Alexandra Burke - 'Overcome' As X-Factor winner Alexandra Burke continues to ready her debut album, a new song from the as-yet-untitled set surfaced within the last few hours. ‘Overcome’ is very much ‘power ballad’ in the vein of Jordin Sparks’ criminally underrated ‘Battlefield’. Unsurprising as both songs were produced by hit maker Ryan Tedder.
The song itself; though a little predictable, in that it’s very ‘I won a singing reality show’, I’m liking this. Alex’s vocals are rich and emotive in their delivery – you believe what she’s singing, which ultimately rescues the song from being a bore.
With Alexandra having shown herself to be a very versatile performer (a great uptempo singer, as well as a balladeer), I’m itching to hear what the rest of the album will be serving up.

Hit or Miss?

*Had to do a rewind on this one!*
Randomness: How Did You Discover That Grape Juice?

It’s been a bit of a slow news day today, so I thought what better time to ask you all a question that’s often on my mind. Put simply…

How did you discover That Grape Juice?

A new Beyonce cut in the form of ‘Ice Cream Truck’ surfaced today via the latest Tapemaster’s Inc mixtape. Though little is known as to when the jingly, nursery-rhyme inspired track was recorded, I’ll make an educated guess and say for the ‘Dangerously In Love’ recording sessions. I say this as the song sounds like it would fit well on the ‘Survivor’ album (the least impressive collective set of songs from the girls IMO, yet the most successful – say ‘hello’ to the industry of today LOL), which preceded Bey’s solo debut by little under a year. Vocals aren’t representative of what Bouncy can do today; while lyrically and production-wise I couldn’t imagine her singing something like this today either. Not an atrocity, yet far from great.

Randomness:
While I’ve always enjoyed the ‘Sasha’ side of Bey’s ‘I Am…’ LP, a few of the cuts from the slowed-down first disc are becoming favourites too (see: ‘Smash Into You’, ‘Broken Hearted Girl’).

Hit or Miss?

As Amerie readies her Def Jam debut ‘In Love & War’ for its September release, a new cut from the set surfaced on a recent Tapemasters Inc mixtape. Produced by Bryan Michael Cox, ‘Red Eye’ is airy slow Jam, with production somewhat reminiscent of Ciara’s ‘Promise’. However, differentiating the two tracks is Amerie’s apparent target of the ‘adult contemporary’ audience – something made all the more evident with the surfacing of each new track from the album. How smart this is really depends on how Def Jam are looking to market her; if she is to be marketed in the same vein as other commercial R&B acts (basically meaning ‘sales’ are the most important factor) then there may be problems ahead. Yet, if it’s the Jill Scott, Jazmine Suillivan etc route the label are embarking on (less emphasis on sales, more touring etc) then our girl may be in luck.

Enough of my waffling. About the actual track…hmm…not really my cup of tea, yet saying that, it is the best I’ve heard from the album thus far – take from that what you will. I must say I’m kinda baffled at why Amerie has seemingly gone back to her older, less mass appealing sound – not because it’s bad, more because most do it the other way around (niche sound – more crossover sound). As a fan of the ‘1 Thing’, ‘Because I Love It’ era Amerie, I can’t really say she’s rocking my world with her latest material. It’ll be interesting to see what the album, as a body of work, will be saying.

Hit or Miss?

R&B star Kelly Rowland made her first televised US performance since 2007 last night on So You Think You Can Dance. The 28 year old performed her worldwide smash ‘When Love Takes Over’ with David Guetta.

While I’ve seen Kelly deliver better live showings, I really enjoyed this. Her confidence grows with each performance and she sounded great.

What do you think of the performance?

Solange Hits Out At Beyonce HatersBurgeoning star and the youngest of the Knowles clan Solange takes no nonsense when it comes to defending her superstar sister Beyonce. The ‘I Decided’ singer lashed back at a post on Twitter suggesting that her elder sister needs to sit down somewhere and let “better” vocalists such as Jennifer Hudson and Jazmine Sullivan have the limelight. Check out Solange’s response is below:

“Sick of people thinking I’m gonna be my sisters enemy. Now that was the “nice” read. Next person who hits me with some negative energy about my sister is gonna get Fox news all over again. Don’t try to love ME because you want to be the “anti Beyonce”. I am the ‘all for’ Beyonce. Now kiss both of our Knowles asses if you don’t like it!”

Preach LOL! It’s actually refreshing seeing Solange address the topic of Beyonce head on without the media-savvy answers. It must be uber annoying being pit against your own sister by outsiders for no logical reason. Not sure I’m feeling the Fox News subliminal gloating, but I get where she’s coming from.

Your thoughts?

Brandy Dropped By Epic; Leaves ManagementOur very good friend Jawn Murray over at AOL’s Black Voices is reporting that Brandy has been let go by label Epic Records. Check out the story below:

R&B singer Brandy Norwood is in search of a new record deal.

BV Buzz has learned exclusively that the 30-year-old singer was just dropped by her label Epic Records because of the lackluster sales of from her comeback CD, ‘Human.’

Released on Dec. 8, 2008, the CD has only sold 196,509 units to date according to SoundScan.

“Her friend Brandon Creed that works as an A&R representative at Epic Records has been making calls to see if other labels would be interested in signing her,” a record company source told me.

In addition, Brandy has also parted ways with her management.

The former ‘Moesha’ star had been represented in recent months by Jay-Z’s Roc Nation Management.

The McComb, Miss.-bred singer’s relationship with Roc Nation supposedly dissolved because of “creative differences.”

