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From The Vault: Danity Kane – ‘Ride For You’

This Summer, the divas of Danity Kane are heating up the airwaves with their blazing new single ‘Lemonade’. So, what better way to salute the ladies return than by journeying back to one of their break-out hits.

Yes, this week’s From The Vault pick is the group’s second single ever - ‘Ride For You’.

Released in December 2006, the track saw the then-five-piece showcase their pipes after serving up swagger aplenty on  preceding single Show Stopper’.

With the popularity of hard-hitting ballads at an all time high – thanks to the likes of Mariah Carey’s ‘We Belong Together’ and Mary J’s ‘Be Without You’, the group tapped the man responsible both tracks Bryan Michael Cox to pen ‘Ride’.

The result? A delicious slice of balladry than firmly established the “DK brand” as more than a one trick pony.

Indeed, though the track could only manage a #78 placing on the Billboard Hot 100, ‘Ride’ proved that each member possessed a powerful vocal; which, when juxtaposed against their performance ability, very much established Danity Kane as a legitimate supergroup.

Thematically, the song’s Marcus Raboy directed video saw each member navigate through different seasons. Though by no means groundbreaking, it served as a fitting visual homage to the different flavours that make up one of the best female collectives in recent memory.


For many, the story of Danity Kane reads like a titillating page-turner. Make-ups, break-ups, comebacks, and setbacks. Yet, more than anything, it’s always felt  somewhat incomplete; cliché as it sounds, almost as if the best is yet to come.

Now a trio, it’s clear the DNA of the new DK remains as strong as ever. As such, here’s hoping the ladies reap the rewards of their hard work. Because a victory for this latest incarnation is very much a victory for every member than at has ever sung under the Danity Kane name.


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From The Vault: Keyshia Cole – ‘Let It Go’ (ft. Missy Elliott & Lil’ Kim)

“When this song come on in the club they gon’ be like ‘Damn, that’s hot”

It seems  Missy Elliott knew exactly what she was talking about when she recorded that very hook.

From The Vault is back this week with the party starter that is Keyshia Cole’s ‘Let It Go’. The high-octane cut saw the R&B chanteuse team up with Missy and mother-to-be Lil’ Kim.

Proving that the sophomore slump can be avoided, ‘Go’ was the first single from Cole’s hugely successful second effort ‘Just Like You’ – which was released in 2007. Featuring the Queen B and Elliott – who also took on production duties – the track serves as quite the ladies anthem.

It became Keyshia’s first solo Top 10 hit – she previously scored herself two of those with Sean Paul’s Give It Up To Me’ and of course Diddy’s ‘Last Night’ – hitting #7 on Billboard Hot 100. Elsewhere, it reached the pole position of the Hot Hip-Hop/R&B but unfortunately wasn’t released overseas.

Despite being situated in the well-treaded club backdrop, the Benny Boom-directed video successfully “sells” the laid-back vibe of the tune. What’s more, it showcased a new side of Keyshia – one that embodied the fiery feistiness of previous releases, but with a fun twist. It’s little surprise, then, that ‘Go’ and its accompanying video  are considered Ms. Cole’s true breakthrough.


Having recently announced the Summer arrival of her next LP ‘Point Of No Return’, we’re hopeful the project is actually the one that will see Keyshia return to the top of the Billboard tally. With her last two albums having been highly overlooked, ‘Return’ – in many ways – will be somewhat of make-or-break for the ‘Beautiful Music’ vocalist. That said, if the tracks ‘Rick James’ and ‘Next Time’ as well as their respective visuals are anything to go by, Team Keyshia is definitely on the right path.

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From The Vault: Pink – ‘You Make Me Sick’

Former R&B chick Pink and her infectious hit ‘You Make Me Sick’ are this week’s From The Vault pick.

Released in the year 2000, ‘Sick’ was the third and last single off the singer’s debut ‘Can’t Take Me Home’. Produced by Babyface, it sees Ms. Moore-Hart open up about a passionate love affair that has her going out of her mind.

Unlike its predecessors ‘There You Go’ and ‘Most Girl’, it didn’t reach the Top 10 of the Billboard Hot 100, instead peaking at #33. However, it got to the ninth position of the UK Official Singles Chart.

