Janet Hospitalised; Cancels ShowPop superstar Janet Jackson has been forced to cancel / re-schedule the latest stop on her ‘Rock Witchu’ tour after being rushed to hospital last night:

After she “got suddenly ill during the sound check” of her concert in Montreal Monday, the singer was rushed to a local hospital, according to W&W Public Relations.

Jackson, 42, is being monitored at the hospital and hopes to reschedule the show.

No further information has been released. {Source}

Here’s hoping she makes a speedy recovery.

UPDATE: Reports confirm Janet has been released from the hospital.

Your thoughts?

That Grape Juice are delighted to announce that we have teamed up with Live Nation to offer YOU the chance to win tickets to see Pop Icon Janet Jackson on her already-acclaimed ‘Rock Witchu Tour’!

In an unprecedented move, over the next 4 weeks pairs of tickets to 10 of the tour’s scheduled US stops will be up for grabs.

Over the years, Janet’s fans have shown themselves to be quite the creative force; therefore this give-away will give you all the chance to flex your creative muscles.

Entry Info

To enter the ‘That Grape Juice Wants to Rock Witchu’ competition, entrants must submit a Youtube video simply telling us:

Why I Should Win Tickets To See Janet!

Each week select new cities will be posted, this week’s are:

* East Rutherford: IZOD Center (formerly Continental Arena), New Jersey – Oct 17th 2008

* Atlanta: Philips Arena, Atlanta, Georgia – Oct 19th 2008 (rescheduled)

* Boston: TD Banknorth Garden, Massachusetts – Awaiting rescheduled date

* Philadelphia: Wachovia Center, Philadelphia – Awaiting rescheduled date

* Greensboro: Greensboro Coliseum Complex, Greensboro – Awaiting rescheduled date

* Ft. Lauderdale – Bank Atlantic Center, Florida – Awaiting rescheduled date

Submit the links to your videos to competitions@thatgrapejuice.net in an email titled ‘TGJ Rock Witchu’, followed by the date/city you’re entering for. Please ensure to include your name, age and address also. Entries for this week’s listed dates must be submitted by 13th October 2008!

Good luck!

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Special thanks to: Janet’s management, Live Nation, Aladdin & Snoppy (Gilberto)

MOBO Awards 2008 Nominations That Grape Juice was on hand at the MOBO Awards 2008 Nominations Launch at the swanky Beach Blanket Babylon restaurant here in London yesterday. As I’m sure many of you know, the annual show celebrates the undeniable presence of Music of Black Origin in the contemporary music scene. The event, which was largely populated by press outlets, saw the nominations announced, as well as the show’s hosts – Mel B aka ‘Scary Spice’ and Rev Run.
Estelle leads the field with the nominations, notching up 5 noms. Check out the full list below:

BEST UK MALE

Dizzee Rascal
Jay Sean
Sway
Taio Cruz
Wiley

BEST UK FEMALE

Adele
Duffy
Estelle
Leona Lewis
M.I.A

BEST UK NEWCOMER

Bryn Christopher
Chipmunk
DJ Ironik
Skepta
T2

BEST INTERNATIONAL ACT

Akon
Alicia Keys
Chris Brown
Jay Z
Kanye West
Mariah Carey
Mary J Blige
Ne-Yo
Rihanna
Usher

BEST REGGAE

Beenie Man
Busy Signal
Etana
Mavado
Tarrus Riley

BEST JAZZ

Courtney Pine
Guy Barker
Lizz Wright
Tony Kofi
Yolanda Brown

BEST GOSPEL

Ekklesia
GreenJade
Jahaziel
Kirk Franklin
Tye Tribbett

BEST AFRICAN ACT

9ice
Asa
D’Banj Mo Hits Allstars
Faze
Hip Hop Pantsula
Jozi
Jua Cali
Magic System
P-Square
Wahu

BEST SONG

American Boy – Estelle
Dance Wiv Me – Dizzee Rascal
Lollipop – Lil’ Wayne
Low -Flo Rida
Wearing My Rolex – Wiley

BEST R&B / SOUL

Chris Brown
Estelle
Jay Sean
Ne-Yo
Usher

BEST HIP HOP

Dizzee Rascal
Jay Z
Lil’ Wayne
Lupe Fiasco
Wiley

BEST VIDEO

Bashy – Kidulthood to Adulthood
Estelle – American Boy
Leona Lewis – Bleeding Love
Tinchy Stryder – Stryderman
Will.i.am – Heartbreaker

BEST ALBUM

Alicia Keys – As I Am
Estelle – Shine
Leona Lewis – Spirit
Lil’ Wayne – The Carter III
Usher – Here I Stand

The 2008 MOBO Awards take place at Wembley Arena, London on October 15th; and will air live on BBC Three at 9pm.

