Produced by dynamic duo The Neptunes, ‘Love’ what the first taste in what was to become a promising solo career for the former “boyband-er.” After leaving *N’SYNC behind, the singer got in the studio with Pharrell and Chad Hugo of the Neptunes as well as future partner-in-rhyme Timbaland to craft his debut album ‘Justified’ from which the single was extracted.
Although it wasn’t a global hit like some of its successors, it still managed to peak at #11 on the Billboard Hot 100.
Helmed by Bucky Chrome, the music video for the song showcased Justin engaging in intricate choreography – courtesy of the great Marty Kudelka – and serenading his love interest dance moves on the street in a similar fashion toMichael Jackson in the video for ‘The Way You Make Me Feel.’
Freshly out of his bubble gum pop band as well as his relationship with a then wholesome Britney Spears, JT needed an image makeover, which probably explains the steamier scenes between him and the model of choice that can be found in the visual.
TGJ Salutes One Of 2005's Biggest Hits
This week From The Vault journey’s back ten years to 2005 when rapstress Trina was making waves in the female rap landscape with her sassy brand of bravado.
Today’s pick is the Kelly Rowland assisted ‘Here We Go.’
Released as the second and final single from the Miami maven’s third studio album, ‘The Glamorest Life,’ the track serves as her highest charting release (as a lead act) and one of Rowland’s most successful solo appearances on the Billboard Hot 100.
The song – which sampled Force M.D’s hit ‘Tender Love’ (crafted by Jam & Lewis) – peaked at #17 on the Hot 100 and impacted the top 20 in major music markets such as the UK and Australasia. A sizeable achievement given how few female rappers have enjoyed commercial success internationally (’til this day).
Beyond the Jim Jonsin cut’s catchy sing-along-song chorus, its video is also touted as a major catalyst for its Gold certified success.
Directed by Nick Quested, the clip takes a literal approach to the song’s lyrics and relays the tale of a lady (Trina) who “can’t take no more” and kicks her no good boo to the curb while looking all sorts of stylish doing so.
The budget wasn’t big, but the accessible and relatable narrative was enough to garner the visual ample play on BET’s 106 & Park where it was a mainstay.
Much of Trina’s underrated discography boasts racy numbers that would make even the most liberal minded blush. Yet, we feel it was the more vulnerable side shown here that made the release not only refreshing but still relevant ’til this day. Needless to say, we’re hitting replay!
DID YOU KNOW: Teedra Moses appears on the demo for the song singing what became Kelly Rowland’s parts. Click here to listen to her version.
Yesterday marked what would have been the 57th birthday of the legendary Michael Jackson. And, with Kanye West getting ready to receive the Michael Jackson Vanguard Award at tonight’s MTV Video Music Awards, we thought it apt to dedicate this week’s From The Vault to the one and only King Of Pop.
Today’s pick is the love song and its star-studded video ‘Liberian Girl.’
The ninth and final release from the record-breaking, genre-defining, game-changing blockbuster ‘Bad’ LP, it was only released in Europe and Australia in 1989 where it was a moderate hit peaking at #1 in Ireland, #13 in the UK and #50 in Australia.
Written by MJ and produced by musical genius Quincy Jones with additional production from Mike himself, the song features a Swahili intro by South African singer Letta Mbulu. Back in ’87 when the ‘Bad’ album was unleashed, there had been much speculation concerning who Jackson was referring to… he has never disclosed who the recipient of this serenade was.
Way before Taylor Swift surprised the world with ‘Bad Blood’ and its cameo-heavy visual, the Jim Yukich-directed video for ‘Girl’ housed a plethora of A-listers (most of who remain household names today) waiting for the King to show up to shoot the visual for that very song. The big reveal? He was there all along documenting their every single move and capturing the conversation that occurred throughout the night.
A simple, yet clever concept.
Six years removed from his passing, it’s still difficult to digest that “Michael Jackson” is no longer with us. His unparalleled creativity and constant appetite for raising the bar are just a few of the reasons why – even in the afterlife – he remains untouchable. Invincible, if you will.
MJ, we love you, we miss you and once again, we say THANK YOU!
Long before Iggy Azalea and Charli XCX made the masses move with their infectious Hip-Pop collabo ‘Fancy’, a fierce duo were already bridging the gap between the Urban and and mainstream arena.
The track’s visual sported “party crasher” theme with Stefani and Jeffers inviting themselves to a chic soirée before transforming it into a titanic “turn-up.” Humorously, producer Dr. Dre makes a cameo and bails out the girls (who are arrested for their antics) from their cell.
Keyshia Cole’s debut single is this week’s From The Vault selection. ‘I Changed My Mind’ serves as today’s pick.
Produced by then-man of the hour Kanye West and written by Cole alongside John Legend, ‘Mind’ sees the songbird take back her love from an unfaithful companion. As it was customary at that stage of his career, West relied heavily on the use of samples, in this case a Dr Dre selection which itself uses a portion of Solomon Burke’s ‘Get Out Of My Life’.
The launching single off the singer’s ‘The Way It Is’ album, ‘Mind’ sadly didn’t set the charts alight in similar fashion to other material such ‘Last Night’ or ‘Let It Go’ and had to settle for a peak position of #71 on the Billboard Hot 100.
Benny Boom took charge of bringing the song to visual life and delivered a video that saw the chanteuse parade around her block as well as confronting her cheating boyfriend after finding out about his infidelity. Mr West can be seen in the clip alongside Cole.
Artists such as Keyshia are very rare in this day and age; she’s an artist who doesn’t compromise her sound and brings much needed grit to the R&B genre.
And while her recent releases haven’t rouses the masses, we hope the songbird hasn’t gotten to that point of no return where the masses start singing back to her “I changed my mind, I don’t love you no more “.
While only time will tell whether Ms. Cole can make a successful comeback, we’ll keep rooting for her – as she’s an undeniable talent.