Confirmed: Usher Re-Hires Mother In a statement to the press, Usher’s record label have confirmed that the Grammy winner has re-hired his mother Jonetta Patton as his manager. Check out the report via Billboard:

In a short statement issued by LaFace/Zomba, it was announced that the artist “has dissolved his management arrangement with Benny Medina and has re-engaged Jonnetta Patton as his manager.”

Usher split his mother as his manager in May 2007. He then hired Medina, who was integral in the launch of the artist’s recent album, “Here I Stand.” In 10 weeks, it has sold 948,000 units in the United States, according to Nielsen SoundScan. It’s the No. 8 best-selling album of 2008 so far.

However, it hasn’t come close to matching the gaudy numbers of its predecessor, 2004’s “Confessions,” which sold 3.77 million copies in its first 10 weeks and is at 9.6 million to date.

Let the ‘I told you so’s’ ensue lol. For real, this is definitely a good look for Usher IMO; maybe not for the ‘Here I Stand’ LP (which IMO was dead on arrival), but for his long-term prospects.

Your thoughts?

Nas Ends Wayne's Chart Reign Nas’ controversial ‘untitled’ LP has ended Lil’ Wayne’s four week rain atop of the Billboard 200 this week, after selling through 187,000 units. The charting becomes the rapper’s fifth album to top the chart, the last being 2006’s ‘Hip Hop Is Dead’ which sold 345, 000 copies upon its release during the Christmas period. {Source}

Your thoughts?
Jamelia It’s somewhat of a slow news day today, however I thought to post this article I stumbled upon earlier on. Written by Jamelia (the UK’s Beyonce….debatable, I know) for the Daily Mail, the piece details the shadyness of the hair extensions trade. The long(ish) read is pretty insightful and, no doubt, very thought provoking for the ladies. Check it out:

Standing inside a Hindu temple in Chennai, India, I watch horrified as a two-year-old girl with long, dark tresses has her head shaved.

She screams as the clippers buzz around her ears and her hair tumbles to the floor.

She is clearly terrified and no doubt has little comprehension of what is happening to her.

Beside her, her mother is having her head shaved, too.

This is a religious sacrifice: the shaving represents a last-ditch plea to a higher power to save their home from being repossessed.

But to me, it appears to be the ultimate in exploitation.

Their hair is casually tossed into a bin, but it will never actually be thrown away.

Though they do not know it, soon their pigtails and plaits will be sold to hair dealers and then shipped on to the salons of Western Europe.

As I watch the lady and her daughter shuffle out, hopeful that this huge sacrifice will make some tangible difference to their lives, I make a promise to myself that I will never wear hair extensions again.

My hair has always been important to me.

As a schoolgirl, I used to get up at 5am to ensure I had enough time to do my hair before school.

Although for a black woman I would be described as having ‘good’ hair – because it is long and straight – naturally, it is not luxurious, thick or sleek enough to meet the demands of the endless photo shoots and concerts I am involved in for my career.

That’s why, in many of the photographs you see of me, I am wearing hair extensions.

For me, putting in my hair extensions feels like a confidence booster, like a man putting on a smart suit.

I wear them to bring out the best in me and to transform myself from busy mum of two into my alter ego, Jamelia the pop star.

And I’m not alone.

All over Britain, girls are clipping, glueing and sewing hair into their heads.

Recent figures show that British women spend a staggering £65 million a year on hair extensions.

As a nation, we now spend five times more on lengthening our hair than we did four years ago.

Yet most of us give very little consideration to the origin of our hair extensions.

Indeed, until I worked on this BBC investigation, I’m ashamed to admit I’d never once stopped to consider where the human hair I had pinned or sewn into my head had come from.

I was so ignorant about the products I was using that I can’t even say how much they were costing me every month or every year.

Then I heard from a friend, earlier this year, that the hair used in the extensions could be taken from corpses. I was horrified.

