With ‘Culture II’ hits – ‘Stir Fry’ and the Drake-assisted hit ‘Walk It Talk It’ – both walking right into the top 20 of the Hot 100 (the latter after a little help from its ‘Soul Train’-inspired music video that can be seen by clicking here), rap trio Migos is still far from resting on their laurels.

Also found aboard the Birdman-led ‘Before Anythang:  The Cash Money Story’ soundtrack, the Atlantan emcees can be heard contributing the synth-soaked song ‘F*cking Up Profits.’

Produced by Buddah Bless, the cut may not see them stray too far from their usual topics lyrically (heauxs, stuntin,’ etc.),but sonically it is more akin to West Coast hip-hop than their Grammy-nominated trap-tinged offerings of releases past.

See what we mean inside:

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Miley Cyrus just can’t catch a break it seems.

The ‘Wrecking Ball’ beauty, just days after reports indicated she was being sued for a whopping $300 million for her multiplatinum 2013 hit ‘We Can’t Stop,’ now Hip Hop fans are slamming the songstress for allegedly trying to “weasel her way back in” the good graces of the genre’s diedhard listeners after publicly distancing herself last year.

Details on everything below:

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Tinashe teams with Future for ‘Faded Love’ – the latest taste of her long-awaited sophomore album ‘Joyride.’

Having returned with the punchy ‘No Drama,’ its follow-up is a mellower affair and skews boasts ample island-spice.

Take a listen below…

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As we celebrate Janet Jackson’s legacy on what has been christened #JanetJacksonAppreciationDay, we journey you back to 2004, when the diva released fan favorite ‘All Nite (Don’t Stop).’

Built on a Herbie Hancock sample, the track was produced by Jackson alongside Swedish producers Bag & Arnthor. Longtime collaborators Jimmy Jam & Terry Lewis also helped cook up the cut.

Interestingly, the Samba-infused jam was initially intended to be the lead single from the artist’s eight album ‘Damita Jo,’ but was instead issued as the LP’s third offering.

Serviced at a time when Janet was unfairly pegged public enemy #1 – after the infamous “wardrobe malfunction” – this plausible radio hit never even entered Billboard’s Hot 100.

Indeed, not even its slick, choreography driven Francis Lawrence video could save its chart trajectory. Still, it still delivered many a moment.

Armed with an army of funky dancers, Janet leads the “kidz” as they rehearse in the dark after a blackout. Perhaps to offset any potential backlash and encourage mass play, a clean version (sans some of the “edgier” moments) was also rolled out.

‘Til this day, the visual remains a much appreciated gem in Jackson’s videography.

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Unlike numerous artists of her caliber, Janet never lost what made her so special in the first place. Hence, why it was frustrating seeing songs such as ‘All Nite’, ‘So Excited’ and (to a lesser, but still notable extent) ‘Feedback’ given the cold shoulder by radio and music shows at the time of their release. All because of an issue that was (purposefully) blown out of proportion and seemed rooted in both sexism and racism.

As Janet’s guest Justin Timberlake readies his own Super Bowl performance, it’s clear the world is a wholly different place than it was 14 years ago. With the rise of (Black) Twitter and the power of the #TimesUp movement, it seems people are finally waking up to the injustice that played out in the aftermath of “Nipplegate’ and the unjust ramifications it had on Jackson’s releases and career more broadly.

A bit late if you ask us, but better late than never, right?

Your thoughts?

‘No Drama’ singer Tinashe is quashing longstanding rumors that behind the scenes label drama was to blame for the serial delay of her long-awaited sophomore album, ‘Joyride.’

The project, initially launched on the back of the Chris Brown-assisted tune ‘Player’ (released in fall 2015), has been teased so long due to nonperforming kickoff singles many – including diehard fans – were under the impression it’d been shelved.

Yet, while last week’s release of new single ‘No Drama’ (featuring Migos star Offset) helped quell those murmurs, for now at least, the stageblazer is speaking out with word the album is “finished” and finally ready for launch.  Taking to Beats 1 Radio, tuck in to hear Tinashe dish on the delay:

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2017 just keeps looking better and better for Kendrick Lamar.

The Grammy-winning rap star laid claim to the year’s biggest hit (streaming and sales) for a solo artist with his chart-topping hit, ‘Humble,’ while its parent album – ‘Damn’ – topped album charts upon its arrival and is now eligible for triple platinum certification in the U.S.

These wins and many more helped make the hip hop hitmaker a shoo-in for the cover of ‘Forbes’ magazine’s annual prestigious ’30 Under 30′ issue. Lamar, 30, was one of 600 lucky enough to make the highly competitive list (which boasts over 15,000 annual submissions) and rightfully so if you ask us.  According to the money mag:

He’s earned $78.5 million over the past five years, including a career-best $30 million this year, and inked a new Nike deal this summer.

In the music business, Lamar has grown into a force. He has earned two visits to the White House and grosses more than $1 million a night on the road and even more for big festivals like Coachella…

K.Dot isn’t the only hip hop star making money moves, however.  As she proclaimed in her chart-topping hit, ‘Bodak Yellow,’ rising rapstress Cardi B – thanks to the song’s out-of-the-box success – saw her name printed on the list.

Tuck in below to see what other music stars joined them:

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Ever eager to promote her brand new studio album ‘Aretha Franklin Sings The Great Diva Classics’ is Aretha Franklin, the undisputed Queen of Soul.

