Alexandra Burke - 'Bad Boys (ft. Flo' Rida) (1st Single)'
The much anticipated lead single from Alexandra Burke’s new album ‘Bad Boys’ premiered moments ago on Chris Moyles BBC Radio 1 Morning Show.
I’m really on the fence with this one; yes, it’s catchy as hell, but it’s markedly a lot more Pop-ier than I ever would have anticipated. While I’m sure her team’s goal was to appeal to the masses, this Phantom Boyz produced cut doesn’t have much Urban appeal at all, despite the somewhat contrived Flo’Rida feature. Not entirely bad, I just expected something completely different. Who knows, it could grow on me like Whitney’s ‘Million Dollar Bill’ – which I’m loving right now, yet didn’t on first, second or third listen LOL.
Hit or Miss?

Click here to listen!

Beyonce Lines Up Next Single...

According to Amazon, the next single to be lifted from Beyonce’s ‘I Am… Sasha Fierce’ will be Video Phone.
Sigh. While we love Bey here at That Grape Juice, I can’t help but feel just a little bit short-changed with this ‘era’. ‘Single Ladies’ and ‘If I Were A Boy’ aside, there have either been issues with the quality of the videos or the worthiness of the chosen singles IMO – ‘Video Phone’ I feel falling into the latter category. In not being big on this song at all, I would have instead opted for ‘Radio’ or one of the album’s few ‘AAA’ ballads such as ‘Hello’ or ‘Scared of Lonely’. I mean we are seeing single after single, yet little in the way of cohesion or quality – if I’m to be entirely honest. The general promotional strategy of this record, in comparison to the first two albums, seems a little off too – with Beyonce being on tour for the bulk of it.
With ‘Single Ladies’ having had an amazing run, not to mention it’s cultural impact, as well as ‘Halo’ doing quite well too, I’m pretty much ready for her next project – which will hopefully be a more focussed affair i.e. sound-wise, as well as 3-4 really great videos as opposed to 100 medicore ones! That or she could just hook up with Michelle and Kelly and do that much anticipated Destiny’s Child reunion project LOL.
Your thoughts?
International star Leona Lewis is set to release her sophomore LP this November. Today it has been revealed that the record will be titled ‘Echo’:
Simon Cowell protégée Leona Lewis has decided on a title and release date for her new album. Echo, the follow-up to Lewis’ platinum-plus 2008 debut, Spirit, is due Nov. 17.
“An echo describes a big, organic sound,” Lewis says of her choice.
Lewis is recording in various cities, including New York and Los Angeles. Though one track called Don’t Let Me Down has
leaked online, neither the lineup of songs nor the list of contributors has been finalized. “I’m working with incredible songwriters and producers, and my music has really evolved,” Lewis says.
Ryan Tedder, who co-wrote and produced Lewis’ chart-topping breakthrough hit, Bleeding Love, is one confirmed collaborator, and a number of top artists have joined her in the studio, including Justin Timberlake, Ne-Yo and producer Timbaland. {Source}
I’m definitely a supporter of legitimate talent, so I’m very proud of Leona’s success – particularly with her UK roots. However, saying that, I wasn’t too big on her debut album, which sans ‘Bleeding Love’ and a few other select cuts was kinda ‘blah’. The roster of writers and producers on this new album look quite impressive, I just hope the material measures up too.
Are you checking for ‘Echo’?