How did I know I wasn’t wearing a dead person’s hair?

And if I was, had they agreed to that before they passed away, or had they simply had it shaved off in a mortuary without their family’s knowledge?

And if the hair wasn’t taken from the dead, who were this army of women and girls from whom it was taken?

I realised for the first time that there might be a very real human cost to the beauty fad which allowed me to feel more confident on stage.

I wanted to know who on earth was chopping off other people’s hair in the name of our Western vanity, and whose hair I have actually been wearing?

My journey to find out took me via some of London’s most upmarket hair salons and into the heart of rural Russia and India.

What I discovered was truly shocking and distressing.

Did you know, for instance, that in Russia, girls as young as 13 are cutting off their hair to sell for just a few pounds?

This is despite the fact that in the UK, a full head of extensions of the best quality European hair would set you back £2,000.

There is a staggering profit to be made from this trade, and you can bet that none if it is passed back to the girls at the beginning of the chain.

I start my journey by visiting Russia with Tatiana Karelina, a Russian hair-extension expert living in London.

She does 1,000 sets of hair every year for private clients, and is known for providing top-quality soft and fine hair.

She frequently travels to her homeland to source top-quality hair straight from dealers.

We head to a remote rural area three hours from Moscow, where we meet Alexander, a hair dealer.

He tells us his hair is provided to him from collectors, who go around small villages and towns persuading women and girls to sell their hair.

I have a lot of questions for Alexander. I ask him if he knows whether the girls whose hair he sells are being treated fairly.

I ask him if he ever gets hair from dead people. He is cagey and evasive.

He says that he knows the hair doesn’t come from the dead, but he won’t elaborate further.

But when I press him, he finally confesses that he doesn’t know exactly where the hair he is buying comes from.

And by way of illustrating that, the girls who sell hair are treated fairly, he simply states that they know the worth of their hair and wouldn’t sell it unless they were getting paid well.

I leave the meeting feeling deeply uncomfortable.

This man is not sure that the hair he sells is not from dead people, and I’m starting to be convinced that someone is being exploited along the way.

Let’s face it – the rich girls tottering around Red Square in designer heels and carrying Louis Vuitton bags do not need to sell their hair.

Next, Tatiana takes me to her home town of Kashin, another rural area, where we meet a 13-year-old girl, also called Tatiana, who has long hair which reaches her backside.

She tells us she wishes to sell her hair because she has been told she will be paid for it.

To my mind, it’s a travesty – this girl’s hair is gorgeous and she seems too young to really know for sure whether she’s making the right decision.

Usually, this full head of luxurious hair would have cost just £20. Today, perhaps because I am watching, Tatiana pays the girl £100.

It’s the equivalent of most people’s monthly wages here, and the girl is over the moon.

But I feel incredibly uncomfortable about the entire process – there’s something so deeply personal about your hair: it should be every woman’s pride and joy.

What British teenager would ever dream of doing the same?

For the next stage of my investigation, I travel to Chennai, one of the biggest cities in India.

As part of the documentary, I have had some of the hair I wear in my extensions scientifically analysed. The results suggest it comes from this region of India.

In Indian culture, a woman’s hair is her beauty, and the longer your hair, the better your marriage prospects are.

Why then, with such value placed on hair, would anyone even consider selling it?

Yet, incredibly, there are so many women prepared to chop off their hair here that factories have sprung up to process it.

On my visit, I go to see one where the workers sort through, shampoo, brush and blow dry the shorn hair of more than 200,000 women a year. To me, it’s a macabre thought.

So why exactly do these women do it?

Well, as I have mentioned already, there are the many Indian women who shave their hair voluntarily at Hindu temples as a kind of religious sacrifice.

And although some of these women know the hair will be sold, most don’t.

One woman I come across is having her head shaved to give thanks for the fact her child has recovered from a life-threatening illness; another to save her property from repossession.

