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Beyonce and Lady Gaga, undeniably two of music’s biggest stars, can’t seem to get enough of one another these days. As well as recently shooting the video for Beyonce’s top-secret ‘Video Phone (Remix)’, it has been confirmed today that the pair also teamed up on ‘Telephone’ (see a pattern emerging?), a new track lifted from GaGa’s forthcoming ‘Fame: The Monster’ album re-release. {Source}

Perhaps more than any of Bouncy’s previous collabo’s, this really does seem like a winning-ticket if there ever was one. Cannot wait!

Your thoughts?

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With Usher’s ‘Papers’ still keeping many a folk talking, a new Red One produced cut – said to be from his forthcoming LP – has surfaced in the form of ‘Rockband’. Noteworthy most in that it is not a very ‘Usher’ type track, I must say I’m really feeling this one….a lot. With its pulsating R&B production and slinky Dance undertone, I found instantly likeable, and upon a few more plays mildly addictive!

It goes to show, the shock tactics and theatrics (see: ‘Papers’) aren’t what makes a hit; it’s simply good material. Usher’s as yet untitled LP is set for release December.

Hit or Miss?


Bare with us please…review up in a bit…really!

Your thoughts?

Bare with us guys….review up later…really!

Your thoughts?

Janet-Jackson-Harpers-Bazaar-US-October-4

In a recent interview with MTV, super-producer Rodney ‘Darkchild’ Jerkins revealed new details about Janet Jackson’s much anticipated new studio album, which he’s working on. Peep the full report below:

When we caught up with producer Rodney Jerkins on the VMA red carpet in September, he was already hard at work on Janet Jackson’s next studio album. Now the super-producer is opening up a lot more on exactly what fans can expect for Janet’s 11th studio album.

Janet is like my sister now,” Jerkins told MTV News on Wednesday (October 21) at his Los Angeles recording studio. “We definitely have this incredible chemistry, this bond — I think we musically connect, crazily. I knew it — it’s funny ’cause I predicted this. Five years ago, people used to ask me who I wanted to work with, and I was like, ‘Janet Jackson.’ And I was so passionate about that because I’ve always been a fan of her music and what her and Jimmy Jam and Terry Lewis have done in the past. And I felt like, knowing she wants to try new things, that I feel I can get it and I can deliver it for her,” he said.

DarkChild explained that fans can look forward to an emotionally driven album.

“Since we’ve been working … I feel like the studio has become a second home for her because with the whole situation with Michael [Jackson] happening, and I feel like right now, emotionally, she can come here and let all her feelings out. I got her writing again — she has the pen and the pad in her hand.”

But it’s not just the recent passing of her brother Michael that is fueling the content of Jackson’s album. Fans are going to see a side of Janet that they’ve never seen before, thanks in part to Rodney’s persuasion.

“You gotta understand, she lost her brother. She was in a relationship for seven years that’s over now. There’s things that she told me that I didn’t even realize. You know, certain [things] like self-esteem that I didn’t even realize that she dealt with for years that you know. … She’s working on her book and she’ll deal with that in her book, but also in songs, certain songs we’re dealing with that head on. And sometimes it can be a touchy subject for us to even go into, and I kinda had to persuade her, ‘Let’s just go, let’s talk about that.’ And she’s been doing it, and she’s a pro about it.”

Although Rodney says you can expect some up-tempo dance tracks on the new album, it won’t have the futuristic sound we heard on her last project, 2008’s Discipline.

“It’s funny, ’cause when we just started the project, she was like, ‘I wanna do 10 dance records, all up-tempo to dance. Let’s just go dance,’ ” Jerkins said. The sound is inspired by worldwide influences, from African rhythms to Brazilian and Latin music, and RJ said we can expect features on this album like a Pitbull track that was recorded last week.

“But she hits me today and she says we need to do some mid-tempos as well,” Rodney continued. “And I’m glad for that because there’s a time when you listen to a record that you wanna mellow out and she always gives us those great smoothed-out mellow records. So now that she’s in that zone, it’s like ‘Yes!’ ’cause we can focus on that. But I’m still gonna keep the beats hard underneath ’cause she’s still a dancer at heart.”

Jenkins and Jackson co-produced her recently released single, “Make Me,” which will be included on her greatest-hits compilation Number Ones, due in November. A release date has not been announced for her yet-untitled studio album.

To say I can’t wait would be an understatement! I really feel this will be the album we’ve been waiting on Janet for – a largely up-tempo record with qualitative lyrical content. Roll on 2010!

