“The album represents who and what I am right now. I’m a stronger human being after all the growing pains. It’s about life, love, change, strength—mostly really knowing who you are and being confident in that.”
Keri: Very good, thank you.
Sam: You’re currently out on tour with Ne-Yo here in the UK. How has that been so far?
Keri: So far, so great! I’ve got to say the crowds over here have been receiving me very well and of course Ne-Yo. He’s got loyal fans, but I never would have guessed I have as many as I have. I see people singing my lyrics, and every night I can see the fruits of my labour.
Sam: That’s awesome. Congratulations on the success of ‘In a Perfect World.’ Personally I find it to be one of the most consistent R&B efforts I’ve heard in a long while.
With that said, were you a bit worried about some of the initial singles not necessarily sky-rocketing as you’d perhaps hoped – namely ‘Energy’ and ‘Return The Favour’?
Keri: I am always pleased with anything – any time my video plays on the TV, any time it plays on the radio, everything counts. I think of it as really paying your dues, and eventually awareness of you will grow, and now we’re at a very good place. So I think everything in due time.
Sam: Was going with ‘Turning Me On’ a conscious effort? It has a markedly different sound to anything else you’ve previously released or that was on the album.
Keri: Absolutely! I mean, there’s another side of me. I’m from Decatur, Georgia and that is a predominantly black neighbourhood with a lot of lower-class and some middle-class neighbourhoods. I guess that is the song that probably properly describes the type of girl I am, in relation to where I’m from. So yeah, it was definitely a conscious effort to make sure that I stay close to home on some records.
Sam: I like to describe this album as one of those where almost every song could be a single. What are the next singles we can expect to hear from the album?
Keri: After ‘Knock You Down’ here (in Europe) it is ‘Energy.’ In the States we’re going with ‘Slow Dance.’
Sam: I love ‘Slow Dance’. Will you be shooting the video for it any time soon?
Keri: I’ve already shot it! Paul Hunter directed it.
Sam: What can we expect from the video? I’ve seen the live performances of the song, they’re very…sensual (laughs).
Keri: Yeah. It is a bit of that, but it’s a bit toned down for the video, because you got so much censoring, I can’t do everything I do on stage (laughs). So when people come out they’re probably still gonna be a bit surprised to see it live, after seeing the video. But I’m very pleased with the video. I love the colours and it’s reminiscent of the whole late 70s early 80s era in music.
Sam: There have been some murmurings about a re-release of ‘In a Perfect World’, is that something we can expect anytime soon?
Keri: Yeah, by the end of this year I’d love to throw on some tracks that I wanted on there initially. And of course I’ll also be recording a couple new tracks with Timbaland and with Polo (Da Don), so yeah, look forward to a re-release.
Sam: Cool. A lot of your fans wanted to know if unreleased tracks like ‘Love Ya’ and ‘Cover’s Blown’ will be on the album.
Keri: ‘Cover’s Blown’ – I didn’t even know that leaked actually, I didn’t know you guys knew that record! (Laughs) That was a demo of just an idea we laid down one night, we never even finished it, so it’s possible. ‘Love Ya’ is one of my all-time favourite songs, so hopefully that will be on the re-release.
Sam: Have you started thinking about your next record?
Keri: I have not yet, other than like titles for it….
Sam: I love the honesty…
Keri: (laughs) I definitely already have the photo shoot ideas in mind, but I really just wanna make sure we ride this album until the wheels fall off. I wanna make sure we capitalize off this moment with my debut album and make it as big a project as we possibly can, and make sure my exposure is at maximum capacity. I really want to be able to live life between albums and allow myself to be inspired by relationships and all the things about life.
Sam: You’re an artist and a songwriter – which would you *honestly* say you prefer the most?
Keri: Honestly speaking – both. But I will say that songwriting for me was actually my plan B. Of course performing, being on stage, recording, and doing everything I’m able to do now was always my bigger dream. I have to say I didn’t even know songwriting existed until late in my teens, but before I was even double digits I was performing and was heavy into that life, so I’m living the dream every single day – I’m all smiles.
