“There’s nothing more to be said about music. I’m the f–king end-all, be-all of music. I know what I’m doing. I did ‘808s’ in three weeks. I got it. It’s on cruise control … Man, we talked about music for God knows how long! Now let’s talk about how my f–king sweater didn’t come back right from Korea. That’s what’s interesting me.”
“I had a style that was over-the-top, overly expressive, and it forced me to just lay back and be a little cooler. One of the problems with being a bubbling source of creativity — it’s like I’m bubbling in a laboratory, and if you don’t put a cap on it, at one point it will, like, break the glass. If I can hone that … then I have, like, nuclear power, like a superhero, like Cyclops when he puts his glasses on.”
“What I feel like — ’cause I wanna be married, of course—I feel like the type of girl I would be with is a fellow superhero. So we get that ‘already flying and now we’re just flying together’ thing.”
“Titles are very important. I like to embody titles, y’know, or words that have negative connotations, and explain why that’s good. Take the word gay — like, in hip-hop, that’s a negative thing, right? But in the past two, three years, all the gay people I’ve encountered have been, like, really, really, extremely dope. Y’know, I haven’t, like, gone to a gay bar, nor do I ever plan to. But where I would talk to a gay person — the conversation would be mostly around, like, art or design — it’d be really dope. From a design standpoint, kids’ll say, ‘Dude, those pants are gay.’ But if it’s, like, good, good, good fashion-level, design-level stuff, where it’s on a higher level than the average commercial design stuff, it’s, like, gay people that do that. I think that should be said as a compliment. Like, ‘Dude, that’s so good it’s almost … gay.’”