They clearly believe this is the best way to show their faith and gratitude, and I’m told that millions of pounds raised from selling their hair is spent on the homeless and maintaining the temples.

And yet only a quarter of Indian hair sold on the international market comes from Hindu temples, which means that most of it is coming from women who are simply trying to make a little money.

I also travel to an impoverished village to see how poor-quality hair – the sort that sells on our market stalls in extensions for £5 – is collected.

There, I witness men and women working the rubbish dumps, actually searching for and collecting hair that has been pulled out of hair brushes.

Quite simply, this is their family business. It is, they tell me, a job their fathers and grandfathers have done before them.

It might seem disgusting, but it’s the only income they have.

It is a pitiful existence, and it is fuelled by the demand from Britain and other countries.

What I saw in Russia and India certainly set me thinking, and since I returned I haven’t used hair extensions once, not even when performing at the recent Nelson Mandela tribute concert in Hyde Park.

That was the sort of event at which previously I would never have stepped on stage without them.

But what I have unearthed has profoundly changed my attitude about extensions.

Now, to me, a packet of hair extensions has a face – whether that is a Russian teenager, a woman in India who is shaving her head as a sacrifice or a two-year-old girl in tears because she doesn’t understand what’s happening to her.

I believe that I – and all the other women who use them – should be more responsible about the extensions we buy.

As consumers, we need to make sure that the hair we use is ethical, and has been given with consent.

We need to know that the people it has come from have been treated fairly.

Just as we have fair trade stamps for food, why shouldn’t we have the same thing for hair extensions?

And as the women who drive the market in hair extensions, we also have a moral responsibility to the women who have cut off their hair or shaved their heads for our benefit.

Their hair may be helping to make us more attractive, but thanks to their sacrifice many of them must now be anything but.

Your thoughts?

The Best You Never Heard: Ashanti, Monica, Mis-Teeq & LL Cool JHaving been rested on the bench for a few weeks, The Best You Never Heard returns this week with little known cuts by Ashanti, Monica, UK trio Misteeq as well as LL Cool J. Do you have any suggestions for future instalments? Drop me an email at sam@thatgrapejuice.net

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Ashanti – Freedom

 

Despite the fact that Ashanti’s third studio album 2004’s ‘Concrete Rose’ achieved Platinum status, the record was largely dubbed a commercial failure for the once Princess of Murder INC. That said, I felt as though the LP was Ashanti’s most solid to date and served up what IMO is one of her strongest offerings in the form of ‘Freedom’. Raw, vocally lucid and a welcome change from her expected norm, the song is an awesomely constructed response to her critics.

 

Listen: Freedom

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Monica – Getaway

Though the ridiculous decision to release ‘Everytime The Beat Drops’ effectively rendered Monica’s 2006 album ‘The Makings of Me’ dead on arrival, it doesn’t take away from the fact that the LP was far from poor; the record stands as one of my more recent favourites. Album closer ‘Getaway’ sees the songstress show her vulnerable side in a ballad that reminds us of the rarity of this voice we have grown alongside with since her mid 90’s debut. Great track.

 

Listen: Getaway

 

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Mis-Teeq – Scandalous

 

 

Some of our UK readers will remember Misteeq; the trio, consistent of Sabrina, Alesha and Su Elise, for a brief moment in time dominated what is now the non-existent homegrown R&B market here in the UK. Though the ladies split in 2004, they left behind a selection of chart hits, including their most successful single ‘Scandalous’. Produced by Stargate, this banger, one of the girl’s last releases, ensured the ladies went out on a high. Random tidbit: the song was the theme to Halle Berry’s ill-fated ‘Catwoman’ movie.

