As 2007 winds down to an end, I can’t help but think that some of the best R&B releases were held off until now. For, judging by these two new tracks, the Queen of Hip-Hop/Soul Mary J. Blige appears to bringing ‘it’ on her forthcoming new album ‘Growing Pains’ (due December 18th).
Mary and Usher trade verses on the metaphorical (yet lyrically simplistic) ‘Shake Down’. The Tricky Stewart penned/ Jazze Pha produced track is hardly groundbreaking, but works all the same.
The masterminds behind Mary’s 2005 smash ‘Be Without You’, Bryan-Michael Cox and Johnta Austin, are re-enlisted on the mid-tempo ballad ‘Stay Down’. I’ve had this on heavy rotation since hearing it; great track, very lyrically engaging.

Hit(s) or Miss(es)?

{Link Removed As Requested}


Snoop Dogg stopped by the ‘Ellen Degeneres’ show earlier this week to perform his latest single ‘Sensual Seduction’. Though kinda weary of the song at first, I have to give Snoop his props -he came with something ‘different’ this time and it turned out great.

In other Snoop news, his reality show ‘Snoop Dogg’s Father Hood’ premieres this Sunday in the US at 10:30/9:30c on the E! channel.

What do you think of the performance?

The youngest of the Knowles’ clan, Solange, attended the PEOPLE Magazine Grammy Party yesterday following the nominee announcements. I’m kinda feeling the ‘different’ look she’s been rocking as of late – she looks good.

What do you think of the pic?
Rapper Bow Wow was rushed to hospital immediately following his co-headling ‘Up Close and Personal’ tour stop with Chris Brown in Cincinnati yesterday (December 6th).
The 20 year old star is said to be in ‘good spirits and awaiting doctors diognosis’; though his condition is thought to have brought on by ‘stress and exhaustion.’
Unfortunately for fans hoping to see Bow Wow on the tour’s stop in Chicago tonight, he will be sitting it out. However, he assures his Chicago-area fans that “he loves them and will be sure to come back to Chicago soon!”
I know some of you may jump on my back, but I can’t help but question the timing of this. I mean, the release of his joint album with Omarion ‘Face Off’ is drawing ever-nearer (December 11th) – amid little hype. If I’m wrong, here’s hoping he makes a speedy recovery…

Your thoughts?
Speculation has been mounting for months that all is not well with Jay-Z over at Def Jam. According to NY Daily News, negotiations for the renewal of the mogul’s ‘President’ position at the label are not going smoothly due to his ‘excessive’ (monetary) demands:

“He wanted big, big money that was way out of sync with the realities of today’s record business.”

Island/Def Jam CEO L.A. Reid and his boss, Doug Morris, are said to have found Jay’s demands “excessive” in light of the time he’s been spending on tour.

“People have lost count of how many times he’s come out of retirement. Everybody knows he’s not around the office much. Everybody at Universal loves him, but they can’t justify paying him the money he wants when so many people have been laid off.”

His contract is said to expire at the end of this month.

The news couldn’t have come at a worse time for the rapper, who is dodging claims that he spent a whopping $15 million (of Def Jam’s money) on the promotion of his ‘American Gangster’ album.

It’ll be interesting to see how this one plays out…

Your thoughts?
Former Terror Squad rapper Remy Ma stopped by a radio station to respond to a recent diss track directed toward her by Lil’ Kim:

“That little boy better leave me alone,” Remy said referring to Lil Kim. “ She was saying ‘I’m going at [Remy] hard, she go hard to me so I go hard back’. I feel like if that’s going at me hard, like seriously, I’m just gonna chill out. That’s crazy to me.”

“What did she say? ‘Put it on my lipstick, I was to be busy being conceited’. Like, how could you be conceited, you don’t even like your own face,” Remy continued. “ What are you talking about? Are you serious? How was I supposed to take that offensive.” “I don’t believe you,” stressed Remy. “ You don’t like your nose, you don’t like your cheek , you don’t like your chin, you don’t like your skin color, you don’t like your tits , you don’t like your stomach, you don’t like your teeth. What are you talking about?”