Your thoughts on the nominations?

{Content Removed As Requested}

And there you have it; the MTV Video Music Awards are over for another year. For all the hype and hysteria, this year’s show failed to deliver on many a front, offering a few genuinely worthwhile moments during an otherwise lacklustre 2 ½ hour telecast.Though it was awesome to see Britney both looking and acting like the Britney everyone knows and loves, I’m sitting here wondering what exactly the point of her segment was. Granted I seemed to be one of the few who didn’t want her to perform, if she was going to speak, it would have helped if it lasted more than 30 seconds. Damn.

Shambolic showing of the night, no doubt, belongs to Ms. Rihanna. Her rendition of ‘Disturbia’ had all the elements of a great performance (truly amazing stage set-up, overly on-point dancers etc)… that is until she opened her mouth. Billy Goat Gruff at her worst. Terrible, just terrible. Though, I must say she redeemed herself ever so slightly with her performance of ‘Live Your Life’ with T.I. (the faux-hood chick thing wasn’t working, though. No). Rihanna aside, Clifford was on fire.

Christina Aguilera’s first post-pregnancy performance was notable, not least because we were given our first look at her new musical/image direction (seems Xtina has embraced the Electro-Pop sound – jumped on the bandwagon, maybe?), more so the fact that 95% of the performance was lip-synched. She gets a pass, somewhat, as she’s already proven herself to be one this generation’s greatest vocalists. That said, I’m still not entirely sold on ‘Keeps Gettin’ Better’ or this new direction of hers. I guess time will tell.

Is it bad that I haven’t (and don’t intend to) watch The Jonas Brothers or Kid Rock performances? LOL LOL…not enough time in the day…

I feel quite proud seeing Leona getting her shine over in the States, who would have ever envisioned a Lil’Wayne / Leona performance? As for Weezy’s showing with T-Pain, it was kinda ‘samey’ IMO.

Highlights of the night, no doubt, were Pink and Kanye West. Pink’s show-stopping performance of ‘So What’ really has me liking the song even more than before. While, Kanye’s debut of ‘sing song’ new single ‘Love Lockdown’ was great…a much needed spark of energy to close out an otherwise tired show.

One will, in future, be better off expecting exactly what is on the show’s ‘can’, as opposed to any surprises, seeing as the VMA’s ability to shock and awe seems like a distant memory. Having not turned in anything of substance since 2004, it seems the classic moments that made the VMA’s such a staple fixture on the music calendar have all but disappeared – the Michael/Nsync performance, Beyonce’s infamous ceiling entrance, Britney/Madonna/Christina….need I say more?

Your thoughts on performances / show overall?
Michael Jackson’s 1995 showing at MTV’s staple award show, the Video Music Awards, serves as this week’s From The Vault clip. The King of Pop revisited a string of hits in this medley performance which culminated in a show-stopping rendition of ‘Billie Jean’. Check it out:

Watching this back really has me itching for Michael to own the stage (and the charts) like he once did. Bring on the new album already!

Your thoughts?

Sugababes Working On 'Funky' Album The UK’s leading girl group, the Sugababes, are reportedly looking to serve up a ‘funkier’ sound on their forthcoming sixth studio LP. Check out the report via Digital Spy below:

Despite the girls vowing to take things slowly earlier this year, the new disc is now expected to be released in October – just one year after they brought out Change.

Orson’s lead singer Jason Pebworth, who has been working with the group in the studio, has predicted that the new record will be their best yet.

“I’ve just come out of the studio with the girls and they’re like machines – they don’t stop working,” Jason told the Daily Star. “You gotta admire them. The new tunes are taking them in a much funkier direction.

“I think this next album will be their finest moment. You’re always trying to do something special for Sugababes because they’re no ordinary pop band.”

The group are expected to perform some of their new tracks at the Virgin Mobile V Festival later this month.

In an industry oversaturated with non-singers with pretty faces, the ‘Babes – who are all great vocalists IMO – continue to stand as a refreshing breathe of fresh air. Having enjoyed the girls last record ‘Change’, I’ll definitely be paying close attention to their new LP.

Your thoughts?

{Do you want to see more of the Sugababes and similar artists on That Grape Juice?}

Jamelia It’s somewhat of a slow news day today, however I thought to post this article I stumbled upon earlier on. Written by Jamelia (the UK’s Beyonce….debatable, I know) for the Daily Mail, the piece details the shadyness of the hair extensions trade. The long(ish) read is pretty insightful and, no doubt, very thought provoking for the ladies. Check it out:

Standing inside a Hindu temple in Chennai, India, I watch horrified as a two-year-old girl with long, dark tresses has her head shaved.