Listen: Scandalous

 

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LL Cool J – Down The Aisle (ft. 112)
LL Cool J’s 2006 LP ‘Todd Smith’ oddly wasn’t billed as a collabo record, despite only one track featuring solely the rapper himself. Despite the album boasting joint efforts with the likes of Mary J. Blige, Jennifer Lopez and Ginuwine, it was the 112 assisted ‘Down The Aisle’ that was the standout IMO. Having left the bravado on the back-burner, the song’s concept – growing and tying the knot with that special someone – is real refreshing. Good stuff.

Listen: Down The Aisle (ft. 112)

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Your thoughts: Hit(s) or Miss(es)?

Usher & Justin Timberlake To Collaborate?Though Usher’s much hyped new album ‘Here I Stand’ isn’t due in shops for a few more days yet, the Grammy winner is already talking about the projects re-release – revealing that a collaboration with old rival Justin Timberlake is potentially in the works. Some of you may remember, in response to a Rollingstone cover hailing Timberlake as the new King of Pop (nonsense anyway, as MJ has that title forever IMO), Usher said: “There simply is no comparison between me and Justin. He can’t even stand in the same lane as me, ever.”.
In an interview with The Daily Mail newspaper over here in the UK, he seems to have changed his tune:

“I regret it, because he’s a great friend of mine now. I was young and didn’t know better. We were both being kids and he turned out to be a really cool guy, and we’re talking about doing something together for the repackaging of my album. If we ever worked together, though, it would be the biggest record ever.”

This talk of a re-release prior to the original album even hitting stores kinda leaves a salty taste in my mouth. After all, why not deliver the best product you can to begin with? Anyway, I’m indifferent to the idea of a Justin collabo. Not to beat on a dead horse, but the Superbowl aftermath has made for me to lose respect for Justin both artistically and as a person….

Any thoughts?

Beyonce & Jay-Z To To Wed Today? Following the reports earlier this week that Beyonce and Jay-Z had secured a marriage licence, there is increasing speculation that the much-talked about couple are set to wed today in New York:

Jay-Z has performances with Mary J. Blige in Massachusetts last night and North Carolina tomorrow – but nothing today.

And New York news organisations are reporting Knowles is currently in the Big Apple, together with her mother Tina and former Destiny’s Child bandmate Michelle Williams.

Jay-Z and Knowles successfully applied for a wedding licence in Scarsdale, New York on Tuesday, and they have 60 days from that date to exchange vows – before the paperwork deadline expires.

The latest rumours come just a day after Jay-Z staged an alleged bachelor party in Toronto, Canada.

Representatives for both stars are refusing to confirm or deny marriage reports.{Source}

What’s more, Beyonce’s former Destiny’s Child bandmates Kelly and Michelle, uploaded this joint video blog on Youtube yesterday. Though there is no mention of a wedding, something does seem kinda fishy. Check it out:

Hmm. I guess if the marriage stories are legit, then congratulations to them. With industry relationships lasting all of five minutes these days, I have to commend Bey and Jay on being able to sustain for so long. {Random tidbit: Kelly and Michelle had me rolling…too funny}


Your thoughts?
Ex To Mario Winans: The ex-girlfriend of singer/producer Mario Winans is claiming that he hasn’t paid child support for their son:

Janel Bennett, who was in an eight-year relationship with Winans before she had her son, Jordan, claims she was evicted from her home in Miami because Winans won’t pay child support. She states she is “homeless and living with friends on the South Side of Chicago,” where she works as a cocktail waitress. A DNA test shows a ‘99.99 percent probability’ that Winans is the biological parent. Mario Winans is obligated to pay Janel Bennett $4,500 per month due on the first of each month as child support. Bennett says, “He hasn’t paid me. I just wanted support, and I was on disability and Medicaid and welfare just to have the baby. His current girlfriend, Joy — the mother of his toddler daughter, Sklyar — is known publicly as his “wife.” Bennett said, “Joy lives in a 16-bedroom mansion and her daughter wears mink coats and Seven jeans, and my son doesn’t have boots to wear in the winter.”

