Hit(s) or Miss(es)?
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Snoop Dogg stopped by the ‘Ellen Degeneres’ show earlier this week to perform his latest single ‘Sensual Seduction’. Though kinda weary of the song at first, I have to give Snoop his props -he came with something ‘different’ this time and it turned out great.
In other Snoop news, his reality show ‘Snoop Dogg’s Father Hood’ premieres this Sunday in the US at 10:30/9:30c on the E! channel.
What do you think of the performance?
“He wanted big, big money that was way out of sync with the realities of today’s record business.”
Island/Def Jam CEO L.A. Reid and his boss, Doug Morris, are said to have found Jay’s demands “excessive” in light of the time he’s been spending on tour.
“People have lost count of how many times he’s come out of retirement. Everybody knows he’s not around the office much. Everybody at Universal loves him, but they can’t justify paying him the money he wants when so many people have been laid off.”
His contract is said to expire at the end of this month.
The news couldn’t have come at a worse time for the rapper, who is dodging claims that he spent a whopping $15 million (of Def Jam’s money) on the promotion of his ‘American Gangster’ album.
“That little boy better leave me alone,” Remy said referring to Lil Kim. “ She was saying ‘I’m going at [Remy] hard, she go hard to me so I go hard back’. I feel like if that’s going at me hard, like seriously, I’m just gonna chill out. That’s crazy to me.”
“What did she say? ‘Put it on my lipstick, I was to be busy being conceited’. Like, how could you be conceited, you don’t even like your own face,” Remy continued. “ What are you talking about? Are you serious? How was I supposed to take that offensive.” “I don’t believe you,” stressed Remy. “ You don’t like your nose, you don’t like your cheek , you don’t like your chin, you don’t like your skin color, you don’t like your tits , you don’t like your stomach, you don’t like your teeth. What are you talking about?”
“At the end of the day it’s funny to me. When I really feel like it’s amusing, when I feel like someone’s getting at me, then I’ll drag them all over the first spot that I see them of course,” Remy continued. “ But in the meantime, in between time…like this chic has more ghostwriters than Foxy [Brown]. I just feel like right now she’s reaching,”
Hmmm…I like Kim (moreso than Remy), but she can’t be going on at anyone looking the way she does these days. I mean, as much of a mess as Remy is, Kim just..well..watch the vid below to see what I mean:
Hmm…On the one hand it reinforced the pre-conceptions about that industry, but it also offered a fresh insight as well.
Any thoughts?
It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…
The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.
Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.
The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.
Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.
The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.
Random Points:
• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.
Mario performing ‘Let Me Love You’
Your thoughts?
It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…
The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.
Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.
The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.
Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.
The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.
Random Points:
• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.
Mario performing ‘Let Me Love You’
Your thoughts?
It was shortly after 9pm when opener, Irish soul singer, Laura Izibor took to the stage at the near-packed venue. The 20 year old’s laidback set was well-received by the increasingly growing audience, most notably the funk-inspired ‘From My Heart to Yours’. There was, however, a collectivized feeling of ‘Ok, so where is Mario’ in the audience. After all, doors did open at 7pm lol…
The wait was over when, just before 10pm, Mario emerged to a thunderous reception – opening his set with a rousing performance of his first hit ‘Just A Friend’. Working the stage effortlessly with a level of showmanship well beyond his 21 years, Mario set the scene for the rest of, what was to be, a high-octane show.
Of the show’s many highlights, current single ‘Crying Out For Me’ really stood out. From the ballad’s opening instrumentation, the entire audience were captivated – singing the whole of song in unison. Mario’s rapport with the largely urban ‘Teen-20 Something’ crowd was an integral part of his set; with the singer often bringing out female audience members to whine and grind with him.
The acoustic styled performance of ‘Music For Love’ was a personal highlight. Whereas, much of the audience listened on intently, somewhat unfamiliar with the track, I – for that moment – came off my indefinite ‘vocal rest’ and broke into song lol. A fantastic track and an even better live rendition. A tidbit: backing vocalists – not a feature of his band – may have been a good addition here as the demanding nature of the track saw him adlibbing (albeit, well) through quite a bit of the song.
Despite the presence of new material on the set list such as a stirring performance of ‘Go’ and ‘How Do I Breathe’ (which, I must say, sounds a lot better live), the show was, no doubt, a treat for the ‘true’ Mario fans. For, the singer delved deep into his back-catalogue and performed a few album cuts from his self-titled debut as well as 2004’s double Platinum ‘Turning Point’. Included were ‘Braid My Hair’ and ‘Directions’ – both of which much of the very vocal crowd recited word-for-word.
The intimate, stripped down nature of the show made for a great experience. Absent were the backing tracks and stage theatrics that so often hide the lacking talents of those who use them. In its place were raw emotion and a rare connection to an audience who, for the most part, had grown with Mario on his journey in the music industry. Deemed ‘underrated’ by some, if yesterday was any indicator, Mario’s story has only just begun.
Random Points:
• UK rapper Kano was in attendance
• Crowd energy was on a high for the whole night
• The band was made up of two bassists, a keyboard player and a drummer. They were on-point!
• We were lucky to enough to chill with Mario for a little while in his changing room after the show. He said he was glad that most of you enjoyed the interview.
Mario performing ‘Let Me Love You’
Your thoughts?