She screams as the clippers buzz around her ears and her hair tumbles to the floor.

She is clearly terrified and no doubt has little comprehension of what is happening to her.

Beside her, her mother is having her head shaved, too.

This is a religious sacrifice: the shaving represents a last-ditch plea to a higher power to save their home from being repossessed.

But to me, it appears to be the ultimate in exploitation.

Their hair is casually tossed into a bin, but it will never actually be thrown away.

Though they do not know it, soon their pigtails and plaits will be sold to hair dealers and then shipped on to the salons of Western Europe.

As I watch the lady and her daughter shuffle out, hopeful that this huge sacrifice will make some tangible difference to their lives, I make a promise to myself that I will never wear hair extensions again.

My hair has always been important to me.

As a schoolgirl, I used to get up at 5am to ensure I had enough time to do my hair before school.

Although for a black woman I would be described as having ‘good’ hair – because it is long and straight – naturally, it is not luxurious, thick or sleek enough to meet the demands of the endless photo shoots and concerts I am involved in for my career.

That’s why, in many of the photographs you see of me, I am wearing hair extensions.

For me, putting in my hair extensions feels like a confidence booster, like a man putting on a smart suit.

I wear them to bring out the best in me and to transform myself from busy mum of two into my alter ego, Jamelia the pop star.

And I’m not alone.

All over Britain, girls are clipping, glueing and sewing hair into their heads.

Recent figures show that British women spend a staggering £65 million a year on hair extensions.

As a nation, we now spend five times more on lengthening our hair than we did four years ago.

Yet most of us give very little consideration to the origin of our hair extensions.

Indeed, until I worked on this BBC investigation, I’m ashamed to admit I’d never once stopped to consider where the human hair I had pinned or sewn into my head had come from.

I was so ignorant about the products I was using that I can’t even say how much they were costing me every month or every year.

Then I heard from a friend, earlier this year, that the hair used in the extensions could be taken from corpses. I was horrified.

How did I know I wasn’t wearing a dead person’s hair?

And if I was, had they agreed to that before they passed away, or had they simply had it shaved off in a mortuary without their family’s knowledge?

And if the hair wasn’t taken from the dead, who were this army of women and girls from whom it was taken?

I realised for the first time that there might be a very real human cost to the beauty fad which allowed me to feel more confident on stage.

I wanted to know who on earth was chopping off other people’s hair in the name of our Western vanity, and whose hair I have actually been wearing?

My journey to find out took me via some of London’s most upmarket hair salons and into the heart of rural Russia and India.

What I discovered was truly shocking and distressing.

Did you know, for instance, that in Russia, girls as young as 13 are cutting off their hair to sell for just a few pounds?

This is despite the fact that in the UK, a full head of extensions of the best quality European hair would set you back £2,000.

There is a staggering profit to be made from this trade, and you can bet that none if it is passed back to the girls at the beginning of the chain.

I start my journey by visiting Russia with Tatiana Karelina, a Russian hair-extension expert living in London.

She does 1,000 sets of hair every year for private clients, and is known for providing top-quality soft and fine hair.

She frequently travels to her homeland to source top-quality hair straight from dealers.

We head to a remote rural area three hours from Moscow, where we meet Alexander, a hair dealer.

He tells us his hair is provided to him from collectors, who go around small villages and towns persuading women and girls to sell their hair.

I have a lot of questions for Alexander. I ask him if he knows whether the girls whose hair he sells are being treated fairly.

I ask him if he ever gets hair from dead people. He is cagey and evasive.

He says that he knows the hair doesn’t come from the dead, but he won’t elaborate further.

But when I press him, he finally confesses that he doesn’t know exactly where the hair he is buying comes from.

And by way of illustrating that, the girls who sell hair are treated fairly, he simply states that they know the worth of their hair and wouldn’t sell it unless they were getting paid well.

I leave the meeting feeling deeply uncomfortable.

This man is not sure that the hair he sells is not from dead people, and I’m starting to be convinced that someone is being exploited along the way.

Let’s face it – the rich girls tottering around Red Square in designer heels and carrying Louis Vuitton bags do not need to sell their hair.

Next, Tatiana takes me to her home town of Kashin, another rural area, where we meet a 13-year-old girl, also called Tatiana, who has long hair which reaches her backside.

She tells us she wishes to sell her hair because she has been told she will be paid for it.

To my mind, it’s a travesty – this girl’s hair is gorgeous and she seems too young to really know for sure whether she’s making the right decision.

Usually, this full head of luxurious hair would have cost just £20. Today, perhaps because I am watching, Tatiana pays the girl £100.

It’s the equivalent of most people’s monthly wages here, and the girl is over the moon.