With the release of LeToya Luckett’s sophomore effort ‘Lady Love’ just days away, the singer gave the first televised performance of new single ‘She Ain’t Got’ on KTLA yesterday.
The performance itself was ‘ok’, however my biggest gripe is the lack of promotion for LeToya’s project thus far. For this to be her first televised live showing, with the album release so near by is a hot mess. This is made worse by the fact that instead of performing on BET and likewise networks and shows, she’s on KTLA (?!). I really hope Ms. Luckett’s promo picks up…fast, as she’s deserving of much better treatment.
What do you think of the performance?
JoJo Sues Her Record Label
With JoJo having already vented her frustration with her label’s handling of her ‘All I Want Is Everything’ album publicly, the singer has now taken to the courts in her battle for a release from her deal. Check out the report via TMZ:
That JoJo singer chick is finally old enough to file a lawsuit — 18 — and guess what?! She’s already picking a legal war with her record company!
In a lawsuit just filed in NYC courts, JoJo claims her record company shoved her into a musical “limbo” because they wont let her out of her contract — and they won’t let her record a new album either!
JoJo, real name Joanna Levesque, now wants a judge to force Da Family Entertainment to cut her loose — plus she wants at least $500,000 for her troubles.
More power to her! Here’s hoping she wins, gets the release and is snapped up by another major label ASAP. There is too much talent in this 18 year old for her to be left by the wayside by this sometimes shady industry.
Your thoughts?

Despite the epic fail that was their ‘Forever In A Day’ album (which was actually pretty good), Day26 continue to press ahead with the project – today releasing the video for ‘So Good’. Definitely one for the grown folk, this serves as one of their better efforts. I’m sure the ladies will love this one.
That said, Bad Boy really are keeping these boys on a recession budget with these vids. We are in a visual age, and it’s gonna take more than these samey ‘concept’ clips, in which next to nothing is happening, to garner any interest anyone beyond their fan-base – who in total don’t seem to be able to save the guys from the terrible sales they’ve been having. It’s so sad, as all four of these guys are so talented. Yet, if things don’t change with how they are handled, they’ll become casualties of the industry. Here’s hoping the latter doesn’t become a reality.
Tidbit: Does anyone else notice how unless ‘Making The Band’ is airing, you never see or hear from these guys? SMH…
What do you think of the song / video?

R&B star Keri Hilson brought the Urban music cavalry out for the video shoot of her new single ‘Slow Dance’. On hand were Chris Brown, Monica, Polow Da Don, Omarion and Melody from the Pussycat Dolls.
I’m kinda baffled about this, as during our interview with Keri a month ago she confirmed that the video had been shot already (???). Anyway, here’s what the clip’s director Chris Robinson had to say about the video to our friends over at Rap-Up.com:
“It’s a really sexy song, but we don’t want to fall into the typical love, love, love R&B vibe with that,” he revealed. “So it’s a misdirection, so to speak. I won’t give too much away, but it starts where you think, ‘Oh, it’s about her and being sexy.’”
But things take an unexpected turn when Hilson’s friends catch her feeling herself a little too much. “She’s in her house and by herself, and you kind of think it could be serious, but the song drops out in the middle and her friends catch her being all sexy, basically like, ‘What the f**k are you doing? You are not singing by yourself.’”
The twist portrays her as a woman who doesn’t take herself too seriously. “Keri Hilson has a great personality and is a real girl. That’s what we want to get across.”

Sounds interesting. With ‘Slow Dance’ standing as my favourite Keri cut, I’m definitely looking forward to this one.

