Peruse of the Pop charts may give fans a new reason to ask ‘Where You At’ to R&B belter Jennifer Hudson.  The Dreamgirl, who seemingly saw her rise to fame happen overnight, has now found audiences sleeping on her material.  But, to doubt Hudson’s celebrity would be ill as her star in other formats seems to burn as brightly as ever with endorsement deals and silver screen appearances showing without shortage.  However, the platform that originally put the ‘Spotlight’ singer in the spotlight has found itself fading.

Fans first saw Hudson make her way through the ranks of American Idol with fellow belter Fantasia.  The latter walked away with the crown, but Hudson (later) walked away with the gold.  Her 2006 film debut in ‘Dreamgirls’, opposite Pop megastar Beyonce, and 2008 self titled debut album lifted the Idol alum to dizzying heights of decoration (Oscar, Golden Globe, Grammy).  But, as Hudson’s headlines fluctuated from chart toppers to personal tragedies and triumphs (that later led to an extended break from the public eye), every year of her absence still saw her active on the big screen but not Billboard (‘Sex and the City’, ‘Secret Life of Bees’, and ‘Fragments’).  Of course, only leaving fans that much more anxious (and angry) for new material from the Chicagoan songbird.

3 years after her first tread on charts, the singer returned with ‘I Remember Me’ led by the ballad ‘Where You At’.  With stiff competition from R&B comeback kid Chris Brown, Hudson’s promotional promenade left no stone unturned, hitting (what seemed like) every major hotspot available at the time.  It seemed to pay off.  With no single in sight on Billboard’s Hot 100 upper half, the singer still managed to move 165k her first week.  However, fans quickly forgot ‘I Remember Me’.  And with watch for its follow-up single ‘No One Gonna Love You’ fading due to everlasting press for the singer’s Weight Watching, ‘Remember Me’ was ironically minimized to a distant memory.

So, what is the problem?  As Brandy, Mya, and many other R&B divas can attest, extended breaks in an ever-changing Pop landscape doesn’t lend many favors.  But, many will argue Hudson’s entire package (look and sound) have improved since her debut effort.  On the other hand, with Electro-Pop still being the dominating force in the industry, is there just not a place for R&B acts who curtail choreography and a troop of background dancers bumping to a beat?  Or, though Hudson’s promo schedule saw no shortage of stops (even months after its release), was there just too much promotion of the wrong single? Material not up to scratch?

We want you to weigh in:  Jennifer Hudson – Product or Promotion?  What’s to blame?

Your thoughts?

All of the monarchs of the music industry are resting securely on cemented thrones.  We have an undisputed Queen of Soul, King of Rock n’ Roll, King of R&B, and of course, a King of Pop.  Even though such title was initially self-proclaimed, there was no denying its delegation.  Interestingly, there is a vacancy on that list…the queen’s chair sits ostensibly empty.  And though many may vie and eye the throne, no woman has boldly professed herself as such (unlike her male counterpart).  So, it begs the question:  Who is the Queen of Pop?   While there are candidates many-a-fan would crown as such, there has been no definitively, unquestioned female pop potentate. And then…

In an age where the merit of ‘pop royalty’ is defined by fly-by-night radio hits and digital downloads, famed music magazine Rolling Stone developed an index of criteria to best crown the genre’s new queen.  For anyone who has been alive for the last three years (inhabitants of the animal kingdom included), it was a no brainer that Lady Gaga would be enthroned the genre’s reigning female monarch.  However, the list, which only included Pop’s active acts, was greeted with so much backlash it was later revised.

But, even the revision still featured Lady Gaga (a relative newcomer) above legends Mariah Carey and Celine Dion (with no mention of Janet Jackson or Whitney Houston).  While the magazine’s attempt to fill the void is applaudable, it is also laughable.  With music’s other matronly monarchs having a spate of success under their individual belts, is it really fair to say the Lady named queen would only have two albums under hers and less than 5 years in the game?

Thusly, That Grape wants to know:  what should be the criteria for determining queenship? Sales? Influence?  Awards?  If so, with so many candidates, who is the Queen[Q1] ?