But I feel incredibly uncomfortable about the entire process – there’s something so deeply personal about your hair: it should be every woman’s pride and joy.

What British teenager would ever dream of doing the same?

For the next stage of my investigation, I travel to Chennai, one of the biggest cities in India.

As part of the documentary, I have had some of the hair I wear in my extensions scientifically analysed. The results suggest it comes from this region of India.

In Indian culture, a woman’s hair is her beauty, and the longer your hair, the better your marriage prospects are.

Why then, with such value placed on hair, would anyone even consider selling it?

Yet, incredibly, there are so many women prepared to chop off their hair here that factories have sprung up to process it.

On my visit, I go to see one where the workers sort through, shampoo, brush and blow dry the shorn hair of more than 200,000 women a year. To me, it’s a macabre thought.

So why exactly do these women do it?

Well, as I have mentioned already, there are the many Indian women who shave their hair voluntarily at Hindu temples as a kind of religious sacrifice.

And although some of these women know the hair will be sold, most don’t.

One woman I come across is having her head shaved to give thanks for the fact her child has recovered from a life-threatening illness; another to save her property from repossession.

They clearly believe this is the best way to show their faith and gratitude, and I’m told that millions of pounds raised from selling their hair is spent on the homeless and maintaining the temples.

And yet only a quarter of Indian hair sold on the international market comes from Hindu temples, which means that most of it is coming from women who are simply trying to make a little money.

I also travel to an impoverished village to see how poor-quality hair – the sort that sells on our market stalls in extensions for £5 – is collected.

There, I witness men and women working the rubbish dumps, actually searching for and collecting hair that has been pulled out of hair brushes.

Quite simply, this is their family business. It is, they tell me, a job their fathers and grandfathers have done before them.

It might seem disgusting, but it’s the only income they have.

It is a pitiful existence, and it is fuelled by the demand from Britain and other countries.

What I saw in Russia and India certainly set me thinking, and since I returned I haven’t used hair extensions once, not even when performing at the recent Nelson Mandela tribute concert in Hyde Park.

That was the sort of event at which previously I would never have stepped on stage without them.

But what I have unearthed has profoundly changed my attitude about extensions.

Now, to me, a packet of hair extensions has a face – whether that is a Russian teenager, a woman in India who is shaving her head as a sacrifice or a two-year-old girl in tears because she doesn’t understand what’s happening to her.

I believe that I – and all the other women who use them – should be more responsible about the extensions we buy.

As consumers, we need to make sure that the hair we use is ethical, and has been given with consent.

We need to know that the people it has come from have been treated fairly.

Just as we have fair trade stamps for food, why shouldn’t we have the same thing for hair extensions?

And as the women who drive the market in hair extensions, we also have a moral responsibility to the women who have cut off their hair or shaved their heads for our benefit.

Their hair may be helping to make us more attractive, but thanks to their sacrifice many of them must now be anything but.

Your thoughts?

Chris Brown UpdateIt seems teen star Chris Brown is unstoppable at the moment. Check out this press release via his publicists:

Late last month, Pop/R&B sensation Chris Brown received 10 Teen Choice Nominations –the most nods of any Teen Choice Awards nominee. The nominated categories are as follows:

*Choice Male Hottie
*Choice Music: Male Artist
*Choice Music: R&B Artist
*Choice Red Carpet Fashion Icon-Male
*Choice Music: R&B Track “Forever”
*Choice Music: Single “With You”
*Choice Music: Hookup (Jordin Sparks and Chris Brown “No Air”)
*Choice Music: Love Song (Jordin Sparks and Chris Brown “No Air”)
*Choice Music: Hookup (Lil Mama featuring Chris Brown and T-Pain “Shawty Get Loose”)
*Choice Music: Rap/Hip-Hop Track (Lil Mama featuring Chris Brown and T-Pain “Shawty Get Loose”)

Not content to rest on his laurels as an all-around consummate performer, singer, dancer and actor, the 19-year old Tappahannock, VA native further demonstrates his talent as a songwriter; he recently penned Rihanna’s hit new single “Disturbia” with his writing team Graffiti Artiztz. The single is rising the charts, and currently rests at #11 on the Billboard Hot 100 Singles Chart.

News of the nominations comes as Brown’s newest hit song, “Forever” rises on music and video charts — peaking at #7 on the Billboard Hot 100 Singles Chart. Over the past few months, Chris Brown has remained a fixture on the Top 5 songs charts (including his smoldering duet with labelmate Jordin Sparks — “No Air”) and has sold over 1.5 million albums and over 4 million digital songs with “”Forever,” “With You,” “Kiss Kiss” and “Take You Down.”

More power to him…

Your thoughts?

