In reply to Hmm.

Seriously, the fact that the overwhelming majority of these diamond certifications have come post the streaming era illustrates that there should be someway of recognizing that these are not the diamond certifications of yesteryear when people had to actually purchase a song not stream it for free in order for it to count ….I mean if that’s the case, it could be argued that old Napster, Kazza, and Limewire records should be looked up and factored into the equation because there are hella artists from the 2000’s who deserve recognition for all the joy they brought people via illegal downloads: