Mary J. Blige stunned music lovers in December when she released a duo of comeback singles to kick off the era attached to her long-awaited 15th studio album.
Titled ‘Good Morning Gorgeous’ and ‘Amazing,’ the former tune would go on to top Billboard R&B charts while the DJ Khaled-assisted latter – though well-received on the critical front – failed to impel the impact of its parent album’s title track.
Could the tide for the braggadocious cut have been different if the original vision for it came to fruition?