Major Janet Jackson Update Our good friends over at SOHH were fortunate enough to have the rare opportunity of interviewing Pop superstar Janet Jackson. For all those wondering about the status of the ‘Discipline’ album, read on….(it’s not good):

I had the pleasure of interviewing Janet Jackson yesterday as part of a teleconference with a select few fellow bloggers… And I’m sorry to tell you guys this but it’s looking like the label is not planning to allow any more singles from Discipline to be released.

Here’s what Janet had to say when I asked her what her next single would be:

“That’s pretty difficult to say, only because of the record label at this point. We started off with “Feedback” and the label and myself haven’t quite seen eye to eye since the “Feedback” single so they’ve kind of basically stopped all promotion. I’m trying to figure out a way to say this, but just to say it and to be quite honest, they just stopped all promotion whatsoever on the album so I don’t think you’re going to hear another single off this album.”

Damn. What is going over there at Island???

She also revealed some details about her upcoming “Rock Witchu Tour”:

“It’s a completely different show, like nothing before in the past. My real goal is to try and do every single I’ve ever had… so I have to figure out how to fit that into two hours and yet give them enough so they don’t feel hungry for more of that song in particular.”

As for why she chose to title the tour after her song “Rock Wit U”:

“It’s fitting to me, fitting to what the show will be like. It’s a dance show, it’s all upbeat I want it to be a party onstage, a party in the arena. I’ve always said when people come to these shows I want them to forget about all their problems all the drama in their lives and just have a good time, just let it go for a couple hours and bring some happiness into their lives. It’s going to be one big party, I want to ‘Rock Witchu.'”

Last but not least Janet wanted to make sure fans know she has been keeping up with the internet talk about her not making to Europe to promote Discipline:

“I just want to let the fans know because I’ve been reading a lot what the bloggers have been saying about the record and not hearing it on the radio and stuff like that, so I just wanted to let them know where things were as well and where it was all coming from. I’ve heard people talking about me not coming to Europe in support of the record just to let them know that it was definitely in my heart to go to Europe and to support this album but it’s about teamwork, it’s not something I can totally do on my own. Unfortunately things have turned out the way that they have with the differences between the label and myself, which we have been having for the most part from the beginning. So I just want to tell them again thank you very much for all the love and all the support and I they understand the entire situation and I’m really excited to see everybody on tour. I’m really looking forward to that it’s going to be a lot of fun.”

Wow. Drama at another label. I guess this explains why the ‘Disicpline’ project seems to have been halted so abruptly. There’s unconfirmed reports that Janet and LA Reid were not seeing eye to eye over the the release of the album’s second single – Janet’s preference being ‘Rock With U’. It’s a shame things have turned out as such, as the album was very solid IMO. It’ll be very interesting to see her next move after the tour i.e. new album?, new label? etc. I, for one, am hoping that she irons out her differences with Island Def Jam, as their promo efforts for their roster (Mariah, Rihanna etc) are largely unmatched by rival labels (Sony/Beyonce) aside…

This doesn’t come as a surprise, yet does at the same time (if that makes any sense)…damn.

Your thoughts?
Pop icon Janet Jackson is doing the media rounds this week to promote her highly-anticipated ‘Rock Witchu Tour’. Yesterday she stopped by BET’s 106 & Park:

Removed As Requested

I’m pretty interested to see if her tour will be heading to this side of the pond, after all she did say it was to be a world tour. ‘Discipline’s’ poor standing on the UK/European charts (thanks in part to zero promo on Janet’s part etc), has me thinking that he show may not be coming our way. I guess time will tell…

Any thoughts?

That Grape Juice Interviews Michelle WilliamsHaving been a member of the biggest selling female group of all time Destiny’s Child for more than eight years, Michelle Williams is re-embarking on her solo career. With a single out and a hotly anticipated album on the way, Williams is preparing to silence the naysayers
In this exclusive interview, the 27 year old star opens up to That Grape Juice about several issues including her Gospel critics, the constant comparisons to her band mates Beyonce and Kelly as well as serving up the ‘Unexpected’ with her new record. A great, revealing read if I must say so myself. Enjoy 🙂
Michelle Williams Shouts-Out That Grape Juice

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Sam: Michelle, how are you?

Michelle: I’m doing great, fabulous. How are you?

Sam: I’m fine. It really is an honour to finally be able speak with you!

Michelle: Yes, it’s an honour to be able to speak with you. I just want to say Sam that I thank YOU for your love and support towards myself and, actually, all three of the ladies (of Destiny’s Child). Individually, I just want to thank you for being so supportive from day one, I really appreciate it.

Sam: Aww. You’re welcome

With the single ‘We Break The Dawn’ having been released recently, there’s no doubt that you’ve been very busy as of late. Tell me a little about what you’ve been up to.

