Hey guys. I wrote for Columbia Records in the 1990s and I was Kim's ACTUAL ghostwriter. I'm from Buffalo, New York. Kim always "Paid her (Buffalo) Bills," so to speak. If you listen to the song "Shut Up B****" by Kim that we wrote together, we touch bases on using a ghostwriter. In the song you can hear people saying "A Yo, Kim can spit. Man, she don't write her shit. Nah, Biggie wrote her shit. 'SHUT UP B****.'" In this song we created a platform where Kim could explain herself for using a writer, to support herself and get her money. She says that Without a ghostwriter, she wouldn't have a much money as she does. Without a ghostwriter, "All this petty chitter chatter only makes my pockets fatter," Kim says of ghostwriting calling the craft "chitter chatter." Besides I wrote for EVERYBODY! Being a ghostwriter was a luxury of being on a label. Nobody had to write especially if they had writers block or couldn't write at all. It was my job to write and I did it well. So I took advantage of every opportunity I had. I never had to collect money from Kim as an artist. I never had to make any contracts. As long as you were at the label, it was my job to at least write you an album for free. Like I said, the label paid me, not the artists. Kim says that "Some people's job is to talk about Lil Kim... I'm a way of life for all of them," in the song titled 'SHUT UP B****' But that was my job. My job was to talk about Lil Kim and Lil Kim only. I was a ten year old ghost writer and Kim was a 20 year old budding super star. She would show up o the label and the studio in fancy rides and lavish clothes just to see me, her ghostwriter. She would spend precious time with me, just the same way I made time for all of my other artists. But "Shut Up B****" is probably the closest to a defense that I can compile right now, other than Kim backing me up herself, but it's the song that fits for the topic at hand, ghostwriting. I'm not sure if Kim was shopping around for a writer after I left the label, which she may have, but I'm not sure who Antonio Walker is at all! Kim rolled with BIGGIE, LIL CEASE, and a very big rich dangerous clique. She was always around the rich and never around the poor. I won't say how much the label was paying me to write for all of it's artists but it was only about 5% per artist. But this is the truth. The only thing with ghostwriting is NOBODY IS GONNA BELIEVE that 1) Kim actually used a ghostwriter and 2) I am the ghostwriter. Any who, If you have any questions about Kim or any other artis of the 1990s or want to work together, check me out on twitter: @HigginsNas and instagram: nasty_the_ghost_phantom_writer