A rep for Roc Nation did confirm the split to BV Buzz.

“Roc Nation no longer reps Brandy,” the publicist Jana Fleishman said in an e-mail yesterday.

A source tells me that Brandy’s business relationship with Roc Nation “is what kept Epic Records from dropping her months ago.” Since the singer is no longer repped by the firm, the label “didn’t see the benefit in giving her another album.”

“She was signed to Epic when Charlie Walk was president of the label. Now that Amanda Ghost is president, she is the one who decided to let Brandy go,” the source explained.

Coincidentally, Roc Nation had also represented Ghost, who in addition to being president of Epic Records is a Grammy-nominated songwriter who has written for Beyoncé, Jordin Sparks and Shakira.

Brandy’s last CD ‘Human’ was her first release in more than four years and her debut album for Epic Records.

Prior to signing with Epic, the singer had recorded exclusively for Atlantic Records, where she released four CDs before parting ways with that label in 2005.

A rep for Brandy denied that the singer has been dropped from the label.

“They have not dropped her. We are trying to get a release from them. We’re in waiting,” her rep told me, before adding: “And Brandy and Roc Nation parted amicably.”

BV Buzz’s call to Ghost’s office was forwarded to Elisa Goldman in the publicity department. That call has gone unreturned.

A message was left for Creed as well, though he has yet to respond.{Source}

What ever is said in the weeks and months ahead by both parties, there’s no denying that this is a real sad situation for Brandy – if true, considering all the problems she’s been through over the last couple of years.

The situation really highlights the bogus state of the industry today; Ms. Norwood churns out one of last year’s best efforts with ‘Human’, yet goes on to sell the worst she has with any of her albums. All this despite being promoted relatively well, a point I feel important to note as many are oft quick to say their favourite wasn’t promoted right, yet if I recall right I remember seeing Brandy on numerous shows, as well as having her own BET special. As cut-throat as it may sound, it’s easy to see that Epic had no choice, as no sales=no money. That said, it’s real, real sad when an immensely talented artist in the form of Brandy, currently at her creative peak isn’t able to shift records, yet a whole bunch of nonsense can. SMH. Here’s hoping another label snaps her up swiftly.


Your thoughts?

Review up shortly (aka I’m watching it now LOL)

In the meanwhile…

What do you think of the video?

Michelle Williams is currently over here in the UK promoting her stint in the West End adaptation of Chicago, in which she will star as the fiery Roxy. Peep the interview above. Michelle, who is a good friend of this site, almost always comes across really well in interviews. Great personality, which really shines through. More power to her. I’m definitely gonna try check out one of her shows, which by the way kick off July 13th.

Your thoughts?

That Grape Juice To Interview Keri HilsonAs some of you may remember, we were supposed to interview R&B star Keri Hilson back in April during her last promo stop in London, yet scheduling changed that. Well, I’ve just received word from her label that we have confirmed phone time with her late Saturday night (London time). So, as usual, I’m throwing it to you guys to submit any questions you may have for the talented singer-song-writer in the comments section below. As usual, only legitimate questions will be considered. Thanks guys 🙂

*Please note, as I’m sure you are aware of already, plans can change at any given time. However, at present, all systems are go… *

The video for Beyonce’s latest single ‘Sweet Dreams’ premiered a few hours ago. As I’m sure regular readers will know, we are ardent supporters of Bouncy, however that does not mean we won’t call it as we see it, and what I’m seeing isn’t a good look – at all. Echoing my sentiments from the preview of the vid yesterday, this is a recession video if I’ve ever seen one. Granted Ms. Knowles-Carter is supposedly going for a ‘simple/classic’ feel with these batch of videos, that is no excuse to essentially be churning out cheap, creatively-starved, mediocre re-hashes of the ‘Single Ladies’ video (see: videos for ‘Ego’ and this). Re-hashing aside, IMO all of the videos besides ‘If I Were A Boy’ and ‘Single Ladies’ have been, to put it bluntly, rubbish. Before the stans jump me, in no one am I saying this takes away from Beyonce’s talent, yet for someone who, quote on quote, wants to be an ‘icon’, this isn’t the way to go about it. All that money in the bank, and nothing (or not enough!) is thrown at her videos. Not a good look.

Being the best in the game isn’t dependant solely on songs, stage performance etc; we are in the visual age and whether artists like it or not, they have to be able to sell us that song via a great video. Not making videos just for the sake of it – which seems to be the case here. Here’s hoping Bouncy steps it up next go round. SMH…

What do you think of the video?

Mariah Apologises For Poor Performance At Jackson Memorial Following her performance of ‘I’ll Be There’ at the memorial for the late, great Michael Jackson, Mariah Carey took to Twitter to apologise for the quality of her performance. Here’s what the 39 year old Tweeted:

Just recovering from the day. Still filled w/sadness as we listen to KJLH in LA(Stevie Wonder’s radio station)paying tribute to MJ.

Trying to sing today was basically impossible for me. I could barely keep myself from crying. I’m sorry that I wasn’t able to pull it together and really do it right,but I was literally choked up when I saw him there in front of me.

One thing I know is, we will never really have to say goodbye to MJ. His legacy lives on through his music and the millions of people. He inspired with his timeless music. He will be forever in our hearts. {Source}

In this particular instance I won’t say anything other than it’s great Mariah came out in celebration of The King of Pop’s life. Though, I must say I’m interested to hear what you guys thought of Mariah’s showing…

Your thoughts?

**