Janet Jackson gave a powerful message of support to a family rocked by cancer.

Full story below…

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The Coronavirus is reshaping the end of ‘Empire’s story.

Find out how below…

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Check out John Legend!

The soulful crooner covers the latest issue of Rollercoaster magazine.

Beyond posing it up for a dapper shoot, the EGOT winner opened up about his upcoming seventh album, tour life, and…being compared to cartoon Arthur.

Pics and quotes below…

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Nene Leakes is once again sounding off about Eva Marcille. 

The ‘Real Housewives Of Atlanta’ original has made no secret of her personal lack of enthusiasm for her co-star, leaving many somewhat surprised given that it was she who “introduced” the ‘America’s Next Top Model’ winner to the show.

In recent weeks, she asserted that Marcille had been “spending up Bravo’s money having babies” rather than adding value to the reality hit – which is now in its 12th season.

And she’s continuing to stand by her stance.

See what we mean below…

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The pandemic pause strikes again. And this time it’s Pop rebel Kesha who has been affected.

Details below…

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Ahead of its April 6 launch, Quibi is rolling out a wave of trailers in support of its content.

One of the new streaming platform’s most anticipated offerings is the 1995-set ‘When the Streetlights Go On,’ starring Queen Latifah.

Part of its ‘Movies in Chapters’ series, which will stream films in 7-to-10 minutes increments, the murder-mystery film fills out its cast with Chosen Jacobs, Sophie Thatcher, Tony Hale, and more.

See the trailer inside:

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Having stood the test of time as two of Pop music’s most prized offerings from the last 40 years, it comes as no surprise Whitney Houston‘s iconic remake of Dolly Parton‘s Country classic, ‘I Will Always Love You’ (1992), and Queen of Rock N’ Roll Tina Turner‘s royal comeback album, ‘Private Dancer’ (1984), were among the new slew of inductees into the Library of Congress’ National Recording Registry.

Details inside:

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After months of teasing, Country superstar Kane Brown unveiled the first full listen to his highly anticipated song, ‘Last Time I Say Sorry,’ on Friday (March 27).

A duet with EGOT winner John Legend, the piano-driven ballad is a dramatic presentation of a lover pleading with his significant other to get back in her good graces.

“I won’t say I’m sorry over and over / Can’t just say I’m sorry, I’ve gotta show you / I won’t do it again, I’ll prove my love is true / I hope the last time I said sorry /Is the last time I’ll say sorry to you,” sings Legend on the Andrew Goldstein-produced track.

And, while Brown fans may be disappointed the single lacks the Country essence of his preceding offerings, it rings as a true indication of his versatility.

See what we mean inside:

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‘It don’t cost nothing to be nice’ is a phrase ‘Love Don’t Cost a Thing’ singer Jennifer Lopez lives by in earnest fans will see upon the premiere of her new Quibi series, ‘Thanks a Million.’

Set for an April 6 debut, the show sees Lopez call on a host of her celebrity friends including Tracy Morgan, Kevin Hart, and more to ‘kickstart chains of kindness’ by gifting unsuspecting people large sums of money.

The catch?  The recipient then has to give half of it to someone else.

See the trailer inside:

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Lindsay Lohan is ready to make a fresh foray into Pop music.

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In the wake of the coronavirus pandemic, ‘Talk That Talk’ co-stars Jay-Z and Rihanna are turning their words into action.

More inside:

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In the eyes of many, Dua Lipa is the Pop girl to beat.

After cranking out her biggest hit to date, ‘Don’t Start Now,’ for her sophomore era christened ‘Future Nostalgia,’ the Brit-born beauty has been showered with critical acclaim for the effort’s Disco-cloaked offerings (i.e. ‘Physical,’ ‘Break My Heart,’ etc.) – all made available a week ahead of schedule due to an unexpected leak (as we reported here).

As the coronavirus pandemic made traditional promo for the LP an impossibility, Lipa’s improvised by upping her presence on social media via participation in a number of virtual concerts and interviews to build awareness around the project.  At first glance, the approach seemed to be working as ‘Future’ dominated Spotify just minutes after it was made available on the streaming platform (click here to read more on that).

Second glance, however, suggests the schedule shake-up may have done more damage for Dua than previously expected.  See what we mean inside:

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