Music Become ‘Oversexualized’?

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Music

Why Mariah’s ‘Triumphant’ Return Should Have Waited

mariah carey triumphant that grape juice e1343998290108 Why Mariahs Triumphant Return Should Have Waited

It was the comeback many had been awaiting. Indeed, it’s been three years since Mariah Carey last released a traditional studio album – and seven since she released one anyone actually cared about.

Hence, the so-so reaction new single ‘Triumphant’ has received both critically and commercially is sure to come as somewhat of blow to the diva’s comeback campaign. A campaign which appears to be re-jigging strategy in light of the song’s performance (or lackthereof)

As reported yesterday, the 42 year old’s manager Randy Jackson confirmed that the cut’s housing album is slated for a March 2013 release – essentially auto-rendering ‘Triumphant’ a “buzz single”. A status we have a hard time believing was the “plan” from the outset. For, even the most well-prepared and well-executed projects would never leave a seven-month gap between the first “taste” of the LP and its arrival in stores. Never.

Thoroughly puzzling, it’s a “strategy” which begs the rhetorical question: why release ‘Triumphant’ now? Indeed, there isn’t an answer that could truly satisfy.

Still much loved, Mariah commands a loyal “Lamb” community; yet beyond that ultra dedicated bracket, there isn’t overwhelming “demand” for her in the music marketplace. At least not to the feverish degree that “demands” such a rush-release. What’s more, having signed up to judge ratings juggernaut American Idol, a vast weekly audience awaits Ms. Carey-Cannon when the show kicks off in January. Surely, holding off until then would have benefitted her cause more – ala rival Jennifer Lopez? Instead, she’s left with a first-hurdle misstep which sees the song moving at snail-pace at radio, sitting at #95 on US iTunes, and notable by its absence in the Top 200 of the UK tally.

There is, of course, room for the track to rebound; the debut of its music video is imminent, while its better-received remixes are due on iTunes next week. The latter being particularly noteworthy. In a recent interview with Billboard, Jackson touted the Dancier incarnations of the cut as being “for the fans”. Perhaps they are. Yet, we’re sure he and the rest of Team Mariah, are well-versed in the grey area that surrounds Billboard’s rules regarding the Hot 100. Indeed, unless structurally so different that it constitutes a “new song”, sales of remixes routinely count towards the title track’s overall chart placing. A practice which gives Mimi three lifelines to play with – if counting the original, Vintage Throwback, and Pulse versions of the song.

For us, though, we simply hoped she’d release the right song, more importantly at the right time. Still, what’s done is done. Fingers crossed for a revival of interest in the project, though; as -”new voice” and all- Mariah remains one of the industry’s most enduring and authentic assets. It’s time she stopped selling herself short.

Your thoughts?

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Music

Hot Topic : Can Album Sales Be Saved?

Adele Hot Topic : Can Album Sales Be Saved?

In an article posted by Billboard Biz last month billed ‘UK Album Sales Drop By 13%’, the unfortunate but unsurprising news that the rate of LPs sold in the UK had reached record breaking lows hit music lovers all too hard.

Intensified even further with a subsequent report which revealed ‘old releases’ were currently outselling their new counterparts for the first time in US chart history, it’s safe to say that the industry has seen far better days- as it currently  experiences its worst.

Indeed, despite commercial highs scored by Adele, Drake, Lil Wayne  and Pop deity Lady GaGa, very little can be done to disguise the desperate state many a label find itself in as they struggle to convince the buying public their acts are worth…buying.

So, ever eager to catch your take on matters like these, That Grape Juice asks you:

Can Album Sales Be Saved?

and…

What do you think the labels are doing wrong when it comes to pushing them?

Weigh in below…

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Music

Pop Equality : Does Race Play Into Chart Success?

Melanie Fiona Pop Equality : Does Race Play Into Chart Success?

Back in May, ‘Magnetic Fields‘ front man Stephen Merritt found himself under the media gaze after he made comments questioning the public’s support of ‘21‘ chart topper Adele.

In an interview with LA Weekly, he suggested that Caucasian artists performing what he called ‘black music’ were often more palatable to viewers than Black artists performing ‘black music’- hinting at an  underlying but unintentional racist streak in Popular audiences.

His comments didn’t end there. In making the comparison between the radio airtime given to Black Rap acts and their fairer counterparts, he concluded:

There is something unsavory about the way audiences sometimes disproportionately favor white artists making black music.