Sam: What do you think is more important – the music video or the live performance, and why?
Keri: I think the live performance. First of all more people are now able to see it with You Tube, and also people want to know if what you do on record you can do live. I take pride in the fact that I don’t lip-sync, my mic is on, unless in some maybe extreme case that I just do not have a voice. Even then I’ve gotten through a 15-minute with a crazy sinus infection and no voice. But sometimes you have to play it by ear, and sometimes your back is against the wall and you’re forced to have a backing track. We’re only human, we’re not robots.
Sam: That’s totally understandable. So if you could sum up the current state of the industry in three words, what would they be?
Keri: Lighter… upbeat, and…hmm… I don’t know… I’m thinking of another… because I feel music is in a great place, so I don’t know of one word to describe that, but it’s in a really good place.
Sam: Do you feel any pressure moving ahead to silence those who say Keri Hilson can only score a hit with a collaboration… a “collaboration artist only”?
Keri: Absolutely, absolutely. Which is why I want to make sure my next single everywhere – from ‘Energy’ to ‘Slow Dance’ – for those that don’t have my album, they understand what type of artist I am, and who I am. I want these records to define Keri Hilson, and I feel that the album does that. Even the features that we have do not overshadow me, and I’ve been told over and over that it’s like the perfect placement. People of course put their foot in it, but they don’t outshine who Keri Hilson is on the album. But there are lots of people that do not have the album, so definitely I want to silence those (laughs).
Sam: What’s your take on those who say that Ms Keri is “cocky”?
Keri: Cocky?! Definitely not. I will say I’m very candid. I have to say that those people who say that clearly don’t know me. People that do know me and have worked with me know that I don’t take myself too seriously. I’m just a person who is in love with music. At the same time it was not handed to me on a silver platter, I worked very hard for everything that is coming my way. It’s been a 12-year journey for me, so if they think I’m cocky they might not understand my journey and how hard I had to fight for this. Nothing’s easy. Shout out to anyone trying to pursue whatever it is, it’s gonna be a fight, and I think if you understood that about my story then you absolutely would not consider me cocky. Confident and happy and blissful and blessed and thankful – all of those things I am!
Sam: Great! So tell us a little known fact about Ms Keri Baby.
Keri: A little known fact (laughs)?. I grew up an athlete! I grew up an athlete with a tenacious spirit. I excelled in swimming. I won county and I won state, then I competed for the state of Georgia in the junior nationals when I was 14 years old. Then basketball – I played in high school. I was two years Best Offensive, senior year I was MVP, two years Captain. I come from that world, so if ever it’s a cockiness people see or sense, it’s really not that. But I am competitive; I do have a competitive drive. Not against any of my peers or people that would be considered competition, I don’t think at all about the competition. I’m competitive within myself. I’m that type of performer.
Sam: A lot of your fans want to know about your current writing projects, whether you are writing for anyone at the moment – particularly for Mary J Blige’s next album, and if you’ll be featured on ‘Shock Value II’.
Keri: I’ll definitely be featured on ‘Shock Value II’, I can guarantee that. I don’t know whether my schedule will have me able to work on Mary J or Usher or Britney’s next projects. Of course some may know I did write ‘Gimme More’ and ‘Break the Ice’ for Britney, but I wasn’t able to work on this album because I was touring, so we just have to see. I mean, as long as I’m an artist, I definitely want to be writing and keeping my creative juices flowing for other artists.
Sam: Are you still a part of writing group The Clutch?
Keri: Um… somewhat. I’m kind of the resident artist there (laughs). I’m the member that they never see. But I’m always representing The Clutch.
Sam: A lot of the fans also wanted to know with ‘Return the Favor’ there was an initial draft of the track that had the hook “If you kiss me then I’ll kiss you back” – why was it changed?
Keri: I don’t know! I changed the hook from what you hear, and it was really like a Timbaland call. He was like “No… I think I like the other one better.” It was a creative call and no one was supposed to hear the other one and know the difference (laughs).
Sam: Ok. Michael Jackson tragically passed away recently, and it shocked and rocked the world. Where were you when you heard the news?