She claims Winans has only seen Jordan once, and “doesn’t send Christmas cards, doesn’t send him birthday cards, nothing.” Bennett said that for a while, Winans was sending her some money, but “he stopped paying last year . . . by the end of August 2007, I lost the house and moved to Chicago . . . I just want him to do right by Jordan . . . It would be so simple for him to call me so we could work something out.” {Source}

Not a good look, not a good look at all.

Any thoughts?

Things seem to be taking an unexpected turn in the Brandy-car accident episode. According to TMZ, Brandy may actually be a victim and not the one in the wrong. Check out their report below:

TMZ has learned the hang-up in deciding whether to file vehicular manslaughter charges against Brandy is that Brandy may have been a victim, not a culprit.

A CHP source tells TMZ the woman who died in the car accident involving Brandy actually struck the vehicle in front of her before Brandy made any contact. The law enforcement source says Awatef Aboudihaj, the woman who died, struck the car in front of her — which was going 65 mph, and then slammed on her brakes. We’re told the sudden stop caused Brandy to hit the dead woman’s car.

What’s more, L.A. County Coroner spokesperson Captain Ed Winter tells TMZ that toxicology reports show Aboudihaj had “slight traces” of marijuana in her system at the time of the crash.

The L.A. City Attorney has until the end of the business day on Friday to decide whether to file criminal charges against Brandy — that’s when the one-year statute of limitations runs out. Sources tell TMZ there is significant division in the City Attorney’s office, and a decision still has not been made. The problem for the City Attorney: if they file manslaughter charges, they have to prove Brandy did something negligent — and we’re told that could be difficult if not impossible.

I’ve always felt the whole situation was an unfortunate one. Saying that, the way Brandy has been crucified was uncalled for. Here’s hoping the matter resolves itself soon; I been waiting on that new Brandy album for a minute already.

Any thoughts?
As many of you by now Kanye West’s mother, Dr. Donda West, sadly passed away over the weekend. West was 58. Whilst no official word has been given on the cause of death, some reports have cited ‘complications from cosmetic surgery’. Check out the reports below, both via TMZ:

A plastic surgeon refused to perform plastic surgery on Dr. Donda West because he thought there was a risk of a heart attack. Dr. Andre Abolian told her she needed to get clearance from an internist but Dr. West went ahead with a tummy tuck and breast reduction without the co-sign from the internist.

The fire service were called to Ms West’s residence, following a 911 call:

A hospital spokesperson tells TMZ that an unresponsive West was brought to their ER around 8:00 PM Saturday night. They attempted to resuscitate her, but were unsuccessful. She was pronounced dead around 8:30 PM that night.

Whatever the cause, this really is sad. When I heard the news on Saturday, I was in shock. Evidently Kanye and Donda were close and it’s probably near impossible to identify with what he’s going through right now. Having been in London when he received the news, I can’t help but think what the plane journey home must have been like for him. My condolences go out to the entire West family. RIP Dr. Donda West.


Your thoughts?
I caught up with the guys from renown R&B group Jagged Edge this past summer. Alongside promoting their new album ‘Baby Making Project’, the group spoke candidly on a number of things including their relationship with Jermaine Dupri, label drama and tabloid gossip. I, personally, thought they were great sports and the interview came out great. Enough of me rambling, enjoy the interview: )
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Sam: Hey guys, how are you all doing?

Jagged Edge: We’re doing good, just sitting here chilling in the studio.

S: First of all, let me just say that it really is an honour speaking with you guys.

JE: Thank you very much, thank you very much.

S: It’s been a short while since the fans have heard anything from you; how have you been spending your time away from the limelight?

Wingo: Man, away from the limelight is work. Work never stops. We’re in the studio doing what we love. Recording, with our families, eating hanging out…enjoying life. One thing my father said ‘there’s nothing like having a job you enjoy going to everyday’. We go to sleep music, we wake up music. You, know what I’m saying. It is what it is.