Michelle: Well, I’ve preparing for the release of my new album, which is titled ‘Unexpected’. Like you said, the single is titled ‘We Break The Dawn’; I shot the video for that last week. Y’all should be seeing the video by May 12th.

Sam: That’s great. What was the experience like (filming the video), how was the day?

Michelle: I loved it. We had a ball. Everything worked out so smoothly; no drama, everyone on the set did what they were supposed to do. We really had a lot of fun. I learned so much about myself, that I could do more than I thought I could do. I think this will shock a lot of people. Michelle can do more than what we know of her to do. When you’re in a group, sometimes, you’re not always able to do what you want to do. But that works out, because as a group, everyone has to be a team player. There are different references and things like that that I’ve looked at and held for a few years (while in Destiny’s Child) thinking ‘when I get the chance, I’m gonna do that’. So all that I’ve wanted to do is now coming to pass.

Sam: That’s great. Where are you actually situated at the moment?

Michelle: I’m actually home right now, just outside of Chicago, Illinois.

Sam: So this is like one of your days off, I’m assuming?

Michelle: Yeah, kind of.

Sam: Good good. You did mention before that your new album is titled ‘Unexpected’ (due on August 12th). The album has a distinct Pop/Dance sounding direction and obviously your new image is a lot more edgy, a lot more current too. This isn’t something many people anticipated from you. Was this deliberate or something that organically happened?

Michelle: Well I found that I wanted to do something that would set myself apart from what people have seen (of me) in the last eight years. I’ve always wondered ‘what would my hair be like short’. Now I’ve got the chance to do that; you know,, create some individuality.

Sam: Tell me a little about what we can expect to hear on the album, in terms of its sound, concept, producers etc. I know it’s a lot in one question, but as much as you can detail on the album would be great.

Michelle: Yes, yes. This album…oh my goodness. You know what I do? Purposely, I won’t listen to my album for a few days because I want to make sure that in another three or four days, I still like it. I’m telling you, when I put that album on, it’s like my first time hearing it. Honestly, sometimes I forget that I’m listening to myself singing and I’m getting into it so much – the words, the everything. Rico Love, who produced the bulk of my album, is an AMAZING writer; he gets you sucked in, so much so, you think you’re actually there in the moment. Sometimes I forget that I’m the one singing on the album; I’ll get to thinking about things that I’ve gone through (that’s related to a song), people that I know etc. I think it’s a great thing; this album makes you feel good. I don’t care what you’ve gone through in your day or your life, this album makes you forget about all your problems and makes you focus on your future and makes you happy. With all that’s going on in the world, I mean even here in the United States with the recession, this album really helps you escape from all of that for a little while.

Sam: Great. I’m assuming that the album is completed?

Michelle: The album is done.

Sam: Have any personal favourites emerged from record, if so what are they and why?

Michelle: Wow, that’s a hard question. You know what, I’m so satisfied with the project; there isn’t one song I have to skip or that I cringe when hearing. In terms of favourites, of course my single ‘We Break The Dawn’, ‘Hello Heartbreak’. There’s a song called ‘Lucky Girl’; it’s just so cute. Everyone that has heard that song loves it, men, and women. This album is for everybody, it’s for men too, not just the ladies. There’s one more song I love called ‘The Greatest’; that’s the song that, when I listen to it, I forget that it’s me singing it – it’s such a beautiful song.

Sam: There’s quite a buzz about ‘Stop This Car’ among fans, general listeners

Michelle: Yes, ‘Stop This Car’, that’s an awesome track. Stargate really did their thing on the song…

Sam: It is a personal favourite of mine. The feedback on the track has been amazing. People want to know if it’ll be a future single.

Michelle: It’s definitely a contender for a single

Sam: Judging by the material heard thus far, the album has a distinct up-tempo, dance-heavy heavy sound. Will the record feature any ballads, as many feel your voice really excels on such tracks also?

Michelle: ‘The Greatest’ is a power ballad. I have a song on there called ‘Too Young For Love’, which is definitely another power ballad. So yeah, you’ll be able to slow it down a little bit too.

Sam: We need to talk about the fact that this is your first solo foray into the secular market, having already released two Gospel albums (‘Heart To Yours’ and ‘Do You Know’). What’s your response to the naysayers and critics that will undoubtedly have something to say about you now releasing a secular record?

