Welcome to The Stream Scene, the original TGJ feature erected to keep you in the loop with all things streaming.

Hit the button below to find out how Camila Cabello, Normani, Tinashe and Billie Eilish are making notable gains on YouTube and Spotify!

The release of Cabello’s second studio set ‘Romance‘ has seen her enjoy a sizeable streaming bump in the last 48 hours as fans celebrate its arrival by spinning her releases.

@Camila_Cabello hi just wanna tell you that thanks to you i’m having more confidence about myself, you taught me how important it’s to love and accept myself as i am, you make me really happy and your music heals me (also i’m so obsessed with romance) i love you so much???‍♂️? pic.twitter.com/ngamKsdiA2

— mica VI A SHAWN (@pametissue) December 11, 2019

‘Liar’ stands head and shoulders above the rest. For, it’s video has been streamed 66 million times since its release 12 weeks ago placing $115,500 in the pockets of the track’s writers and owners.

With 178 million streams on Spotify, the single’s earnings from both platforms crosses the $800,000 marker as the track has generated 712,000 dollars for the star on the service since September 5th 2019.

Elsewhere, her Fifth Harmony sibling Normani glides to glory on the wings of the numbers she is generating via the string of smash hits she has released since the band’s demise.

This morning, fans learned ‘Motivation‘s official video has been streamed 73 million times to date which means Ariana Grande – one of its writers – is making a fortune.

A fortune, which sings to the tune of over 1 million dollars.

$127,000 of this has been generated from the track’s visual on YouTube, $226,920 from Spotify and over 700,000 sweet ones stem from Apple Music, radio airplay, TV synchronisation and live performance royalties.

You better be proud of yourself Normani…. You can do this… You are doing it… You are it

— ☆Tash*Mani (@BritxNormani) December 9, 2019

Grande has a 5% share on the track.

As its performer, Normani’s income from the track will fly her way via its performance royalties. 

Normani and Camila aren’t the only ones making moves.

Let’s take a trip to Tinashe‘s neck of the digital woods.

Though sales of her new album ‘Songs For You‘ were extremely modest, its individual tracks will amplify the singer/songwriter’s wealth come payday.

When combined, the tracks have been streamed over 9 million times on Spotify since November 21st 2019 and inspired the general public to revisit her debut album ‘Aquarius’...home of her breakout jams ‘2 On’ and ‘All Hands on Deck.’

Might have to stan tinashe…song for you been in rotation since the release

— professional clown (@Beysjdb) December 12, 2019

@Tinashe thanks for always creating and sharing your musical experience. Keep inspiring us. #SongsForYou

— SurgeJord▲n (@SurgeJordan) December 11, 2019

‘2’ has earned 174 million spins on Spotify ($304,000) as ‘Hands” figure cuts a $600,000 shape on the same service after it was streamed 34 million times!

Last not but least is Billie Eilish.

As 2019’s breakout star the Pop starlet’s numbers (sold and streamed) eclipse those garnered by her closest competitors and are expected to do the same in 2020.

Powering her reign is the ubiquitous ‘Bad Guy.’

As of today, it has been streamed over 1 billion times on Spotify which makes it one of the highest-earning tracks of the year…much to the delight of execs at Interscope.

Why? The cut has pocketed $1 million from Spotify alone.

I just listen to Billie eilish bury a friend for the first time and omg that song is amazing

— HAMMER? I barely know her! (@SUPAHAMMER) December 12, 2019

A new Billie album will make its way to retailers next year.

In the mood for more?

Here’s an update on some of the other Pop figures making digital gains across all platforms.

Support from Apple Music and a growing fan base in and outside of the US carries ‘Reconsider’ by The Shindellas to 500,000 streams to date.

Justine Skye‘s ‘Build’ video bags 3.2 million views on Youtube.

Jess Lamarre‘s ‘Wallpaper’ flies north of 250,000 spins across all platforms.

Who have you been listening to?