That Grape Juice has chosen six leading ladies who would probably be the real contenders for the throne.  Each of the succeeding songstresses have, at minimum, 20 years experience,100 million records sold, and immeasurable influence over the industry (especially over those who decorated Rolling Stones’ list).  Did your fave make the cut?

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Certainly the Queen of putting the fear in fierce, it seems there is no stopping Beyonce‘s mission to score high first week sales for album ‘4’ in the UK.

For just one day after her mind blowing showing at The Glastonbury Festival, the Golden Globe award nominee served fans in the city of London with a showing of epic proportions.

Check some of the footage below…

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Saturday Night Live was all an Lady GaGa affair tonight. For, as well as taking to the stage, the 25 year old featured in not one, but two of the show’s trademark skits.

Both co-starring host Justin Timberlake, the digital shorts see GaGa first don a wine bottle ensemble to sing hits from Flo Rida and co; while the other sees her, Timberlake, and Andy Samberg hilariously propose a threesome (…)

All the action after the jump…

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*Pinned: Normal Posts Resume Below*

That Grape Juice sat down with Pop phenom Alexandra Burke last week at her label HQ here in London.

The ever-bubbly 21 year old opened up to us about a number of topics including her rise to stardom, the darker side to fame, the status of her much talked about collaboration with Beyonce, her thoughts on whether Rihanna could win the X Factor, US plans, and much more. As ever, we ask the questions other interviewers won’t! Enjoy…

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Interviewer: Sam // Transcription: Bisi Kadejoh // Edited by: Trent

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Alexandra Shouts Out That Grape Juice

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usher-album-08

After being rescheduled numerous times, Usher’s forthcoming album has finally been given a concrete release date. The tentatively entitled LP, ‘Raymond vs. Raymond’, will now hit stores on December 21st as confirmed by the singer’s label, LaFace/Jive Records. This places Usher in direct competition with Mary J. Blige who is also dropping her new album, ‘Stronger’, on the same date. The first ‘buzz’ singe from ‘Raymond…’, ‘Papers’, has thus far peaked at #32 on the Bilbboard Hot 100 and #2 on the Hip-Hop/R&B charts.

It seems that Usher’s label is anticipating a strong sales bonus from the Christmas shoppers. Although a brilliant maneuver to garner high sales rates, it does raise several questions. Primarily, one might wonder if Jive uncertain that Usher is unable to generate strong sales without the boost of the season, especially given the mediocre performance of his last record. Only time till tell if Mr. Raymond still possess the golden touch and if he can outshine Mary J, who is particularly known for consistently high first-week sales.

Thoughts?

Top 25 Worst Selling #1 Albums Yahoo Music published a real interesting list recently of the Worst Selling #1 Albums. Though kinda long, it was a very insightful read; after all, labels and publicists are oh-so-quick to tout an artists #1 selling status, yet we often hear very little thereafter. Check out the full list below (which is complied from the 365 albums that topped the Nielsen/SoundScan chart from May 25, 1991 through December 31, 2006), I’m sure some of the entries will surprise some:

1. Omarion, 21, 390,000. This was the R&B artist’s second album in a row to open at #1. Omarion’s solo debut album, O, had achieved the feat in March 2005. But 21, which charted in December 2006, has sold only about half as many copies as that earlier album (see #17). The key song from 21, “Ice Box,” reached #12 on the Hot 100. This was the lowest-selling #1 album of 2006.

2. Jaheim, Ghetto Classics, 446,000. This was the R&B artist’s third album, but his first to reach #1. It charted in February 2006. A key reason Ghetto Classics is on this list: No songs from the album made the Hot 100, whereas two songs from each of Jaheim’s previous albums made the top 30.

3. Johnny Cash, American V: A Hundred Highways, 491,000. This charted in July 2006, nearly three years after Cash’s death. It was the country legend’s first studio album to reach #1. His only other #1 album on The Billboard 200 was the live Johnny Cash At San Quentin in 1969. So this wasn’t really a dud. This is the only album on this list that had first-week sales of fewer than 100,000 copies. (It bowed with lukewarm sales of 88,000.)

