Pop superstar Madonna brought out fellow mega-star Britney Spears last night during the Los Angeles stop of her ‘Sticky & Sweet’ tour at the Dodgers Stadium. Looking every inch a star, Spears joined Madge, 50, on stage for a rendition of ‘Human Nation’.
Though the performance wasn’t exactly mind-blowing, it’s great to see Ms. Spears looking so great and getting her self reacquainted with the music scene again.

Randomness
: Justin Timberlake was also in the building. He joined Madonna onstage for ‘4 Minutes’ later in the show. Oh how ‘interesting’ it must have been backstage!

Britney & Madonna Perform Together In LA Britney & Madonna Perform Together In LA Britney & Madonna Perform Together In LA

Your thoughts?

Ginuwine Preps New LP For 2009 After a brief hiatus, R&B crooner Ginuwine is back set to release his first major-label album in 2009. Check out the report via Billboard:

Ginuwine is set to return in the first quarter 2009 with a new single and album. The as-yet-untitled project will be released by Notifi Records, with distribution through Warner Bros. Notifi is headed by CEO Ira Dewitt.

In addition to singer/songwriter/producer Tank, who is executive producing the album, Ginuwine is collaborating with Next founding member RL and Harold Lilly Jr., among others.

“Everything is still in the works,” Ginuwine tells Billboard.com. “I don’t want to rush anything. I’m just working on various songs and definitely hoping to work with others like Polow da Don and Timbaland. However, at this point I can say the music will reflect a maturing Ginuwine. I’m not the same young man I was when I first got into music. ”

Ginuwine was 21 when he hit big in 1996 with “Pony,” his first crossover hit (No. 1 R&B, No. 6 pop). The single garnered the Washington, D.C. native a contract with 550 Music/Epic and propelled his Timbaland-produced debut album, “Ginuwine — The Bachelor,” to multi-platinum status.

This ought to be interesting. I personally haven’t enjoyed any of Ginuwine’s records since he stopped working with Timbland, so I definitely welcome their potential reuniting.

Will you be checking for a new Ginuwine album?

Janet Resumes Tour; Update On Contest Soon Following the postponement of 9 tour-stops on her ‘Rock Witchu’ trek due to a still unconfirmed illness, Pop superstar Janet Jackson has released a statement to her fans confirming that the tour resumes – today in Washington, DC:

“I know you guys have been hearing a lotta, lotta rumors… [that] the tour’s been canceled. None of that’s true. I’m actually rolling into D.C. right now to do my first show coming back. I feel a lot better and I want to thank all of you. I really do appreciate the love and the support. And once again, don’t believe anything that you hear and you read. The tour is still on.” {Source}

Great to know Janet will be getting back to thrilling audiences in the States. Ms. Jackson (“if ya nasty!”) needs to hit these side of the shores ASAP, we miss her!

With the tour back on the road, I’ll be updating you on the status of our ‘That Grape Juice Wants to Rock Witchu’ ticket give-away – which has inevitably been affected by the postponements.

Your thoughts
Earlier this summer, That Grape Juice was fortunate enough to sit down with Grammy Award winning singer/songwriter Ne-Yo in a swanky London hotel. With his third studio album ‘Year of The Gentleman’ nearing release at the time, he spoke openly with That Grape Juice about the record – which since went on to debut at #1, ‘beef’ with Chris Brown, his love life and much more. Though limited time made for the interview to come to a halt, I’m sure you’ll agree it’s a great read all the same. Enjoy


Ne-Yo Shouts-Out That Grape Juice

——————————————————-

Sam: Having burst onto the scene little over 2 years ago, this singer/songwriter has quickly gone on to establish himself as one of the premier talents on today’s music scene. Of course I’m talking about Grammy winner Ne-Yo.

How are you, man? It’s great to finally be able to meet with you.

Ne-Yo: Thank you

Sam: You just landed in the UK a few days back, how has your stay been thus far?

Pretty good, pretty good – I like it out here. I haven’t really been able to do any of the ‘touristy’ stuff yet. It’s crazy as this is like my 10th time coming out here and I still don’t know anywhere outside of the area right here (referring to hotel locality). This is the hotel we always stay at; so it goes airport, hotel, (show) venue and hotel, venue, home.

Sam: This August sees the release your third studio album, ‘Year of The Gentleman’….

Ne-Yo: Uh uh…September.

