Fittingly, then, the Queen Bee dropped by The Nick Cannon Show to dish on the film and much more.
Kim and the media maestro chopped it up, reflecting on their two decades of close friendship, their children, the Hip-Hop legend’s newest projects, and a whole lot more.
Nick Cannon directs and leads an all-star cast of music stars in VH1’s forthcoming Christmas film, ‘Miracles Across 125th Street’ – the latest release of the network’s #NaughtyOrNice yuletide programming.
Described as a “holiday film for the culture,” ‘Miracles’ boasts appearances from Lil Kim, Karen Clark Sheard, Kierra Sheard, Teyana Taylor, Chrisette Michele, Todrick Hall, Tommy Davidson, Luenell, D.C. Young Fly, Rickey Smiley, Jim Jones, Akon, and more.
Ahead of its December 20 premiere (at 9/8 CST), watch the official trailer inside:
Wizkid takes a much-deserved victory lap in the freshly unwrapped short film for his ‘Made In Lagos’ album.
Directed by Kuukua Eshun and Starboy himself, the vibrant visual ignites the new tracks featured on the deluxe edition of the critically acclaimed LP – ‘Anoti,’ ‘Steady,’ and ‘Mood.’
Bursting with color, the 10-minute production illuminates the brilliance embedded in the Wiz’s newest jams – which collectively join hits such as ‘Ginger’ and global smash ‘Essence’ featuring Tems. The latter of which has been nominated at the upcoming 2022 GRAMMYs, alongside its housing album.
‘Insecure’ is bowing out with its fifth and final season. And while it’s been hard for fans to say goodbye, they’ve been treated to a rollercoaster ride.
The HBO comedy has struck a chord with millions thanks to its wonderfully witty and immersive take on the story of two friends – Issa and Molly.
Led by Issa Rae and Yvonne Orji, the series is set in Los Angeles and follows the ladies as they navigate love, life, and all else in between.
This final chapter has given viewers a front seat to the penultimate fate of characters they’ve come to know and love over the last five years.
With season 5 almost at its climax, check out a sneak peek of the final episode (10) below…
For decades ‘The Prince of Egypt’ has enchanted the masses with its inspiring story and magnetic music.
Now, it’s wowing audiences in London’s West End with its mesmerizing live stage adaptation.
A spectacular state-of-the-art production, the show has been showered with praise from critics and theatergoers alike since its debut.
Ahead of the final curtain call on January 8 curtain call, That Grape Juice sat down with Oliver Lidert – who shines in the role of Jethro.
During our in-depth chat, the performer opened up about the personal effect ‘The Prince of Egypt’ has had on him and its wider impact. Lidert also shared his view about what will be needed to attract more people of color to theaters – both as theatergoers and performers.
Today’s From The Vault pick is a gem housed in the early 90s.
This week’s pick is the soaring ‘Love Takes Time’ by the ever-dependable Mariah Carey.
After hitting a home run with her debut single ‘Vision Of Love’ in 1990, Mariah and her team were primed for her to become the next big thing in music and keen to prove that she wasn’t a flash in the pan.
Issued as the second single to be released from the diva’s eponymous debut, ‘Love’ was written by Mimi alongside Ben Margulies and marked the first of many collaborations with producer Walter Afanasieff.
A ballad about lost love and the healing process that comes after it, it served as the songbird’s second US #1 and a favorite with critics. Internationally, it didn’t reach the heights of its predecessor globally but still managed to crack the Top 40 of the British charts.
The song’s black-and-white visual was shot in Venice, Los Angeles by Jeb Brien and shows Mimi wandering on the beach with her reliable little black dress and a blanket after a man is seen leaving with a suitcase.
If the world as a whole is currently excited about Mariah’s festive content, we for one can’t wait to get our ears and eyes on the album follow-up to the exquisite ‘Caution.’ If her at-home performances of the past few months are anything to go by, we’re in for an amazing ride.