Michelle: Screw the naysayers. The critics, that’s cool. Naysayers, I can’t get with, because everybody is going to do something you don’t agree with. If I had to worry about what everybody didn’t agree with, I wouldn’t be doing nothing right now, you wouldn’t be doing nothing right now. I mean I love all types of music. Before my Gospel albums, I was an R&B artist. I never proclaimed to be a Gospel artist. There are so many people that were before me, Aretha Franklin, Sam Cooke and even my favourite singer of all-time Whitney Houston, they’ve all done Gospel. Yet they all maintained being an R&B artist. Now, it seems like after me, everybody’s doing a Gospel album, which is great, it’s cool – do your thing. I love all types of music and I don’t want to be pigeon-holed. Me doing this music, I know what I’m doing; and if anything that I do takes me away from God, I won’t do it. Scripture says ‘Let nothing separate you from the love of God’…

Sam: Amen!

Michelle: ..so this ain’t separating me. In fact, being in this industry has made me much closer God, because there are times when I feel by myself and it’s just me and God. I know what I’m doing. God is with me. This album, this project, God is in this. It’s worked out so smoothly. If there are doors He doesn’t want me to go through, He won’t open them, nor will He let me walk through them. I don’t mind if God shuts the door, that’s protection for me. To the naysayers, keep naysaying.

Sam: (laughs). On the topic of Christianity, do you still regularly attend church?

Michelle: Yes, I do. If I’m home on a Sunday, then I will attend service.

Sam: That’s cool. While your new sound, image etc are radically different to what people expected, it’s your performance of ‘Do You Know’ on the Destiny’s Fulfilled tour that really caught people off guard. I remember being at the London stop of the show and people were in awe saying ‘is that Michelle?’ Did you see performing this song on the tour as a coming out of sorts or…

Michelle: I didn’t really see it as a ‘coming out’. It’s definitely a song that is dear to my heart, so I guess it showed. I will say, on that ‘Destiny Fulfilled’ album I think I was just coming into my own. I was comfortable, I was settled, I was like ‘ok, I know this, I got this’.

Sam: I know a lot of people took on the same view. Being in the biggest selling female group of all time, the main comparisons are often to each other. What do you feel separates you all individually?

Michelle: We all have our own style and our own taste in music and how we want to express that; and people need to respect that. I may just want to express my music standing in front of a microphone. Beyonce, on the other hand, she likes to come in upside down (in reference to Beyonce’s 2003 MTV VMA performance). I mean, who knows, I might get the chance to get on a trapeze and spring across Radio City Music Hall. We like to express ourselves differently. I will never be Beyonce Knowles, Beyonce Knowles will never be Michelle Williams, Kelendria Rowland will never be Michelle Williams and I will never be Kelly. I’m Michelle Williams, my mama calls me T; I’m gonna be me. What some people fail to see is that, as three ladies coming out of such amazing group success, we are all (continuing to be) successful in our solo endeavours. Before now, that was unheard of. With every group, there’s no reason why each member can’t be out there doing their own thing.

Sam: You’ve been in the industry for more than eight years, in which you’ve experienced both the highs and the lows. What have been you most fulfilling moment with your fame and most discouraging?

Michelle: The most fulfilling? Wow. The fact that I have been able to travel the world. Before the age of 25, I can say that I’ve visited pretty much everywhere. Also, meeting so many beautiful people. I mean, from London to Dubai to Australia, (as well as) back home here in the States. What’s most fulfilling is knowing that, by (listening to) our music, people’s lives have been changed. You have people that have listened to ‘Survivor’ that have decided not to end their life and that they are standing here today doing well.

The most discouraging is when you want the whole world to understand and like you and they just won’t. Also it’s the assumptions and judgements that are made before someone knows you that are disappointing. Anything else, I’m like ‘it’s a business, dust your shoulders off’.

Sam: The industry has changed radically, even when compared to a few years ago. What is your advice to the potential stars of tomorrow to be successful in the industry?

Michelle: Well considering that labels now have slashed budgets, you’re not getting all this money (funding), you’ve got to love it. When I came in, you had to love it, but now you r-e-a-l-l-y have to love it to make it in the industry. To be sustained, to be happy, you’ve got to love what you do. If you don’t get the level of success that you wish, any level of success today is still great success. You sell some records, people know your name. That alone is satisfying.

Sam: In terms of the new record, what are your hopes? Obviously the industry is currently very unstable…

Michelle: My hopes for the record? I just pray that I make music that everybody will want to purchase. I’m not gonna sit up here and lie and say that I don’t want to sell a million records – I want to sell three million! I’m humble, but I’m not going to say ‘well I don’t mind selling one or two records’ (laughs). I want number one records, number one singles. My hopes are that I can tour, I want to tour around the world with this album. I want to sing my songs.

Sam: Moving on from the music side of things, you starred in the Broadway version of the Color Purple as Shug Avery for nearly a year. Will you be starring reprising your role in the upcoming film adaptation (which Fantasia has signed on to do)?