Your thoughts?
Omarion Dropped By Label (Again) After Single Leak
Things seem to be going from bad to worse for R&B singer Omarion. After severing ties with Epic Records last year (aka was dropped), the former B2K star signed with Lil’ Wayne’s Young Money / Cash Money imprint in June – only to be let go yesterday after the leak of his lead single ‘I Get It In’:
Two months after being signed to Young Money Entertainment, Omarion has been dropped from the giant recording company. Spilling the beans about the matter is the label’s president Mack Maine on his Twitter which reveals that Omarion is fired because he has allegedly leaked his duet song with Lil Wayne.
“ATTN: Omarion is no longer Young Money … the song they leaked ft. Wayne is not official .. good luck 2 him in his future,” so Mack wrote. Shortly after that, one of Young Money’s artists Jae Millz re-tweeted Mack’s short message, apparently trying to emphasize that the news is not a rumor.
Omarion was previously signed to Epic Records before he joined Young Money Entertainment in June. He is currently working on his next studio album titled “A New Me”. Now that he is out of Young Money, it seems that the singer has to seek a new home to release the effort.
Up to date, Omarion hasn’t offered any comment concerning him being axed from Young Money. {Source}
Ouch!!! To say this is embarrassing would be an understatement. What’s more, with the nature of why O was dropped, it doesn’t bode well for his chances of being snapped up swiftly by any other label anytime soon. Never ones to kick folk while they are down though, we wish Omarion the best moving ahead. For despite his voice not really being to my taste, he is immensely talented as an all-round performer.
Your thoughts?
Confirmed: Mariah's 'First' Single Is...
Showbiz 411 colunmist Roger Friedman, an extended member of Mariah Carey’s PR team, continues to serve up information about what to expect from the diva’s forthcoming ‘Memoirs of an Imperfect Angel’ album – today confirming that Foreingers cover ‘I Want To Know What Love Is’ will be the record’s ‘first official single’ (rolls eyes). Check out the report below:
Foreigner’s Mick Jones can start ordering caviar and Champagne again: Mariah Carey is releasing her own gospel-tinged version of his masterwork song, “I Want to Know What Love Is.”
It’s the first “real” single from her new album following the summer release of the witty “Obsessed,” which is also included on “Memoirs of an Imperfect Angel.” The album and the single hit the world on Sept. 29th.
I heard the Foreigner song yesterday along with all of “Memoirs” and let me tell you: Mariah’s got a hit on her hands along the lines of “Emancipation of Mimi “The hour-long CD is ballad-centric. Written and produced with The Dream and Tricky (I know, but these are their stage names), “Memoirs” boasts a lot of singles. Starting with the Foreigner song is a canny move in these uncertain times. By the time its run is over, a new generation will think “I Want to Know What Love Is” is a Mariah Carey song.
Mick Jones, who wrote it, should start picking out some nice new cars thanks to Carey. The money should come rolling in quickly.
The other songs on the album — these are the titles, although the running order is still being finalized: “Betcha,” “Obsessed,” “H.A.T.E.U.,” “Candy Bling,” “Ribbon,” “Standing O’s.,” “Impossible,” “It’s a Wrap,” “Inseparable,” “Up Out My Face,” “More than Just Friends,” and “Angels Cry.”
Several of these are radio ready. “Angels Cry” is an honest-to-god ballad a la “Vision of Love,” and should be a gigantic success. “Standing O’s” also has potential, as do “H.A.T.E.U.” — which stands for “having a typical emotional upset” — and “Inseparable.”
Def Jam’s L.A. Reid — who previewed the CD for the first time yesterday with a clutch of staffers — is playing with the order, to get it right. But he really can’t go wrong. Carey’s album, is, as they used to say, “what the kids want.” Plus, it’s got stuff for the slightly older crowd. I loved the doo-woppy “It’s a Wrap.” And the Foreigner track is so powerful, it’s going to be everywhere.
Good news, too: no more songs about Eminem. One was plenty.
So, by the end of September we’ll have new CDs from Whitney and from Mariah. They’re each top notch and different from each other enough that their fans should want them both. Maybe we’ll see a return to record stores (we have but a few in Manhattan now) and diva duels on radio if programmers are smart.
Hmmm. What I find kind of baffling about this whole ‘first official single’ nonsense, is that with the ‘Emancipation’ project the first single ‘It’s Like That’ didn’t perform that well, yet the label stood by it as the album’s first single. The record’s 2nd single ‘We Belong Together’ dropped thereafter and we all know what happened with that one. So why ‘Obsessed’ is being dubbed a ‘summer treat’ as opposed to a single is hella confusing.
I’m guessing the poor performance of Mimi’s last album ‘E=MC2’, particularly the singles (‘Touch My Body’ aside), has the label very worried about the success of this LP; so much so that they are distancing themselves away from anything that isn’t an undeniable smash hit i.e. ‘Obsessed’. All signs point to this album needing to be a hit for Mariah, otherwise things may take a turn for the worse. Labels pump money into projects and expect good returns – especially on major artists such as Mariah. Regardless of an artist’s status, if they aren’t making money for the label, then they are in danger of facing the axe. Simple as. With ‘E=MC2’ just about hitting Platinum status in the US, despite a #1 single, massive promotion and 2-3 more singles, it was a relative commercial failure. Hence why there is so much riding on this.
About the actual preview, ‘Angels Cry’ sounds intriguing, but thats about it. The line about the LP being ‘what the kids want’ doesn’t excite me – if anything, it has the opposite effect. Some of you may wonder why I seemingly go in on Mariah the way I do, but when an artist who has been blessed beyond belief with such a voice and delivers classics such as ‘Butterfly’ and ‘The Emancipation of Mimi’ lowers herself to making audio-garbage such as ‘Touch My Body’ and ‘Obsessed’, one is justified in asking: WTF?!
I mean I really do want to support, but ol’ Mimi is making it oh-so-hard to…
Tidbit: Is it just me or is anyone else struggling to find the correlation between ‘ballad-centric’ and ‘for the kids’? Surely, these are opposing sounds?
Your thoughts?
Christina Lines-Up All-Star Cast For New LP
Pop star Christina Aguilera appears to be going all-out on her next album, enlisting a star-studded cast of the industry’s hottest movers and shakers for the record:

