21 Savage may be enjoying a love fest with his ‘Her Loss’ counterpart Drake as the two have landed atop this week’s Billboard 200 with the year’s biggest first-week sales for a Hip-Hop album, but a number of other emcees can’t exactly say they’ve been feeling the love from the Atlanta-reared rapper lately.
See what we mean inside:
Saweetie has new music on the way!
The femcee has been noticeably low volume while diligently working on her long-awaited album debut.
Earlier this year, the star revealed that she’s intentionally shunning the live circuit to pour her all into the project – which was once titled ‘Pretty B*tch Music’ and is now christened ‘The Single Life.’
With the new-new reportedly incoming soon, Saweetie took to TikTok to share a preview of a fresh track.
Check it out after the jump…
At the height of its popularity, Post Malone and Swae Lee‘s ‘Sunflower’ (found aboard the soundtrack of 2018’s animated film ‘Spider-Man: Into the Spider-Verse’) not only topped the Hot 100 but entered history books for becoming one of the longest-running top 10 hits of all time.
Racking up a whopping 33 weeks in the chart territory (a record for a soundtrack single), the only duet to have enjoyed a longer stay there overall was The Kid Laroi and Justin Bieber‘s 2021 smash ‘Stay‘ (which lasted 47 weeks).
The Malone and Lee song’s impressive commercial performance was also evidenced by its 11x Platinum certification at the Recording Industry Association of America (RIAA) for sales of 11 million in the United States by November 2020.
Two years later, the enduring success of ‘Sunflower’ sees it planted in the record books of the RIAA as well. Look inside to see how.
Drake may have missed out on the top spot on the Billboard Hot 100 this week, but the MC still has plenty of reason to celebrate.
Full story below…
Nicki Minaj, Maluma, and Lebanese singer Myriam Fares have teamed up for the official theme for the FIFA World Cup Qatar 2022.
Full story below…
Rihanna has proven her potency as a businesswoman after establishing her billion-dollar Fenty empire. But even RiRi recognizes the Midas touch Beyonce brings.
See what we mean after the jump…
With the 2022 American Music Awards rapidly approaching, organizers have unveiled the latest wave of performers taking to the stage.
And it’s an eclectic mix.
Full story below…
Could there be a future collaboration between Mariah Carey and rapper Lil Durk? Many think so.
Find out why below…
50 Cent is letting his stance on the rumored breakup between Diddy and City Girls‘ Yung Miami be known.
Full story below…
After passing away earlier this month, the state of California is now getting into the affairs of Aaron Carter.
More details below…
Monica has long reigned as one of R&B’s most enduring talents and boasts a catalog to match.
And while she’s released many gems we’re fond of, this week’s From The Vault spotlights one of her rarest – ‘All Eyez On Me.’
Released in 2002, the uptempo jam was penned by the late LaShawn Daniels and produced by Rodney ‘Darkchild’ Jerkins. The funkified cut was built around a sample of Michael Jackson‘s classic ‘P.Y.T’ – a huge honor given how rarely use of the King of Pop’s material for new music has been granted.
Noticeably more Pop-kissed than the songbird’s R&B mainstay, the club jam saw the star – who was transitioning from teen idol to young womanhood – let her love interest know that she knows they’re watching. The song more broadly sees Mo throw down a challenge for her would-be boo to waste no time acting on their attraction.
Its Chris Robinson-directed music video brought the lyrics to life in a “popping” party setting that saw Monica break into choreography for its climax.
Despite its certified bop status, the track (which was the lead and also the title track of its companion album) isn’t all that known to the masses. And the reason is unique.
‘All Eyez Me’ – both the song and its like-titled LP – were first released in Japan in September 2002 with a view to follow-up with a US launch in November of the same year. It was to serve as her first release on Clive Davis‘ then-new J Records imprint.
Bootlegging and the lukewarm commercial response in its initial market (#14 charting album in Japan) and the song’s so-so showing elsewhere (#69 peak on the US’ Hot 100 and scraping top 40 in just a handful of other countries) saw plans swiftly changed.
Although technically already released in select parts of the world, the ‘All Eyez On Me’ album and era were essentially shelved. Instead, the record was retooled and re-released as ‘After The Storm’ in 2003. That iteration of the LP, which proved a success, featured select tracks from the original project and new numbers (such as smash hit ‘So Gone’).
Suffice to say, all worked out. Monica nabbed another hit album with her reworked project and loyalists still have this bonafide bop.
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