Sam: Has it been pushed back?

Ne-Yo: September 15th.

Sam: Any particular reason for the pushback?

Ne-Yo: I was not going to put out an album that was not 100% right; and I wanted the record to be 100% right – so that’s pretty much it.

Sam: What exactly is the meaning of the album’s title?

Ne-Yo: ‘Year of The Gentleman’. That basically comes from me personally feeling that what it means to be a gentleman is a little lacking nowadays. From the way we view and treat our women, to outward appearance. All that stuff. It’s a little lacking these days. The guys that takes the time to make sure he looks at least half-way decent before he walks out of the house are few and far between nowadays. The guy that will pull out a woman’s chair for her, open the car door for her. That’s a little lacking nowadays. That effortless ‘cool’ that you used to see back in the day with the likes of Nat King Cole and the Rat Pack, stuff like that. Not this, what we have today, where it’s like ‘Hey, everybody look here, I got diamonds and money and girls…look at me’. It wasn’t like that back in the day. Back in the day it was about being charming, about being charismatic, about suave, about swagger back then. You didn’t have to try so hard to get someone’s attention; they’d just give it to you anyway because you were ‘that guy’. This album is basically me trying to lead by example and showcase what it is to be a gentleman.

With that being said, I am not a perfect gentleman – yet! I am a gentleman in training. So there are still some aspects of being a gentleman that I have to learn; but I’m willing to learn, which I guess puts me a little ahead of the curve.

Sam: Good stuff. Congratulations on hitting #1 with the record’s lead single ‘Closer’

Ne-Yo: Thank you very much…

Sam: The song has performed significantly better here than back home in the States. Why you think this has been?

Ne-Yo: Well, the song is inspired by the UK and going out here in London. I remember that night, we went to a couple of different clubs. Two clubs were very American R&B/Hip-Hop based and I remember saying to my people “I can get this back at home. I want to know what goes on here”. So they took me to another spot – I guess it was like a Techno/House club – real small venue, yet filled to the capacity. It had the whole green lasers; people had their hands in the air, eyes closed and in a trance from this music. I mean, I’ve never really been a fan of dance music, it’s just never really been my thing, but the common ground I found with that music, is that I like to make music that makes you feel something. That’s the whole M-O of the music I create – I try to evoke some kind of emotion – happy, sad, whatever. That music (Techno/House) is strictly about how the music makes you feel, to the point where the lyrics don’t even matter (laughs). There was one I heard that had but 3 words in the damn song (laughs). It’s all about the feel and what the music does to you. So I tried to capture that vibe, put the little ‘Ne-Yo’ spin on it and do my own interpretation of what I heard and felt that night.

Sam: Having served up R&B/Pop smashes with your previous releases, ‘Closer’ is somewhat left-field for you musically, with its Euro-Dance sound. Is this something we can expect to hear more of on the album?

Ne-Yo: To a degree. I did a lot of things on this new album that I haven’t done before. I think that one of the reasons ‘Closer’ has performed much better over here is that over here you guys are a little more susceptible to change, a little more open. Whereas back home in the States, people kinda get programmed into one thing and one thing only. If it ain’t 50 Cent or doesn’t sound like this, then we don’t want to know about it. That’s one of the reasons I like it out here – outside America in general because people are open to more things out here.

Sam: Ok, in general, what can we expect from the album in terms of producers, features etc.

Ne-Yo: No features. This is my first studio album with no features whatsoever. I kinda wanted to leave it like that, as I’m doing a lot of experimenting with different sounds and genres of music. So if something –touch wood (laughs) – went bad, I didn’t want to have anyone else to blame but me.

Producers, I used everyone that I normally use. My production company, Compound, Stargate and more.

As far as the sound of this album, I’ve been basically been calling the album a buffet, as there is literally a little something there for everybody. There’s something there for the cats that are strictly Urban, for the cats that are strictly Pop, for the cats that are into Alternative that don’t even know my damn name yet! A little bit of everything for everybody on this record.

Sam: Awesome. What do you hope to accomplish with this album?

Ne-Yo: I hope to help blur some of these lines, knock down some of these walls and barricades that have been put up in music. (I want it to be) Not Pop, Rock, Urban, but simply to come down to two categories of music – good music and bad music. I pray that my music is always in the good music category.

Sam: Amen.

Ne-Yo: Thank you, sir.

Sam: Next single?