Christina Aguilera has confirmed some of music’s coolest artists will feature on her next album.

Santigold (formerly Santogold), M.I.A, Lady Tron, Goldfrapp and singer Sia will all appear on the star’s next disc.

In an interview with A.P.E Radio she said: “I think I’m most proud of this work than I’ve ever been, just because I worked with so many amazing and incredibly talented people.”

The Neptunes and Major Lazer are also rumoured to be contributing beats to the album.

Christina continued: “I really like to step outside of my own box. The result was just crazy magic. There truly is something for everyone to enjoy on the record. Lots of good stuff in store!” {Source}

Sounds exciting. Christina has yet to match ‘Stripped’, her most solid body of work to-date IMO, with her recent releases; so here’s hoping she serves up the hotness with her latest CD.
Your thoughts?
Bow Wow Signs To Lil' Wayne's Cash Money
Rapper Bow Wow announced late last night on Twitter that he has signed with Lil’ Wayne’s Cash Money label. Check out what the pint-sized star posted:

BOW WOW IS A CASH MONEY MILLIONAIRE. SHOUT TO STUNNA FOR BELIEVING IN ME AND GIVN ME A CHANCE SHOUT OUT 2 WAYNE FOR LETN ME WALK ON BOARD! AND MY YM FAMILY AND CASH MONEY FAMILY. LBW/CASHMONEY/YOUNGMONEY BOW WOW WAYNE AND DRAKE? WHO GOT STOP THAT TRIO! GNR LETS GO ITS SHOWTIME!” {Source}

Is it me or is anyone else a little puzzled by this, as ol’ Shad said he was retiring from the industry early this year as he’d ‘done did it all’? I guess he was trying to save face after being dropped by Columbia. Oh well, I really can’t knock his hustle – regardless of how annoyingly cocky he is. Whether folks rush to the stores to buy his music will be real interesting to see, but best of luck to him.
Tidbit: Bow Wow forgot to list Omarion as one of the other artists signed to Cash Money. The pair will now be label mates again. What? I’m just saying…
Your thoughts?
This week’s classic From The Vault video is Mary J. Blige’s 2005 international smash ‘Be Without’. A return to form for the future Hall-of-Famer, the song serves as one of those that sound as fresh today as it did when it was first released – IMO one her all-time best. It’s not often singers who have been in the industry for so long manage to add to their list of career-defining hits so late into their career, something I feel really is a testament to just how great both this song and Mary J are. Enjoy:



Your thoughts?

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