The cut is familiar territory for Michael – from both his and Akon’s vocal arrangements right down to the subject matter; which I guess makes it accessible for fans of that aspect of his music. Saying that, I’m kinda on the fence about this one. Despite the supposedly ‘new’ MJ material floating around, this is the first legitimate taste of post-‘Invincible’ MJ material and it doesn’t really deliver the ‘umph’ I would have hoped for. Still, this could be a grower.
Hit or Miss?