Former ‘Real Housewives of New York star Jill Zarin is facing heavy backlash after sharing a now-deleted rant slamming Bad Bunny‘s Super Bowl Halftime Show.
Full story below…
Jill Zarin’s review of Bad Bunny’s #SuperBowl Halftime Show… 🥴 pic.twitter.com/XH8f0HjQpI
— Gibson Johns (@gibsonoma) February 9, 2026
In the video, which quickly made the rounds on social media, Zarin took issue with the performance being largely in Spanish, saying:
“It was the worst Halftime show ever. I just don’t think it was appropriate to have it in Spanish.”
Continuing, she added:
“250 years of America we are celebrating. I don’t think it was appropriate to have it in Spanish. To me, it looked like a political statement because there were literally no white people in the entire thing.”
Zarin also criticized Bunny’s choreography as “inappropriate” for a family audience and suggested the set carried a political agenda. She didn’t stop there; she dragged Lady Gaga into the mix, saying:
“Lady Gaga, got a facelift, I didn’t recognize her. I literally had to Google her face to see who it was because we all couldn’t agree who it was.”
She wasn’t alone in her criticism, with RHOBH alum Taylor Armstrong also posting disapproving remarks online, she wrote:
“Were you entertained? I am embarrassed for the NFL and Apple for the Super Bowl Halftime show totally in Spanish with a Cuban flag!!”
Still, the reaction online has been swift, with fans defending the show as a powerful celebration of culture.
And with that, what are…
![Watch: Bad Bunny Rocks the 2026 Apple Music Super Bowl LX Halftime Show with Lady Gaga, Ricky Martin, Cardi B, & More Special Guests [Full]](https://thatgrapejuice.net/wp-content/uploads/2026/02/super-bowl-halftime-show-2026-lx-bad-bunny-lady-gaga-thatgrapejuice-464x260.jpg.webp)
Stupid! Selling your soul for fame and fortune is not just a saying…
😈It is real and they must live it to complete the deal. It is not about the entertainment & art anymore. It is about pushing their hidden agenda. All of them belongs in the ⭕️
Hollywood has inherited the same initiatory structure as Freemasonry. But its temple are no longer stone halls or underground catacombs, they are sound stages, arenas and red carpets. The oath is the same. Many of the gods are still the same. Only the year and costumes changed.
This is not metaphor. It is ritual disguised as entertainment. The actors, musicians, and influencers who rise within the system are not free and soveriegn. They are pawns, priests, and offerings at once. The audience sees glamour and celebrity. But those within know: fame requires initiation. And initiation requires an oath.
The Oath is not a signature on paper. It is a spiritual contract, branded through humiliation, sealed in trauma, and enforced by sacrifice. Once sworn, it cannot be revoked. The initiate’s image, body, and will are no longer theirs. Their very soul becomes collateral.