Michelle: I haven’t been approached yet. I don’t know, it’s not something I’m chasing right now because my album is out.

Sam: Ok. Should the opportunity present itself, would it be something you’d consider?

Michelle: Absolutely.

Sam: I did see that you received rave reviews for your performance as Shug Avery.

Michelle: Thank you. I was excited about that.

Sam: You’re part owner of a female basketball team…

Michelle: Yes, the Chicago Skies…

Sam: Do you have any other ventures outside of music that you are currently pursuing or wish to in the future?

Michelle: Absolutely. I am currently working on a bath and body line, that people will be seeing one way or the other. I am working on that now. Actually, a lot of them are hand-made products that I am creating.

Sam: I did actually see that you gave the site a shout-out a few months ago (on your MySpace blog). Do you go on websites, blogs etc to see what they are saying about Michelle Williams as well as general music news?

Michelle: I will admit that ‘yes I do’ – especially since I have an album coming out. I want to know what the headlines are saying; I don’t necessarily want to know the comments, but I definitely like to know what news Sam posted today. So I do frequent a lot of the more positive websites and I love ThatGrapeJuice.net!

Sam: Thank you very much. It’s much appreciated. We love Michelle too.

If you weren’t famous, if you weren’t Michelle Williams from Destiny’s Child, what do you feel you would be doing now?

Michelle: I’d probably be working in the field of Law. Probably a lawyer.

Sam: Ok. A few of our readers wanted to know if you are dating anybody at the moment. The name Henry Simmons came up quite a few times, is there any truth to that?

Michelle: Actually there is absolutely no truth to the Henry Simmons rumours. In a way, I’d wish these rumours would stop popping up because it’s messing up my opportunities…

Sam: (Laughs!)

Michelle: Me and Henry Simmons have never even been out on a date. I think he attends the same church as me.

Sam: In terms of the future, do you have aspirations to start your own family, get married and things of that nature?

Michelle: Absolutely. I was talking to a friend about that; she said she didn’t have that fantasy growing up as a little girl, but I did. I do have those dreams and aspirations. You have to share what you have with somebody else. I’m the type of person that wants that in my life. Some people don’t have to have it…but I do.

Sam: (laughs) On a typical day off what do you do?

Michelle: I am such a homebody. I’d be at home watching TV; I’d be out with my family, somewhere at a restaurant. Just regular stuff. Like, I’m at home now and have been cleaning up, taking out the garbage – doing those things I don’t get to do, but enjoy doing. As I said earlier, I recently started doing a bath and body line. Doing that is very therapeutic to me.

Sam: Aside from your own project that you have coming out, which I’m sure you’re excited about – as are we, are there any other releases/artists that you are currently listening to and/or anticipating?

Michelle: Wow. Of course I’ve got to say my girl Solange Knowles. Her single ‘I Decided’ is in my head. Before you know it, I found myself singing (sings “I Decided”). I love Emily King, I know her album is out already – I think she is great. I’ve got to give the UK some love with Estelle, she is absolutely the business – I love her. As far as guys out now, I love what Kanye’s done and what he has out. I love so much music, it’s crazy.

Sam: Favourite Destiny’s Child song?

Michelle: Erm, ‘Free’ from the ‘Destiny Fulfilled’ album.

Sam: Favourite Kelly Rowland song?

Michelle: ‘Flashback’

Sam: Favourite Beyonce song?

Michelle: ‘Me, Myself & I’

Sam: Speaking of Beyonce, how was the wedding?

Michelle: I have..

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Sam: (Laughs!) Ok. Speaking on the record, ‘Unexpected’ has an International sound, will we be seeing you in the UK/Europe anytime soon?

Michelle: I will be in the UK at the end of May. I will be coming to London. I’m so excited; I can’t wait to get my Topshop on. Love Topshop…

Sam: Just like my sisters (laughs). As we’re about to round up, do have any message for your fans?

Michelle: Of course; my fans, you guys know that I love you very very very much. I thank God every day because I feel good knowing that y’all love the project that I have delivered. I’m so thankful that y’all have embraced the project with such open arms.

Sam: Michelle, thank you so much for your time…

Michelle: Thank you Sam. Thank you for the support. Much success to That Grape Juice.

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Michelle’s fantastic new single ‘We Break The Dawn’ is available on iTunes now. Do be sure to download a copy.
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Your thoughts on the Michelle interview?

Pop superstar Madonna stopped by BET’s 106 & Park Thursday to promote her new LP ‘Hard Candy’. It’s not everyday we see Madonna on more Urban-centered shows, but obviously with the more R&B/Hip-Hop inspired sound of the record she’s covering all bases this time around. Great interview (Random tidbit: What was she wearing?).

Your thoughts?

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