Your thoughts?
Check out the third preview of B2K’s forthcoming reality show:
Watching this back really reminded me of how badly Chris Stokes screwed them over; Omarion comes across kinda wrong too. I’m actually hoping these guys make something of themselves with this comeback – if only just show that you can’t hold people down with such shady tactics.
Your thoughts?
It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…
The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.
Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.
The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.
Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.
The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.
Random Points:
• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.
Mario performing ‘Let Me Love You’
Your thoughts?
It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…
The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.
Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.
The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.
Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.
The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.
Random Points:
• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.
Mario performing ‘Let Me Love You’
Your thoughts?
It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…
The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.
Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.
The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.
Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.
The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.
Random Points:
• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.
Mario performing ‘Let Me Love You’
Your thoughts?
Ok, it appears much of Beyonce’s forthcoming DVD (‘The Beyonce Experience’) has been ‘surfacing’ as of late, so it’s for that reason that this will be be the last vid posted here until the DVD drops on November 20th.
About the performance, she nailed it! IMO ‘Get Me Bodied’ is hands down the best track on ‘B’Day’, so it was good to see her do the performance justice live – extended version and all. A tidbit: did anyone else spot the guitarist during the ‘drop down low and sweep the floor with it’? She was getting it! LMAO!
What do you think of the performance?
As the release of ‘The Beyonce Experience’ DVD draws nearer, new performances from the set are starting to surface. Check out the red-hot performance the singer gave of ‘Freakum Dress’ above and the ‘Baby Boy / Murder He Wrote’ performance below:
Hate it or love it, these go to show why she is considered to be the ‘Hottest Chick In The Game’.
What do you think of the performances?
A short preview of Beyonce’s forthcoming ‘The Beyonce Experience Tour’ DVD has surfaced. Having attended the London show back in June (click here to read my review), I feel it definitely captured the spectacle of what was one of the best live shows in a long while IMO. The DVD will be released on November 20th.
Will you be picking up ‘The Beyonce Experience’ DVD?
Salt is angry about being unappreciated when they were together and Pepa blames Salt for breaking up the group. Their lifestyles are also polar opposites: Salt has indeed found God and is living a quiet life in Long Island with her husband while Pepa is still the party girl and desperately wants to re-capture the glamour of Salt-N-Pepa’s glory days. Can they overcome their differences long enough to heal their friendship and perform again?
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