Nights ago, ‘Zion‘ performer Lauryn Hill took to The Mohegan Sun Arena to perform a plethora of her oft admired classics for fans in Connecticut.
Following her well publicized set at the Coachella Festival earlier on this year, this performance arrives months before the vocalist fulfills a number of European tour dates in the earlier part of 2012.
Singer/songwriter Lauryn Hill has teamed with Reebok Classics to reflect on a classic of her own - ‘The Miseducation of Lauryn Hill’. Hailed by fans and critics alike as one of the greatest R&B/Hip-Hop albums of all time, the ‘Everything Is Everything’ songstress spoke on exactly that in reference to the album’s conception, commercial response, and more.
Find out what else Hill touched on after the jump:
Nicki Minaj may now currently hold the record for being Hip Hop’s highest earning female and her debut LP may be one the fastest selling albums to be released by an artist in the last few years, but there are still many who believe she is not eligible for the title of the current Queen Of Hip Hop.
With the average career life span for most female rappers undeniably very short, the issue of supremacy is an ever debated one with many a fan base believing that their favourite Femcee is indeed the Queen of the Rap/Hip Hop genre.
Now it’s time for you to have your say.
Based on the given categories, who do YOU think is the ultimate Queen Of Hip Hop?
Check out a seemingly revitalized Lauryn Hill at the LA Rising Festival just hours ago.
Despite giving birth to her sixth child just days ago, the ‘Zion’ performer was welcomed by fans who were privy to renditions of some of her classic numbers.
‘That Thing‘ performer Lauryn Hill has surprised fans by releasing a statement addressing the reports that she and long time partner Rohan Marley were no more after confirmation that their sixth child was biologically his.
R&B legend Lauryn Hill made a rare appearance on the Jimmy Fallon show last month. As well as performing a cover of Bob Marley (as earlier posted), she also performed her 1998 smash ‘Doo Wop (That Thing)’ from her commercially and critically acclaimed LP ‘The Miseducation of Lauryn Hill’.
Check out the performance, which aired today, after the jump…
Reclusive star Lauryn Hill made a rare televised appearance this week, when she took to the stage on the ‘Late Show With Jimmy Fallon’. There, the mother of five paid homage to the late, great Bob Marley – the grandfather of her children (with Rohan Marley).
Check out one legend tribute another below, as Hill covers ‘Chances Are’ and ‘You Could Be Loved’…
A new album from Lauryn Hill may not be a good idea after all. The singer delivered yet another disappointing performance at the Coachella Valley Music & Arts Festival in California yesterday, struggling to sing her classic material which she distorted with new arrangements.
This week’s Best You Never Heard features little known gems by R. Kelly, Lauryn Hill, JoJo and Christina Aguilera.
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R. Kelly – ‘U Saved Me’
R&B great R. Kelly enjoys such status not simply because of his vocal prowess. Nor soley his prolific writing ability. Rather, it is the unparalleled versatility which defines the two, which has seen the 44 year old’s name become etched in music history.
Such versatility is perhaps best exemplified in the ‘Sex Me’ singer’s foray into Inspirational / Gospel-tinged territory. While successful releases such as ‘I Believe I Can Fly’ and the Kelly-penned Whitney Houston single ‘I Look To You’ provide solid examples of this, I argue lesser known cuts such as 2004′s ‘U Saved Me’ to serve as the best of an impeccable bunch.
Lyrical story-telling at its best, with ‘U Saved Me’, Kelly delivers a triumphant series of narratives centred on hope and defying the odds. Dually engaging and uplifting, one’s spirit can’t help but be joyous upon listening to this one – regardless of the barer of the message. {SAM}
LISTEN:
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Lauryn Hill – ‘I Used To Love Him (ft. Mary J. Blige’
Honest. That is the word that best describes the music of the legendary Lauryn Hill and Mary J. Blige. The power of their vocal performances stems not from expansive vocal ranges or robust belting but from passion and conviction.
This point is aptly reflected in ‘I Used To Love Him’ which was included on Hill’s iconic ‘The Miseducation of Lauryn Hill’ album. Written and produced by Hill, the song comprises an ingenious vocal arrangement where both singers engage in well-timed exchanges, expressing the anguish of the lyrics through their equally raspy tones.
It has been almost 13 years since Hill released a new studio album and songs like this exemplify why both critics and fans alike have been calling for her return. Either way, even if she never makes another record, ‘The Miseducation…’ has permanently etched her name into the history books. {TRENT}
LISTEN:
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JoJo – ‘Anything’
While the so-so sales of JoJo‘s 2nd studio album ‘The High Road’ may have left some citing the dreaded ‘sophomore slump’, one spin of the songbird’s 2006 effort quickly dispels any such notion. A solid collection of Pop-tinged R&B, the record boasted many a gem, one of the most notable being ‘Anything’. Quietly released as the project’s final single (with no accompanying video), the song went criminally unnoticed - amidst the label drama which would see the 20 year old out of action for the next three years.
Still, with its thumping bass-line, soaring vocals, and refreshing faux-intro (courtesy of Toto‘s 1982 hit ‘Africa’), this is a winner and then some. Great track! {SAM}
LISTEN:
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Christina Aguilera – ‘Sex For Breakfast’
Although Christina Aguilera‘Bionic’ was one of the biggest commercial disappointments of the 2010, the record comprised several incredible moments. One such example is ‘Sex For Breakfast’.
Co-written by Aguilera, Noel Fisher and Bernard Edwards Jr., the song is characterised by simple production, allowing the listeners to appreciate the intricate complexities of her impressive vocal range without the unnecessary distraction of added studio flare.
Perhaps what is most enjoyable about ‘Sex For Breakfast’ is Aguilera’s use of restraint. Utilising fluid melismatic vocal runs and airy falsetto, she captured the sensual mood of the song, a welcome change from her usual throaty screams.
If Aguilera ever decides to focus on the Adult Contemporary market as her main target audience then this is the type of record she needs to create. A voice like hers needs to be heard but only at a lower volume. {TRENT}
Keri Hilson recently tweeted this image of herself alongside her idol, Lauryn Hill. The ‘Love In This Club (Part 2)’ writer is eager to collaborate with Hill on one of their upcoming projects.