4. Juvenile, Reality Check, 505,000. This was the rapper’s eighth album, but his first to reach #1. It charted in March 2006. The key single from the album, “Rodeo,” peaked at #41, a drop-off from such previous Juvenile releases as “Slow Motion” (featuring Soulja Slim), which hit #1 in 2004.

5. R. Kelly & Jay-Z, Unfinished Business, 524,000. This was the second collaboration by the superstar pairing. The first, The Best Of Both Worlds, peaked at #2 in 2002. But that first album has sold a healthier 933,000 copies. This was the lowest-selling #1 album of 2004-as well as the lowest-selling chart-topper of the Nielsen/SoundScan era to that point. (It may have been undercut by Jay-Z’s collaboration with Linkin Park, Collision Course, which was released just five weeks later.) Unfinished Business charted in October 2004 with first-week sales of 215,000. That’s 41% of its total.

6. Marilyn Manson, The Golden Age Of Grotesque, 526,000. This album, which charted in May 2003, was Manson’s second #1, following Mechanical Animals in 1998. Both of these releases were the lowest-selling #1 albums of their respective years. The Gothic shock rocker is the only artist to have the lowest-selling #1 album of the year twice in the Nielsen/SoundScan era.

7. LeToya, LeToya, 529,000. This was the solo debut by LeToya Luckett, a former member of Destiny’s Child. LeToya left the group in early 2000, after the release of its top 10 blockbuster, The Writing’s On The Wall. LeToya has sold about one-twelfth as many copies as that album has. The album charted in July 2006. The single, “Torn,” reached #31 on the Hot 100.

8. Prince, 3121, 530,000. What’s a legend like Prince doing on a list like this? Anybody can have an album that under-performs, to use a favored industry euphemism. 3121 charted in March 2006. It was Prince’s fourth album to reach #1; his first to do since Batman in 1989. “Black Sweat” was the only song from the album to make the Hot 100. It spent one week on the chart at #60.

9. Private Parts soundtrack, 562,000. The rock soundtrack to the Howard Stern comedy/biopic charted in March 1997. It was that year’s lowest-selling #1 album. In fact, it was the lowest-selling #1 album between May 1991 and May 2003, when a Marilyn Manson album did even worse (see #6). It’s also the lowest-selling #1 soundtrack from 1991-2008 (except for the two-week old Twilight, which will quickly surpass it). Apart from the four oldies on the album, no songs from the album made the Hot 100.

10. Gridlock’d soundtrack, 585,000. This soundtrack charted in February 1997, five months after the movie’s star, 2 Pac, was shot to death. The album features two 2Pac tracks, one a collaboration with Snoop Doggy Dogg. No songs from the album made the Hot 100.

11. Busta Rhymes, The Big Bang, 613,000. This was the rapper’s seventh album, but his first to reach #1. It charted in June 2006 with first week sales of 209,000. A single, “Touch It,” had run its course by the time the album was released. The follow-up, “I Love My B***,” stalled at #41 on the Hot 100. By contrast, five Busta Rhymes songs from previous albums made the top 10.

12. Bruce Springsteen, Devils & Dust, 650,000. This was The Boss’ seventh #1 album; his first since The Rising in 2002. But it has sold less than a third as many copies as that album has. Devils & Dust charted in May 2005 with first-week sales of 222,000. It was that year’s lowest-selling #1 album. The title song stalled at #72 on the Hot 100. It spent just one week on the chart, compared to 11 weeks for the title song from The Rising.

13. Madonna, American Life, 674,000. This was Madonna’s fifth chart-topper; her first since Music in 2000. But this has sold less than a quarter as many copies as that album has. American Life charted in April 2003 with first-week sales of 241,000. That’s 36% of its total. The album included Madonna’s 2002 hit “Die Another Day” from the James Bond movie of the same name. The problem: No other songs from the album cracked the top 30.

14. India.Arie, Testimony: Vol. 1: Life & Relationship, 688,000. This was the R&B artist’s third album, but her first to reach #1. It charted in July 2006. The single, “I Am Not My Hair,” had one fleeting week on the Hot 100 (at #97). India.Arie’s 2001 breakthrough hit, “Video,” logged seven months on the chart.