Pink’s frequent collaborator Dave Meyers took charge of the visualization of the track. The result: a high-octane, colorful and hilarious piece of work. Proving that there’s only but a thin line between LOVE and HATE, it was the diva’s first of many comedy-themed videos – which became Pink’s trademark on a visual tip.

Having quite literally ruled the Hot 100 last year, the ‘Just Give Me A Reason’ vocalist seems to be in a league of her own today. Indeed, with her show-stopping stage antics and blend of soulful-Pop/Rock, she incredibly keeps gaining even more recognition at a time when her peers’ stars are starting to fade.

Here at TGJ HQ, we’ll always salivate at the prospect of new material from the ‘Just Like A Pill’ Pop-genius, and we would be lying if we said we weren’t praying for an Urban-tinged album for her next chart assault.

In the meantime…

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From The Vault: Joe – ‘I Wanna Know’

This week, From The Vault travels back to the very beginning of the 00’s with the defining R&B smash ‘I Wanna Know’ by crooner Joe.

The lead single from the singer’s third effort ‘My Name Is Joe’, the slow-jam was produced by Edwin «Tony» Nichola and produced by Joe himself. A love song by all counts, the cut stands as Mr Thomas signature song and was, according to Billboard, the 4th biggest song of the year 2000.

Having peaked at #4 on the US Hot 100 and #2 on the Hot Hip-Hop/R&B charts, it didn’t exactly achieve chart glory overseas. Still – as our non-US readers will testify – the track’s significance to modern R&B speaks louder than any chart position would or could.

The visual for the gem was helmed by Billie Woodruff and presented Joe as a knight in shining armor of sorts, rescuing a young lady after a chaotic relationship. Put simply, the perfect gentleman. A brief and quite unnecessary dance-break towards the end of clip throws things off somewhat,  but still – Joe gets an “A” for effort, ay?


With the Grammy nominee  hard on work on new album ‘Bridges’ and R&B’s stock almost as high as it was when ‘I Wanna Know’ was released, maybe 2014 is the year that will see the vocalist bless (upper region of the) charts with his brand of grown and sexy once again. Should he serve up another classic that will also sound as fresh 14 years after its release, then we see no reason why not!

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From The Vault: Ashanti – ‘Foolish’

This week’s From The Vault comes courtesy of former Murder Inc front-woman, Ashanti. Our pick is her sizzling debut solo single ‘Foolish’.

In 2002, after a carefully planned campaign that saw Ms. Douglas featured on many a rapper’s song to great success, all eyes were on the diva to see if it was all make-believe or if the hype was legit. With no other choice but to score a home-run, the Inc. opted for the heartfelt ‘Foolish’ as their first lady’s launching single – a bold move considering the upbeat musical landscape that was the year ’02.

An exquisite pick, ‘Foolish’ went on to become one of the most successful songs of the 00’s in the US with 10 weeks spent at #1 and over 8 millions physical copies sold, as well as many Top 10 placings around the world including the UK, Australia and Japan.

Fun Fact: ‘Foolish’ replaced none other than the Ja Rule assisted ‘Ain’t It Funny’ by Jennifer Lopez at the top spot of the Billboard and was in its turn replaced by Nelly’s ‘Hot In Herre’. We’re pretty sure we don’t have to explain the connections here.

Produced by 7 Aurelius and Irv Gotti, the track’s cinematic VMA’s nominated visual was helmed by the latter and features cameos by the likes of then-label mates Ja Rule, Vita and Charli Baltimore and was of course featured Academy Awards nominee Terrence Howard. Based on the movie ‘Goodfellas’, it depicts Howard as a cheating gangster (of sorts) that Ashanti – no matter of unhappy she is – can’t seem to leave. Just like in the tune’s lyrics.


Oh how we miss this Shany. Though the music remains of quality, the same cannot (always) be said about her most recent visual delivery. Sadly that’s often the price to pay (no pun intended) when you opt for the independent route, which is quite unfortunate because Team Ashanti did a great job establishing her as a visual artist, from this to ‘Rain On Me’ and ‘Only U’, the singer-actress has an ability to truly elevate her sound to the next level by way of amazing imagery.