Keri: I was in LA where it all happened. I was headed to rehearsals and the crazy thing is we were rehearsing at the very same spot, literally right in the rehearsal room, right next to Michael Jackson’s band, where he would drop in every now and then.
Sam: Did you see him?
Keri: I never saw him, but a couple of my dancers and my choreographer laid eyes on him. As far as they knew he looked very healthy. It’s very unfortunate.
Sam: What are your thoughts moving ahead on the whole Michael Jackson legacy, and saga, etc?
Keri: Well… you know… I don’t know. Moving ahead I hope that all the scandal will be outweighed by how great of a person, philanthropist and performer he was. He is yet to be matched as far as the energy he emulates from the stage. There will never be another Michael Jackson, absolutely not.
Sam: Ok, a quick game. Best looking – Kanye, Ne-Yo or Lil Wayne?
Keri: Um…Ne-Yo.
Sam: Female in the industry with the best weave?
Keri: (Laughs!!!) I don’t know. Halle when she decides to do it – when she does it, she does it right (laughs!).
Sam: Finally what is your advice for up-coming stars?
Keri: Like I mentioned before, it’s not gonna be an easy road, but God rewards diligence. It may not happen when you want it to, but keep honing your craft and push forward.
Sam: Ms. Keri Baby! Thank you for your time.
Keri: Thanks Sam.
Keri’s awesome album ‘In A Perfect World…’ is available in stores and on iTunes now!
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What do you think of our Keri Hilson interview?
NICOLE SCHERZINGER’s domination of the PUSSYCAT DOLLS is still causing tension within the group.The girlband’s recent single Jai Hoh!, a worldwide smash hit, was billed as “Pussycat Dolls featuring Nicole Scherzinger” which reportedly riled particular members.MELODY THORNTON hit out at Nicole during a recent gig which led to rumours the band, who were a burlesque group before hitting the charts with Don’t Cha in 2005, were set to split.However, despite playing down break-up fears, Doll KIMBERLY WYATT indicated the band, and their management, aren’t all singing from the same hymn sheet.Kimberley said: “It’s true, there has always been a lot of focus on Nicole which has been hard to deal with sometimes.“This group was created with a foundation, they knew exactly what they wanted and they had Nicole as the focus.“Every video and stage performance that we’ve done, Nicole has been our leader.“I wasn’t in videos like I wanted and wasn’t seen in the way I was hoping, which has been the same for all the other girls too.”Kimberley says herself and the rest of the girls – ASHLEY ROBERTS, JESSICA SUTTA and Melody – are not anticipating the attention eventually being shared out.She added: “I don’t really make any of the decisions, I’m in the group and can voice my opinions to a degree but at the end of the day it is a business and there are a lot of chefs in the kitchen that run the Pussycat Dolls.”Kimberly is hosting dance workshops in London on July 26/27. Visit www.marksummers.com/kimberly for more information. {Source}
Last night, the legendary Clive Davis hosted a listening session for Whitney Houston’s new album I Look To You, which is in stores September 1st. Held at Jazz @ Lincoln Center in New York City, the event was packed with stars like Martha Stewart, Gayle King, Dionne Warrick, Alicia Keys (in the house with Swizz Beats!) LA Reid, Andre Harrell, Diane Sawyer, BET’s own Debra Lee and Stephen Hill – and the iconic Whitney Houston, who was absolutely stunning. She looked happy, grateful and beautiful. When Whitney hit the stage for a small speech the person next to me said,”That’s m*thaf**kin’ Whitney Houston!“ The diva received a standing ovation from a crowd (and the world!) who has been waiting for the return of the original pop-soul diva.I was lucky enough to attend and here is a preview of the seven new tracks that were played (two leaked tracks were played, “Like I Never Left” featuring Akon and “I Didn’t Know My Own Strength” written by Diane Warren and produced by David Foster). I wasn’t able to catch every producer’s name or the exact lyrics so the credits are subject to change. Note: Clive Davis did stress the songs were still being polished.1. “Million Dollar Bill” (written and produced by Alicia Keys and Swizz Beats)An up-tempo, joyful track about love and probably one of the funkiest songs Whitney has ever done. “Million Dollar Bill” has an amazing bass line and almost recalls early Michael Jackson in Off The Wall. The