S: Since hitting the scene almost a decade ago, you’ve maintained a great working relationship with Jermaine Dupri – recently (re)signing with his So So Def imprint over at Island/Def Jam. How did that come about?

Wingo: Actually, JD and Jagged Edge are brothers, man. He changed our life by giving us a record deal about 8 or 9 years ago. We’re still here and are just very thankful for it. He taught us a lot and we taught him a lot. We’re like a family – you can’t break a good family apart; It’s very hard to. Different obstacles may come in your way but you just knock them down and keeping it moving. There was some contractual stuff that we were dealing with back at Columbia and with Sony that wouldn’t allow us to be with him. So once we were able to leave, we did.

S: Your new album is aptly titled ‘Baby Making Music’ – a collection of ballads. Aside from being renown for your great slow jams, what inspired the concept?
Did you have doubts going into this project, after all the group’s up-tempos such as ‘Where The Party At’ have proved equally as popular?

Brian: That’s what we do (ballads). Our fans know us as balladeers. That’s where our heart and soul is. As far as the up-tempos – we do it all, all across the board. Saying that, we have a lot of fans come up to us saying ‘we made our first child to your music’ etc so we wanted to give them what they like us for. A child is a great thing. It’s all about pro-creation its how we keep the world moving. At the end of the day, that’s what we’re doing – keeping the world moving (laughs).

S: The first single from the album, ‘Put A Little Umph’ In It’ featuring Ashanti has been received really well, how did the collabo come about?

Wingo: The twins (Brian and Brandon) did Ashanti’s first demo tape back here in Atlanta and once the idea came up to have her on this record, we were with it. Her work ethic is good. We called her up and asked to be on the record and she sounded good on the record. So it was like ‘Hey, it’s on’.

S: What was it like working with her in the studio?

Wingo: Actually, we didn’t really get a chance to work with her in the studio. They sent the record to her. She did the record and had it sent back.

Brian: She was really easy to work with.

Wingo: She’s good people and done what she was supposed to do.

S: What other guest features and producers are featured on the album?

Brandon: Jagged Edge and Jermaine Dupri – that’s it. That’s another reason why we got back with Jermaine, because he respects our creativeness and we respect his. At the end of the day, we did half the album, he did half the album. We let him know what we wanted going into the project and he respected that. He loves our work just as much as we love his.

S: What have you been doing in-between recording the album and after?

Brian: We’ve been out on the road, doing a little promo, getting our relationship back established with radio, TV and with you guys – it’s going down. We’re here, we ain’t going nowhere.

S: Have any personal favourites emerged from ‘Baby Making Project’?

Wingo: My favourite the first single ‘Put a Little Umph In It’ because it’s straight to the point. You know when you get with that one you love; she ain’t going to be expecting no slacking. You gotta be a man (laughs)..put your back into it.

S: Ten years deep, you’re one of the only active R&B groups still around; what do you think has been the reason for your staying power?

Wingo: Our love for music, our love for what we do. As I said, Jagged Edge, we go to bed music, we wake up to music. That’s it. Everyday of our lives it’s music. When you love what you do, you’re not going to let anything deter you from it. You might get upset about a few situations and stuff like that. But the overall picture is music, we’re here to do music. Our fans love us for our music.

S: Despite achieving a high level of prominence, you’ve seemingly managed to stay out of the tabloids etc; how has this been so?

Brandon: We do not try to invite negative energy. We see them stories etc and we try to separate ourselves from it. We do ourselves: Jagged Edge.

Wingo: We don’t try and be with the ‘in’ crowd. We are the ‘in’ crowd.

S: Speaking of rumors/gossip, Brian – for the record – what was the situation with you and LeToya?

-Brian dodges the question, Wingo chips in with: –

Wingo: That was old. That was an old flame. They hung out for a while and that was that.

S: Nothing more?

Wingo: Nothing more, nothing less.