Still, it’s refreshing to see an artist who stands by their beliefs and their art.

May the future be bright for the stunner and see her star shine as bright as it was once.

‘Braveheart’, in stores now.


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From The Vault: Jagged Edge – ‘Where The Party At (ft. Nelly)’

This week’s From The Vault journey’s back to the early 00’s with Jagged Edge. The R&B maestros’ dance-floor jam ‘Where The Party At’ serves as our latest pick.

A classic by most counts, ‘Party’ was released in May 2001, automatically becoming the Summer-smash of that same year. It was produced by the era’s formidable hitmaker Jermaine Dupri and featured rapper-singer Nelly.

The first single from J.E.’s third LP ‘Jagged Little Thrill’, the cut was a #3 hit on the Billboard Hot 100 and a #1 smash on the Billboard Hip-Hop/R&B. It peaked at #25 in the UK and reached the seventeenth position on the Canadian charts.

Dave Meyers took the directorial helm of ‘Party’s sun-soaked visual, which offered a literal yet enjoyable take on the song’s lyrics. Indeed, the liquor flowed – even in the pool – and scantily-clad women are omnipresent. As was the norm at the time, the guys paired their pipes with choreography and bust out a few moves of their own amidst the  clip’s racy antics.


With male R&B experiencing a resurgence of sorts in recent years, we feel the scene is still missing an act that would bring the R&B-boy-band agenda back to being front and centre. Put simply, a modern take on the Jagged Edges and 112s of the world. Or a refreshed re-incarnation of the Boyz II Mens and Jodecis. For, the current era seems thirsty in 2014 for a continuation of what Jagged Edge brought to the table during the late 90’s and 00s’.

With Day 26 on the comeback trail, we believe they could execute such task amazingly (with the right backing). Still, we’d like for YOU to tell us about a boy band – up and coming or established – who you feel could fit the bill.

Your thoughts?

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From The Vault: Janet Jackson – ‘Feedback’

The legendary Janet Jackson has been absent from the scene for the past few years, instead focusing on her personal life. With this week marking the 6th year since she unleashed her last album ‘Discipline’, what better to pay homage to to Her Highness with this week’s From The Vault pick. Our selection is the set’s exquisite first single ‘Feedback‘.
Released as a “surprise” in December 2007, ‘Feedback’ was helmed by the ever-versatile Rodney Jerkins – making it the first of many collaboration between the two.
Put simply, the cut was every inch the comeback single the career-doctor ordered. ‘Feedback’ saw Ms. Jackson borrowing from what was hot while putting her magical spin on it – resulting in a futuristic, high octane, harmony-heavy, swagger-soaked banger.
Side note: Alongside Destiny’s Child‘s ‘Lose My Breath‘, we feel like ‘Feedback’ – with its “back with a bang” aura – is what every comeback/first single should feel like: an event.
In America, the joint served as Janet’s biggest hit since 2001’s ‘Someone To Call My Lover’ peaking at #19 on the Billboard Hot 100 and #1 on the Hot Dance Club Play.
Due to a lack of promotion overseas (see: label politics), it was only a minor hit in Europe, missing the chart in the UK  altogether.
Coincidentally, it was British director Saam Farahmand who was in charge of the song’s visual. Perhaps in a bid to pay tribute to the star’s out-of-this-world talent, he opted for an intergalactic theme where the leader of the Rhythm Nation can be seen hoping planets while blessing her legion of fans with some intense choreography along the way with an intensity only she can deliver.
Reportedly hard at work on a new project, Janet’s next move will be a crucial one, for the music industry is continually changing leaps and bounds. From musical trends to charting policies to the onset of social media, nothing is the same as 6 months ago speak less 6 years. However, if there’s one thing this icon can be relied upon for, it’s delivering quality music and visuals. In many ways, it’s Jackson Family Values.
Though we’re crossing our fingers for collaborations with the likes Bruno MarsDrake and Kendrick Lamar as well as productions by the likes of Bangladesh, Noah “40” Shebib and of course Jimmy Jam & Terry Lewis and Darkchild, we’re asking YOU:


What should Janet do next?

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