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The Best You Never Heard is back! After a lengthy rest on the bench, each week will once again see That Grape Juice spotlight an array of little known gems. Featuring picks from the TGJ editorial team, we want to know…who chose the best song! Let us know below…
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Christina Aguilera – ‘Get Mine, Get Yours’
While 2002’s ‘Stripped’ saw Christina Aguilera bare her most vulnerable self on tracks such as ‘Beautiful’, the set also ushered in the arrival of “Xtina”.
Many cite the release of single ‘Dirrty’ as the singer’s official transformation from teen-queen to sex-symbol, often neglecting the fact that the album itself packed a number of sensual moments to aide her racy agenda. The most notable of such cuts? ‘Get Mine, Get Yours’.
Unapologetic before Rihanna was, the mid-tempo blazer served as a manual for a “no strings attached” ‘encounter’. Critiqued by some for too quickly accelerating the star’s shift from role-model to rock-star, the cut remains noteworthy in that it’s the female commanding the male to “freak my body, baby, nasty naughty, baby”.
In many ways, it’s songs like this that paved the way for the sexual liberation of some of today’s most risque female acts. Xtina the feminist? That’s up for debate. What is certain, though, is that the song is fire! {SAM}
LISTEN: [audiotube id=”DDyPYh3xBh8″]
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Whitney Houston – Call You Tonight
As many know, 2009 brought with it the chart return of the legendary Whitney Houston. Christened ‘I Look To You’, which would go on to be her last) was a stellar collection of carefully crafted hits and material which embraced both her legacy and vocal ability at the time.
Interestingly, throwback groove ‘Million Dollar Bill’ was picked to launch the LP’s campaign, somewhat unfortunate because said album housed a classic-in-the-waiting in the form of fan-favorite ‘Call You Tonight’.
Helmed by Stargate and Johnta Austin, the mid-tempo gem did a stellar job showcasing Nippy’s then-“new voice” and was the perfect representation of what a Whitney record should sound like in 2009 (or 2012 for the matter). With engaging lyrics, great melodies, and a powerful yet understated vocal performance, ‘Tonight’ was arguably a missed opportunity to make her Platinum coloured comeback even more triumphant. {JOE}
LISTEN: [audiotube id=”WolnrWxOj8s”]
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Destiny’s Child – Killing Time
Dwarfed by the success of later albums and subsequent solo careers, Destiny’s Child‘s 1998 self titled debut never quite gets the recognition it deserves – on many a front.
Boasting songs which bridged Pop, Country and R&B, the LP’s strongest point – save for ‘No No No’ – comes courtesy of Stinson/Wiggins produced ‘Killing Time’.
Packing a crossover appeal much of today’s R&B lacks, ‘Time’ sees DC at their best, serving the conviction and harmonies unmatched by any of their then-rivals.
Clearly the inspiration for much of the material on Kelly Rowland’s first solo outing ‘Simply Deep’, here’s hoping the coming years see the disbanded group shine a little more light on the cut and the supporting album so many consider…a classic. {DAVID}
LISTEN: [audiotube id=”j9M2RWSZl-k”]
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Christina Milian – Never Mind
Picture this: You’re at the club…getting your groove on. Next thing you know, you spot a fine so-and-so doing their thing. They turn around…and in a split second things go from sugar to you-know-what. ‘Dip It Low’ diva Christina Milian thought to share that scenario in song.
The track is lifted from one of many studio sessions the singer had when crafting (what was to be) the follow-up to her 2006 album ‘So Amazin’ (see: scrapped albums ‘Elope’, ‘Dream In Color’). And while the attache project never surfaced, Milian proves once again with this number that she is able to cook-up a radio friendly joint whenever she tries. When, and if, that will ever be fully manifested again…only time will tell. {RASHAD}
LISTEN: [audiotube id=”N_3Xuu3eIdU”]
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Whose Pick Was Best This Week?!
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