Witness Eminem’s repeated appearances on Billboard’s Modern Rock Tracks (now Alternative Songs) chart with songs sporting an unmistakably hip-hop bounce like “My Name Is” and “Without Me.” The only way to explain his crossing-over to rock radio is his skin color.

Billed as an exaggeration of a dated issue, Merritt’s remarks came under fire from some That Grape Juice readers who argued their reasons for supporting artists came on the grounds of quality and not race.

However, these found themselves countering arguments supporting the performer’s theory.

Pointing out, that despite the prior success of AaliyahTLC, Brandy, Monica and Janet in the 90s, this generation only boasts three commercially viable Black female artists.

These being, Rihanna, Beyonce and rising Rapper Nicki Minaj.

So now we ask you:

Do you feel race plays into chart success?

Weigh in below…

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Music

Pop Music : Are ‘Vocalists’ On The Decline ?

Celine Dion TGJ Pop Music : Are Vocalists On The Decline ?

Perhaps in response to the industry’s increasingly disposable nature, the question of talent remains ever present - fueled by the head scratching ascent of many a contemporary act.

Unashamedly lacking any discernible gift or skill worthy of their notoriety, gone are the days where an artist did one or the other and if ‘the fan’ was lucky – both.

Instead, barring the likes of Alexandra Burke, Beyonce, Lady GaGa, Jessie J and Adele, it’s safe to say the actual ‘talent’ of most entertainers finds itself in disrepute, backed not by their skills but chart feats and in some cases…Twitter followers.

So now we ask:

Are vocalists – gifted singers – on the decline? Or are they just a little harder to find in the blur that is the Hot 100?

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Music

Product Vs. Promotion: Ameriie

c2293f9f65b153830f2e962b5a1b7c3e Product Vs. Promotion:  Ameriie

Underrated.  Just one of the many things often named with ’1 Thing’ hitmaker Amerie Rogers.  Her humble beginnings may have found her lost in the shuffle of a new wave of early 2000s R&B belles, but the musical melting pot that was her debut album ‘All I Have’ quickly set her apart.  A melting pot, hinting at R&B, soul, pop, and hip hop, that seemed filled with almost as many diversities as the singer herself.

Led by the mid tempo ‘Why Don’t We Fall In Love’, fans quickly fell in love with this beauty’s varicolored vocal stylings, accented by layers of decorative harmonic arrangements.  A quality that would remain a distinct constant, yet misprized feature of her offerings.

However, it was the introduction of ’1 Thing’, the lead single from the 2005 ‘Hitch’ soundtrack (Will Smith) and her sophomore album ‘Touch’ that saw R&B lovers really get in touch with her work…

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Music

Hot Topic: Sales Vs Certifications

Nicki Minaj Pink Friday Reloaded Hot Topic: Sales Vs Certifications

Yesterday evening, Pepsi darling Nicki Minaj celebrated the news that her sophomore LP ,’Pink Friday: Roman Reloaded‘, had been certified Platinum in the US.

However, as the love fest between she and her ‘Barbz’ went on on Twitter, the news came under intense scrutiny from the Rapper’s critics.

Critics, who did not understand how an LP which is yet to move 600,000 units in the US was able to be certified Platinum (1 million copies).

So, ever eager to address the issues you care most about, That Grape Juice dedicates today’s ‘Hot Topic’ to the system that is an RIAA certification.

Full explanation below…

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Music

Hot Topic: Are Lasting Artists On The Decline?

rihanna hackney1 Hot Topic: Are Lasting Artists On The Decline?

In 2008, Tina Turner launched “Tina!:50th Anniversary Tour” in honor of five decades spent atop the music industry.

Four years after Turner graced 40 cities across the North America and Europe, Lionel Richie watched his 9th studio album ‘Tuskegee’ rocket to #1, 20 years after the release of his self titled debut album ‘Lionel Richie‘.

Both rare feats, their successes 10, 20, 30 years or more after their debut is both a testament to their talent and their ability to ‘hold on’ to audiences, against a number of industry induced odds.

The question is though, how many of today’s performers could follow in Lionel and Tina’s suit?

How many of them could bring in audiences long after their initial hype has died, respected enough to command major numbers in an industry with an ever growing age bias.

In short, we want to know?

Do today’s acts have what it takes to stand the test time of time?

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