“At the end of the day it’s funny to me. When I really feel like it’s amusing, when I feel like someone’s getting at me, then I’ll drag them all over the first spot that I see them of course,” Remy continued. “ But in the meantime, in between time…like this chic has more ghostwriters than Foxy [Brown]. I just feel like right now she’s reaching,”

Hmmm…I like Kim (moreso than Remy), but she can’t be going on at anyone looking the way she does these days. I mean, as much of a mess as Remy is, Kim just..well..watch the vid below to see what I mean:

Any thoughts?
The nominees for the 50th Annual Grammy Awards were announced just a few short hours ago and it’s rapper Kanye West and UK singing sensation Amy Winehouse who lead the field. West notched up eight nominations, whilst ‘Rehab’ singer Winehouse clocked in with an impressive six nominations. The news is likely welcomed by both artists, who have each been through a difficult few months – West losing his mother and Winehouse’s much documented drink and drug issues.
Both West and Winehouse are nominated in the coveted ‘Album Of The Year’ category for their ‘Graduation’ and ‘Back To Black’ albums respectively. Winehouse is also nominated for ‘Song Of The Year’ and ‘Record Of The Year’ for her smash ‘Rehab’. In the latter category, Winehouse faces competition from Beyonce’s ‘Irreplaceable’, Rihanna’s ‘Umbrella’ and Justin Timberlake’s ‘What Goes Around Comes Around’.
Winners will be announced at the live show on Sunday February 10th 2008. The show will take place at Los Angeles’ Staple Centre. Keep it locked here for all the latest in the run-up to the big day.

What do you think of the nominations?
Atlanta rapper T.I, who is currently on house-arrest, features on the double cover of Rap-Up magazine’s December/January issue along with Nicole Scherzinger.
T.I, real name Clifford Harris Jr, discusses his luxury lifestyle, his plans to marry and start a family with girlfriend Tiny, staying out of trouble (ironically), his friendship with Suge Knight and Jay-Z, as well as retiring from rap.
Pussycat Doll front woman Nicole Scherzinger talks about going solo, her admiration for Beyoncé and Gwen Stefani, getting close with T.I. on ‘that; video, being a nerd in college, and dealing with the paparazzi.
The magazine is on newsstands across the US now.

What do you think of the covers?
Check out this pretty interesting video about the ‘video chick’ industry:

Hmm…On the one hand it reinforced the pre-conceptions about that industry, but it also offered a fresh insight as well.

Any thoughts?

{More pics and a video below}

R&B singer Mario played the 2nd of a three-date tour stop at London’s famed Jazz Café last night. Following our recent interview with the star, ThatGrapeJuice.net was cordially invited as one of Mario’s guests for the evening. Backed by an energetic four-piece band, the ‘Go!’ singer showed just why he is heralded as one of R&B’s few remaining genuine talents. Raw, passionate and, above all, entertaining; Mario delivered on all fronts.

It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…

The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.

Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.

The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.

Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.

The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.

Random Points:

• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.

Mario performing ‘Let Me Love You’

Your thoughts?

{More pics and a video below}

R&B singer Mario played the 2nd of a three-date tour stop at London’s famed Jazz Café last night. Following our recent interview with the star, ThatGrapeJuice.net was cordially invited as one of Mario’s guests for the evening. Backed by an energetic four-piece band, the ‘Go!’ singer showed just why he is heralded as one of R&B’s few remaining genuine talents. Raw, passionate and, above all, entertaining; Mario delivered on all fronts.

It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…

The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.

Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.

The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.

Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.

The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.

Random Points:

• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.

Mario performing ‘Let Me Love You’

Your thoughts?

{More pics and a video below}

R&B singer Mario played the 2nd of a three-date tour stop at London’s famed Jazz Café last night. Following our recent interview with the star, ThatGrapeJuice.net was cordially invited as one of Mario’s guests for the evening. Backed by an energetic four-piece band, the ‘Go!’ singer showed just why he is heralded as one of R&B’s few remaining genuine talents. Raw, passionate and, above all, entertaining; Mario delivered on all fronts.

It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…

The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.

Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.

The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.

Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.

The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.

Random Points:

• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.

Mario performing ‘Let Me Love You’

Your thoughts?

**