Your thoughts?


amerie 2

Amazon UK are giving folks the chance preview Amerie’s ‘In Love & War’ in its entirety. I’m really liking the sound of it, which makes the fact none of the singles are popping off (and the terrible promotion) that much harder to swallow. In any case…

Click here to preview ‘In Love & War’

Your thoughts?


Following her headline grabbing performance on the UK version of the X-Factor, diva Whitney Houston made a special appearance tonight on the Italian incarnation of the show to perform ‘Million Dollar Bill’.

Having watched this one live, I was the edge of my seat as I am with all Whitney performances these days (for a number of reasons) -but oh did Whitney deliver! Hands-down the best performance of the song to date, and arguably one of Whitney’s best performances since embarking on her comeback. Really a testament to the fact that ‘The Voice Is Back’. Great, vocals, great energy, great performance!

What do you think of the performance?


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Chris Brown is looking to reclaim his chart-topping status with not one, but two comeback singles. Along with the previously heard ‘I Can Transform Ya’, The Messenger’s produced ‘Crawl’ will also serve as part of Brown’s dual assault on the charts (no pun intended…no, seriously lol).

Put simply, I’m really liking this one. With its epic-sounding production and great lyrical content, Chris may just be onto a winner with this one. While I’m not at all being ‘messy’, I must say it’s rather ironic that Chris’ material (IMO) craps all over Rihanna’s ‘comeback’ effort. Just saying…

Hit or Miss?



TLC’s T-Boz stopped by Mo’Nique’s new BET talk show last night for a chit-chat. During their hilarious interview, the singer, real name Tionne Watkins, recalled the time she and the TLC ladies held Clive Davis and their then-label Arista/LaFace hostage – at gun point (yes, you read right LOL!). Peep the clip above.

Can you say G-A-N-G-S-T-A! No we don’t advocate violence, but the mere thought of this sends me into fits of laughter.

Your thoughts?


Mariah Carey performed a special ‘Stripped’ set for radio Power 105.1 in New York recently. Check out her performances of ‘Always Be My Baby’, ‘We Belong Together’, and ‘H.A.T.E.U’ below (the ‘I Want To Know What Love Is’ performance isn’t on Youtube yet):

Always Be My Baby

We Belong Together

H.A.T.E. U

I actually really enjoyed these performances; that said I am wondering whether it’s because it largely consisted of older material, which she actually sounded pretty decent singing today (I had a ‘festive’ nostalgic moment listening to ‘Always Be My Baby”. Love it). Watching these though, I can’t help but think Mariah looks a little unhappy. Now never one’s to start mess, I am by no means insinuating anything (and it could simply be due to already knowing certain things i.e. that her LP ‘Memoirs’ is tanking), but something seems a little ‘off’ with her these days. On somewhat of a lighter note, Ms. Carey-Cannon clearly could not move in that dress, which – as much as I’m an advocate for loving your God-given body – was uber ill-fitting. Not a good look. Respectable vocal performances nonetheless.

What do you think of the performances?

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‘The wait is finally over’, according to Rihanna’s PR folk (although I’m a little confused though, as no one told me I was waiting on anything). In any case, Rihanna’s brand new single ‘Russian Roulette’, the first from new LP ‘Rated R’ (due November 23rd) made it’s worldwide premiere moments ago. As a sceptic of Rihanna’s artistry and longevity, I’d be lying if I said I went into listening to this expecting it to be any good.

Unfortunately, true-to-form, Ms. Fenty did not live up to her hype (which is surprisingly off-the-charts this time, for what reason I don’t know). The Ne-Yo penned track sounds as if it’s trying to sound ‘epic’, but falls kinda short. Ballads really aren’t her forte, so it baffles me why they didn’t go with something more her (i.e. uptempo, sing-songy).

In the interest of fairness, Ms. Fenty’s vocals, in parts, do sound better. Mind you, I’m not convinced we’ve heard the last of her sheep-bleating (I’ve still got many a prayer meeting to attend before that ever happens). That said, off the hype alone, I imagine this will do pretty well. Hell, I’ll probably be humming this one once the Def Jam promo machine is done (ever heard of the phrase: “eat sh*t enough times and you’ll begin to like the taste!”). Errr…welcome back Ms. Fenty…

Hit or Miss?

[Audio Removed As Requested]

Full album press release after the jump! (more…)

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R&B star Chris Brown has released exclusive pictures from the set of his new video for ‘I Can Transform Ya’ on his blog Mechanical Dummy. With Joseph Khan at the directorial helm and Chris being such a great performer, I’m expecting big things from this video – something which judging by the pics will be a reality. Expect the vid to premiere  any time from now!!!

Your thoughts?


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