In reply to Jasmine.

Absolutely valid points. Which driving seat was she wanting to be in when two lanes of identity were being paved. Let me guess the one with the best commercial critique.

I’ve seen her live and intimate and she is incredibly talented.
Her mix tapes are what got her noticed/signed and I liked them however like all mix tape ‘finds’ they quickly get made to lose their identity/style in favour of labels ideas of being the ‘one’. She started off perfectly with ‘2on’ and after all hands on deck it was like there were no hands on deck and a blindfold was given to the driver to hope for the best ??‍♂️