catchy hook, “You make me feel like a million dollar bill.” Her vocal is strong with some power notes toward the end. The song has an Alicia Keys sound but fits for Whit — it’s current without making her seem like she is trying to compete with teenagers. The song received a standing ovation.2. “Nothin’ But Love” (produced by Danja)Whitney’s shout out to those who her love her and those who hate on her, she’s got “Nothin’ But Love” for all of them. Completely up-tempo and definitely an R&B club track that has the potential of sounding even hotter with a remix. The vocal stays around her lower register and, again, holds some classic Nippy notes at the end.3. “Call You Tonight” (produced by Stargate)Fun, mature and a song everyone can relate to. Heavily produced and while it can be tough to adjust to a pure vocalist like Whitney sing to a production heavy song, the mid-tempo track works for this album. “Call You Tonight” sounds like one of the better tracks from Just Whitney. Some lyrics include, “Destiny, I believe in it” and “I wish I could stay but I got to go, I’ll call you tonight.”4. “Salute” (written and produced by R. Kelly)Whitney is saying goodbye to a lover who has done her wrong, but she is letting go with no anger and confidently sings, “I salute you.” Could she be channeling Bobby Brown? The song is strictly R&B and almost sounds similar to “Heartbreak Hotel” from the My Love Is Your Love album. More instruments than production with keys and a strong vocal from Whitney. One line, “You think you know everything, you think your sh*t don’t stink.”5. “I Look To You” – R. KellySay what you want about R. Kelly but the man can still make a good R&B song. “I Look To You” is the title track and my favorite song so far. Beautiful lyrics like, “As I lay me down, heaven hear me now.” Her voice is deeply powerful, channeling classic Whitney with a pop sense but an R&B vocal. This song proves that she has not lost her voice and it’s definitely a melody I cannot wait to hear live. Whitney clearly feels every line and chord, charging through the ballad, transcending her own experience and reaching others who have been through adversity. Whitney has been criticized for not being emotional enough in her music — this track knocks out that complaint. From where I could see, Bobbi Kristina, Whitney’s daughter, was getting emotional during the song.6. “Worth It” (R. Kelly)“This song is for the lovers…” is one of the lines. Youthful and radio friendly, another R&B track. Nothing much to add about this one, enjoyable to listen to and had folks in the audience bobbing their head — I think I even saw a few head nods from Martha Stewart!7. “A Song For You” (produced by Stargate)Popularized by Donny Hathaway, “A Song For You” is a new spin on the Leon Russell classic. The beginning starts slow and the crowd gasped when they realized what song she was singing. Whitney sounded incredible, nearly haunting and before you knew it the song turns into a club banger! Mr. Davis explained the song was recorded just the night before. Definitely one for those who loves Whitney’s club tracks.Overall, the nine tracks that were played received a good response. The album definitely has the potential to be a hit. For Whitney, there is no such thing as a “comeback” — icons “don’t call it a comeback” then just jump back in the game whenever they are ready. One thing I do know is no one should expect 1985 Whitney. Artists evolve and it’s limiting when we trap performers in a particular box or era. The best piece about the tracks is that Whit has some grit to her voice, her vocals are still strong but she doesn’t mind getting a bit nasty with it. While the album isn’t finished, I believe folks will be pleasantly surprised.PS. Clive Davis is 77 years-old and stood on that stage for nearly an hour, introducing Whitney, telling stories, making jokes and setting up each song! This is a man from the old school and knows how to work a project! Gotta give respect to Professor Davis! {Source}
Sony Pictures has paid $60 million for the rights to release a movie of footage shot during Michael Jackson’s rehearsals for his This Is It concert tour, according to the Hollywood Reporter. The film will hit theaters October 30. According to other reports, AEG Live, which is said to have 80 hours of rehearsal footage at its disposal, and Jackson’s family will split Sony’s money, with Jackson’s family receiving 90 percent of the fee and establishing a charity in the late singer’s name. {Source}