So, yesterday saw her beamed into news outlets across the USA to promote the album with the help of many a star struck news anchor, eager to declare their admiration for her.

Alas, things didn’t go to plan. For, thanks to a faulty ear piece, Franklin was unable to hear many of the questions put to her. The result? A show case of the personality that’s made the icon one of the world’s more endearing and unintentionally hilarious entertainers.

Watch below…

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As if allegedly having sex with a ghost wasn’t enough…

While some parents complain about stars using music videos to influence youth to drink alcohol, ‘Blow’ beauty Ke$ha was the recipient of a number of blows from the Parent Television Council (PTC) after a scene in her MTV-aired reality show ‘Ke$ha: My Crazy Beautiful Life’ peeped the pop princess sipping on something else.

Described by the council as “disgusting, vile content”, the group’s open letter slammed the autotune assailant for drinking her own urine during the most recent episode of her reality venture with the former music channel.

While the singer has yet to comment, some fans seemed to agree with PTC’s plea for pee-less viewing.  See Ke$h give new meaning to the term “thirsty” in the video below and weigh in:

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Mariah Carey - 'I Want To Know What Love Is' (Full Version)
Barely an hour has passed since we posted a 10 second snippet of Mariah Carey’s new single ‘I Want To Know What Love Is’ and the full version of the track has surfaced.
The million dollar question is ‘after all the hype, does the track actually live up to it?’ Unfortunately for Ms. Carey-Cannon’s fans and lambs, it doesn’t. Important to highlight, firstly, is the fact (IMO) that Mariah’s take on the Foreigners classic is by no means a bad effort.
My main gripe with this is the vocal arrangement, for Mimi sounds ‘ok/just there/unremarkable’ until the big key change where she really hits a home run. Yet the vocal acrobatics are so short-lived and abruptly ended that you feel kinda cheated by the end. Generally though, this just isn’t striking me as the undeniable hit her camp and media friends have been hyping it to be. A shame as she really had to nail it with this one to restore the mass interest in her serially delayed LP ‘Memoirs of an Imperfect Angel’, something I’m doubtful she has/will achieve with this.
I’m not one to pit artists against one another, but IMO Whitney has this won hands-down.
Tidbit: I can’t wait to see Mariah nail this live, as usual 😉
Hit or Miss?

Mariah Carey - 'I Want To Know What Love Is' (Full Version)
Barely an hour has passed since we posted a 10 second snippet of Mariah Carey’s new single ‘I Want To Know What Love Is’ and the full version of the track has surfaced.
The million dollar question is ‘after all the hype, does the track actually live up to it?’ Unfortunately for Ms. Carey-Cannon’s fans and lambs, it doesn’t. Important to highlight, firstly, is the fact (IMO) that Mariah’s take on the Foreigners classic is by no means a bad effort.
My main gripe with this is the vocal arrangement, for Mimi sounds ‘ok/just there/unremarkable’ until the big key change where she really hits a home run. Yet the vocal acrobatics are so short-lived and abruptly ended that you feel kinda cheated by the end. Generally though, this just isn’t striking me as the undeniable hit her camp and media friends have been hyping it to be. A shame as she really had to nail it with this one to restore the mass interest in her serially delayed LP ‘Memoirs of an Imperfect Angel’, something I’m doubtful she has/will achieve with this.
I’m not one to pit artists against one another, but IMO Whitney has this won hands-down.
Tidbit: I can’t wait to see Mariah nail this live, as usual 😉
Hit or Miss?

Preview Beyonce's 'I Am...Sasha Fierce' You can now preview Beyonce’s hotly anticipated new album ‘I Am…Sasha Fierce’ album in it’s entirety over at 7 Digital, the link for which you can find below:

Wow! Granted the ‘Beyonce’ side of the record sounds pretty impressive, the ‘Sasha Fierce’ side sounds like it’ll be the real winner. I joke not when I say every single track from the Sasha CD sounds like the hotness. From the Darkchild produced ‘Scared of Lonely’ to the swagger-fied ‘Diva’ (which sounds like a female ‘A Milli’), ‘Video Phone’, next single ‘Ego’ and ‘Radio’ all sound great. Hell, the whole thing has me anticipating the record that much more. November 18th, well 17th for us UK folk couldn’t come any sooner.

Randomness: The previously heard ‘Beautiful Nightmare’ has been renamed ‘Sweet Dreams’ and will be featured on the Sasha Fierce CD

What do you think of the preview?

Preview Beyonce's 'I Am...Sasha Fierce' You can now preview Beyonce’s hotly anticipated new album ‘I Am…Sasha Fierce’ album in it’s entirety over at 7 Digital, the link for which you can find below:

Wow! Granted the ‘Beyonce’ side of the record sounds pretty impressive, the ‘Sasha Fierce’ side sounds like it’ll be the real winner. I joke not when I say every single track from the Sasha CD sounds like the hotness. From the Darkchild produced ‘Scared of Lonely’ to the swagger-fied ‘Diva’ (which sounds like a female ‘A Milli’), ‘Video Phone’, next single ‘Ego’ and ‘Radio’ all sound great. Hell, the whole thing has me anticipating the record that much more. November 18th, well 17th for us UK folk couldn’t come any sooner.

Randomness: The previously heard ‘Beautiful Nightmare’ has been renamed ‘Sweet Dreams’ and will be featured on the Sasha Fierce CD

What do you think of the preview?

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