S: Who have been your musical influences?

JE: Everybody from the Tempations, to The Four Tops, Commondores, Lionel Richie, Marvin Gaye, Donnie Hathaway, New Edition, KC & Jo Jo, Jodeci, Gerald Levert. Everybody. We love music. If it’s done right and put together well, we like it.

S: With Nas proclaiming that ‘Hip Hop Is Dead’, what are your thought’s on the current state of R&B?

Brian: Current state of R&B? I think R&B is doing alright, straight up. I mean Usher came out with an album a year or two ago and sold 1.2 million or so in a week. You still have R&B artists selling half a million albums in a week. Mary J just came back and did over 700,000 and some change. We’re R&B. So R&B hasn’t died out too much – that’s my opinion.

S: Do you feel the Internet has made a positive or negative impact on the music industry?

Brandon: Both.

Brian: it makes more accessible, but no one’s paying for it.

Wingo: It’s now become a easier to get it for free. We’re in the business to sell records.

S: Do you think it was a boast to help your careers now, compared to the earlier stages?

Brandon: I think when you use it the right way, like Myspace and different websites, it can help to profile all the way. But when you have people who just use the internet to rip your music, that isn’t no help no way.

S: A few quick random questions:

– Current artists you’re feeling?

Wingo: T. Pain

Brian: J. Holiday, I like Omarion, I like a couple of Omarion’s records

JE: Ne-Yo, he’s great.

– Can Michael Jackson make a big comeback?

JE: YES!!!!

Wingo: all he has to do is get a song from Ne-Yo (all laugh). One song from Ne-Yo and he’s back!

– Beyonce or Kelly Rowland?

JE: Both of them. We have relationships with them, we used to tour and travel together. That’s our people.

S: When the dust has settled, how do you want Jagged Edge to be remembered?

Brandon: Man, put us up there with all the great groups, that’s how we want to be remembered. Like a star on the walk of fame, rock hall of fame. All that stuff. I think for some people, when you first get into the game all those things seem like they’re so far away. But in 10 years, we gotta be close. We closer than ever (laughs)..closer than a lot of others.

S: Do you guys have any message for the fans?

JE: We love our fans. We gonna be here. We’re not going anywhere. Continue supporting us.

S: Thanks for taking time out to answer our questions; it’s very much appreciated. Good luck with the project.


‘Baby Making Project’ Is Out Now! Go Grab A copy.
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What do you think of the interview?
That Grape Juice is giving one lucky winner the chance too meet Omarion & Marques Houston in LA! The guys will be in LA this Thursday (October 25th) for the premiere of their new film ‘Somebody Help Me’. Check out the synopsis of the film below:

From the director of YOU GOT SERVED & HOUSE PARTY 4, comes this urban horror/thriller on the order of CABIN FEVER, THE HILLS HAVE EYES, and WRONG TURN. SOMEBODY HELP ME delivers a chill a minute as the story revolves around characters Brendan Young (Marques Houston) and Darryl Jennings (Omarion) as they head off with friends and their respective girlfriends for a weekend stay at a remote cabin in the woods. After the couples settle in and start to enjoy the weekend, things take an eerie turn. On trips into the local town, they start to have strange encounters with some of the townspeople who seem a bit askew. One by one of group ends up missing or dead, while the dwindling group is forced to ban together more and more to figure out who or what is behind the killings. Ultimately, they discover even more than they bargain for in a chilling reveal.

The winner(s) of the competition will receive two tickets each to the screening of the film at Grauman’s Chinese Theatre in Los Angeles this Thursday, as well as a chance to personally meet the both Omarion and Marques Houston. All you have to do to enter is to email your full name and mailing address to: competitions@thatgrapejuice.net with ‘Meet Omarion & Marques Houston Comp’ as the title.

Please bare in mind that due to the short notice given, the quicker your entry the better your chances of winning. Competition closes tomorrow! Good luck.

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