15. Diddy, Press Play, 700,000. This was the rap icon’s first #1 album since 1997, when, as Puff Daddy, he topped the chart with No Way Out. But Press Play has sold less than one-seventh as many copies as that album has. Press Play charted in October 2006. The album’s key track, “Come To Me” (featuring Nicole Scherzinger of the Pussycat Dolls) went top 10 on the Hot 100. (By contrast, No Way Out contained four top five hits.)

16. Rod Stewart, Still The Same…Great Rock Classics Of Our Time, 719,000. This was the English star’s first pop/rock album following four million-selling Great American Songbook collections. It charted in October 2006. The Songbook albums were trending downward in sales, from a high of 3,221,000 for the first to a low of 1,112,000 for the fourth. A fifth Songbook outing would probably have sold about what this did. So this wasn’t a bad showing, just not as good as many figured. It was Stewart’s fourth #1 album.

17. Omarion, O, 758,000. This was the R&B artist’s solo debut album, following a pair of top 10 albums with the teen group B2K. O charted in February 2005. The title song reached #27 on the Hot 100. Omarion is the only artist with two albums on this list. (There’s another dubious distinction.)

18. Nas, Hip Hop Is Dead, 764,000. This was the rapper’s third #1 album, following It Was Written in 1996 and I Am… in 1999. But it has sold only about a third of what those albums have sold. Hip Hop Is Dead charted in December 2006, with first-week sales of 355,000. That’s a whopping 46% of its total. The title track, featuring will.i.am, peaked at #41 on the Hot 100, lower than such earlier Nas hits as “Street Dreams” and “I Can.”

19. Incubus, Light Grenades, 773,000. This was the hard rock group’s sixth album, but its first to reach #1. It charted in December 2006. The key track, “Anna-Molly,” peaked at #66 on the Hot 100, a far cry from the top 10 showing of the band’s “Drive” in 2001.

20. Godsmack, IV, 815,000. This was the hard rock group’s second consecutive full-length album to reach #1, following Faceless. But this has sold about half of what that 2003 album has sold. IV charted in May 2006 with first-week sales of 211,000. The key track, “Speak,” reached #85 on the Hot 100.

21. The Isley Brothers featuring Ronald Isley, Body Kiss, 815,000. This was the veteran R&B group’s second #1 album; its first since The Heat Is On in 1975. Body Kiss charted in May 2003. R. Kelly wrote and produced the key track, “What Would You Do?,” which stalled at #49 on the Hot 100.

22. Led Zeppelin, How The West Was Won, 818,000. This live, three-disk compilation charted in June 2003. (It’s the only album on this list that comprises more than a single disk.) This was the legendary hard-rock band’s seventh #1 album; its first since 1979’s In Through The Out Door.

23. LL Cool J, G.O.A.T. Featuring James T. Smith The Greatest Of All Time, 822,000. This was the rap superstar’s ninth album, but his first to hit #1. G.O.A.T. charted in July 2000 with first-week sales of 209,000. It was that boom year’s lowest-selling #1 album. “Imagine That” was the only song from the album to make the Hot 100. It peaked at #98.

24. Various Artists, The Neptunes Present…Clones, 827,000. Pharrell Williams was featured on six tracks on this hip-hop collection. One of them, “Frontin'” (featuring Jay-Z), went top five on the Hot 100. The album charted in August 2003 with first-week sales of 249,000.

25. A Tribe Called Quest, Beats, Rhymes And Life, 828,000. This charted in August 1996, making it the oldest album on this list. It was the lowest-selling #1 album of 1996-and the lowest-selling chart-topper of the Nielsen/SoundScan era to that point. (It took the unwelcome title from Depeche Mode’s 1993 album, Songs Of Faith And Devotion.) Beats, Rhymes And Life was the New York-based rap trio’s fourth album, but its first to hit #1. No songs from the album made the Hot 100.

Granted some of the names/releases on the list have stories behind the poor sales, it’s still pretty compelling stuff all the same.

Your thoughts

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