Seven years after the birth of last album ‘Walk With Me’, reports of a new LP from Jamelia both confuse and excite fans who remain in the dark as to why it’s arrival has taken/is taking so long.
So, perhaps in an effort to remind the world of the voice that took 2003′s ‘Thankyou’ to Double Platinum status in the UK, the ‘No More‘ singer teased fans with a mini cover of the Frank Ocean classic, ‘Thinking About You’.
Get all the way into these pics of Ms. Alexandra Burke on her way to a leaving party thrown by and for supermodel Jourdan Dunn on Friday night.
Looking cuter than ever, Burke arrived at the party to bid Dunn adieu before she moves to New York for four months- rubbing shoulders with ‘See It In A Boy’s Eyes’ beauty Jamelia and ‘The Only Way Is Essex’ star Lauren Pope.”
Since splashing onto the scene, aged 18, with breakthrough single ‘Money’, there’s been no looking back for R&B belle Jamelia.
Easily one of the UK’s most successful Black female acts, the Birmingham-bred star has wracked-up an impressive catalogue of hits since her 2000 debut, ‘Drama’.
Indeed, each of her 3 studio albums – the last of which was released in 2007 – have spurned singles that are etched in Britain’s Urban history book.
Hailed by many as the UK’s answer to Beyonce (if not for her talent, then the length and breadth of her success), the singer’s most notable streak was ushered in with her 2004 mainstream breakthrough ‘Thank You’. Certified double Platinum and housing her biggest hits to date, the project – in many regards – is what cemented the 31 year old as an all-round Pop force.
So, for these reasons and much more, we salute Jamelia as one the Best of British.
As reported yesterday, Pop starlet Jamelia revealed that she has signed a lucrative new record deal. While we’ve long been in the know as to where the ‘Superstar’ singer now calls her label home, details have only today been publicised .
Find out which label the Birmingham-bred star is signed to after the jump….
This week’s The Best You Never Heard serves up unknown to the masses cuts by Destiny’s Child, 3LW, Jamelia and former Xscape member Kandi. Do you have any suggestions for future instalments? Drop me an email at email@example.com
Destiny’s Child – Gots My Own
Though a very solid effort, one thing that till this day puzzles me about Destiny Child’s 2004 LP ‘Destiny Fulfilled’ is that a sizable proportion of the bonus, international only etc tracks could easily have featured on the album – most especially considering it’s overly generous track list size (11 tracks). Perhaps, one of the best of these tracks is the Rodney ‘Darkchild’ Jerkins produced ‘Gots My Own’. The song, which is very much in the vein of DC’s ‘Independent Women’ stance, is great IMO primarily because its Old Skool feel is so far removed from your typical Darkchild production, and moreover the expected Destiny’s Child sound. Also, the ladies’ unmatched harmonies/vocal arrangements work particularly well here.
With new member Jessica in tow, 3LW looked set to make another attempt at hitting it big in 2006, under the label guidance of Jermaine Dupri’s So So Def imprint (which at the time was an off-shoot of Sony). For one reason or the other, their ‘comeback’ album ‘Point of No Return’ was shelved (See: The Cheetah Girls); the girls did, however, release ‘Feelin’ You’ as a single (albeit an under-performing one). With top notch production courtesy of JD himself, the song managed to blend the their soft vocals with a befitting beat that still possessed that trademark JD ‘knock’. Great one for the summer.
Many in the industry were initially touting UK R&B star Jamelia as our answer to Beyonce. Indeed, as well as her imaging, videos (See: ‘Superstar’) etc, the fact she was doing it so BIG over here at the same time as the Destiny’s Child front-woman, no doubt further fuelled the comparisons. However, with her last LP, 2006′s ‘Walk With Me’, the mother of 2 switched things up radically sound-wise, serving up an album full of R&B tinged Pop/Rock/Dance tracks – one of the standouts being ‘Beware Of The Dog’. With it’s hard hitting, rousing feel, the song isn’t far removed from some of the better cuts on Rihanna’s ‘Good Girl Gone Bad’ CD. Good stuff.
Some of you may remember Kandi as one quarter of 90′s R&B vocal group Xscape. Having gone on to pen smashes for the likes of TLC (‘No Scrubs’) and Destiny’s Child (‘Bills Bills Bills’), she launched an ill-fated solo career, which in all fairness to her, did spawn the moderate hit ‘Don’t Think I’m Not’. Fast forward to 2006 and with talk of a new album in the works (which has yet to materialize), she dropped ‘I Need’ as a buzz single. Detailing the stress of her day to day life (“Got my baby daddy talking to me sideways, got a stack of bills sittin’ that I ain’t paid”), there really is no other way to describe this other than R-E-A-L. Lyrically the track is as engaging as they come; the beat goes hard too.
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