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It’s been tough times for Janet Jackson, but is the tide about to turn?

The diva hit headlines last week when she cancelled the European leg of her ‘Unbreakable World Tour’ – much to the dismay of her fervent fans in the region.

She has since returned to Los Angeles for what many assumed was rehearsals for her upcoming show at the Dubai World Cup.

However, it seems there was a specific reason behind Janet’s jetting into the US last week, one that will no doubt excite fans.

Find out below…

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To make room for the brand new programs it has lined up for its fans, Bravo opted to reduce the number of ‘Real Housewives of Atlanta’ episodes it would broadcast in its latest season.

Unfortunately, this move is set to mean all of nothing to the show’s fashion and beauty entrepreneur Porsha Williams, who has learned that one of these hidden episodes is to be unearthed during its forthcoming reunion special.

The problem?

It features her in her third on-camera physical altercation.

Full story below…

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Michael Jackson‘s estate is gearing up to say farewell to its shares in the music publishing company Sony ATV.

News they should be crying about?

Not really, but if they are they’ll be able to dry their eyes with the $750 million they’re set to receive for it.

Full story below…

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The highly anticipated 2016 BET Honors aired last night and tributed the achievements of Patti Labelle, Lee Daniels, L.A. Reid, and more.

The Arsenio Hall-hosted affair, shot live from Washington D.C.’s Warner Theater, saw acts Fantasia, Usher, Jazmine Sullivan, and many more hit the stage to salute the hour’s honorees.

Did you miss any of the action?  Fret not, because you know we’ve got you covered:

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Christina Aguilera‘s run on The Voice has worked on her (and arguably Gwen Stefani‘s) career.

So, as to thank the television community for welcoming her with open arms, she has forged a brand new TV series she hopes will take the field by storm and force.

Full story below…

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Queen of Pop Madonna proved a long time ago her reign was far from limited to pop charts.

Currently holding the record for the most successful tour ever by a solo act (see:  2008’s whopping $408 million-generating ‘Sticky and Sweet Tour’), the songstress is now making more noise in touring history books thanks to her current outing ‘The Rebel Heart Tour’ (christened after her 13th album of the same name).

And, while the ‘Living For Love’-led project is the worst-selling of her career, its supportive tour is singing a much different tune.

Get the details below:

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While one breaks records, the other is just…well…broke (with expensive taste).

Interestingly, though their chart stats and overall relevancy sing two very different tunes, one thing Azealia Banks and Rihanna have in common is an apparent absence of “give a damn” – often evidenced by their willingness to use social media as a battleground to wage war against other artists.

Now, just days after announcing a permanent departure from Twitter (and dissing K. Michelle along the way), Banks took to Instagram to diss footage lifted from Rih’s “sold out” ‘Anti’-tour.  Criticizing the singer’s dance moves as ‘lazy,’ the ‘ATM Jam’ maestra dispensed a lengthy weigh-in on the Bajan beauty (much to the displeasure of her faithful #NAVY).

If you’ve missed any of this ongoing action, catch it below:

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kendrick lamar thatgrapejuice #1 untitled

As we reported here, ‘To Pimp A Butterfly’ rapper Kendrick Lamar was set to take flight to the top of album charts with his latest set ‘untitled unmastered.’

Appropriately named for its tracklist, which is comprised mostly of demos left on the cutting room floor of ‘Butterfly’ and other recorded ventures, the surprise project was predicted to hit #1 on the wings of 175,000-185,000 downloaded.

Already topping charts ahead of its physical version hitting store shelves and digital retailers on March 11th, see how close Lamar landed to the previously mentioned industry analyst forecast:
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Rihanna is making a beeline for BET‘s ‘Black Girls Rock!’

The star, whose ‘ANTI World Tour’ kicked off to lukewarm reviews this week, has cause to celebrate. For, the annual extravaganza will honor her with a special award.

Details below…

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miguel

For many an R&B-leaning star the absence of sizeable marketing budgets and access to Top 40 radio makes their journey to household name status an impossibly gruelling one.

Fortunately, the singer Miguel is no longer one of the artists following his creative union with the super manager that is Jordan Feldstein.

The power player, who also manages Maroon 5, Elijah Blake and Sara Bareilles, recently caught up with Hits Daily Double to reveal how he intends to ensure the ‘Use Me’ performer rises in Pop’s ranks.

How he intends to do it?

Find out below…

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Keri Hilson is to release her first studio album in six years this year…and its first single is dropping on Friday.

Want more on the good news?

Meet us below…

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In an ever-crowded music market, it’s often difficult to make ripples much less waves. However, for Detroit’s budding diva La Britney, it’s all about making a splash!

The rising star has conjured up a sizeable social media fanbase following the success of her LaMix’s, which see her cover songs as a one-woman group. 

With the New Year fully underway though, the magnetic maven is upping the levels with the release of hot material of her own. 

Having built buzz with introductory number ‘Franklins’ (a play on her surname), the stage blazing beauty has unleashed infectious new single ‘How We Do.’

Sonically, the track fits right in the thick of what’s been scorching at Urban radio over the last few years; hence it makes for more of a familiar listen than a groundbreaking one. Its video, however, is where the true “La Britney” U.S.P comes to life. 

High-octane choreography, captivating confidence and seasoned sass, the visual serves as quite the advertorial for what many R&B girls could and should be doing.  

In many ways, we’re hoping this functions as a warning shot of sorts. Because, should La Britney keep bringing the heat like this, it’s only a matter of time before the masses stop pining for comebacks from performers who should know better, and embrace the new-new.

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Your thoughts?

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