Ne-Yo: A track called ‘Miss Independent’. (Coyly) You heard that one?

Sam: Uh huh (Sidenote: I’m not sure I’m supposed to have nodded as the track wasn’t supposed to have ‘surfaced’ at the time LOL).

Ne-Yo: …the track sees me pay homage to a woman that’s got her own. There’s something very sexy about that to me. Nothing worse than a chick you’ve got to (completely) take care of.

Sam: Ok. Like many, you recently put your own spin on Lil’ Wayne’s ‘A Milli’ track. However, your version in particular has garnered more attention than others, with many questioning who exactly you’re taking aim at…

Ne-Yo: (Laughs!)

Sam: For the record then, Mr Ne-Yo, what was the deal with that?

Ne-Yo: There was no deal (laughs)! Everybody swears I was talking about Chris (Brown). It wasn’t about Chris; Chris is my homeboy – why would I shoot at him? I actually said in the line “To anyone in general, this is not //But if you claim A Milli you ain’t got, this red dot is on your forehead”. That’s basically me saying, don’t think I’m talking about anyone in particular, I’m just talking shit. It’s one of those records you get on and basically talk shit. Everyone was talking about how much money they got, I was like ‘Hold on!!! Lemme talk about how much money I got!’ (laughs)…

Sam: As I’m sure that ‘Irreplaceable’ cheque guarantees (laughs)…

Ne-Yo: There you go (laughs)…

Sam: Your performance at this year’s BET Awards had many people talking, as you were largely considered to have stolen the show, so to speak, in comparison to more established acts. That said, do you feel you are in competition with the Usher’s, the Chris Brown’s and whatnot?

Ne-Yo: Yes, but it is a friendly competition – it’s not competition that’s based on animosity. We don’t do what the Hip-Hop cats do, where it filters into the music, then goes beyond the music. There is no such thing as “R&B Beef”. I mean, come on, we sing for girls, take our shirts off and shit. We don’t fight, no, that’s stupid.

I consider Chris Brown to be one of my close and dear friends. He’s like my little brother. Usher, I’ve met him and have the utmost respect for him – he’s done it better than anyone else. He set the bar for everyone else. It is competition, but it’s not angry competition. We can be compared to boxers; we can be friends outside of the ring, but everyone knows there is only one (#1) spot, which means there may come a point where you may have to get in the ring with your homeboy and knock his ass out! Don’t mean you ain’t friends no more, just that there is only room for one #1.

Sam: As we’re pressed for time, quickly, are you currently dating anyone?

Ne-Yo: Nope, unfortunately no.

Sam: Ok, I mean, you’ve been snapped with a few ladies, but I won’t probe…

Ne-Yo: (laughs) I mean I have ‘friends’, but I don’t have a steady girlfriend. The ‘special’ ones know who they are.

Sam: Mhmm…Ok. Moving on; with the success of So Sick, you were catapulted into the limelight and haven’t looked back since.

How have you adjusted to fame, particularly in your personal life? How you deal with the inevitable fair-weather friends and family?

Ne-Yo: Wow. Good question. (I try and deal with them) One at a time. It’s something that is a part of this game, it’s gonna happen. There’s no real way to avoid it; you make a little money and everyone finds out about it. All of a sudden you have 90 new cousins! “I’m your favourite aunty. Don’t you remember I changed your diapers?” “No I don’t and no you cannot have a Mercedez Benz” (laughs). I mean you just deal with it; the rumours, accusations, the invasions of privacy and all that stuff, it’s really just part of the game. You can’t stop it. What are you going to do? Go beat up everyone that has ever said anything negative about you? That will be a lot of beating up you have to do (laughs). So you just kind of roll with the punches. It is what it is.

Sam: Craziest fan encounter, briefly?

Ne-Yo: Craziest fan encounter? This young lady broke into my hotel room and was there waiting for me, when I showed up. It was in New York, during the promotion for my first album.

I must have walked into my room and she was like “Oh my God” and I was like “Oh MY God, what the hell you doing in here?” She replied “I’m your biggest fan, I love ‘So Sick, yada yada yada, can you sign this? Can I have a picture with you?” I was like “Ok, we can do all of that, slow down. How did you get in here” (laughs). She didn’t want to tell me at first, I guess she had a friend that worked at the hotel that told her I was there and gave her the key to my room and she didn’t want to get this person in trouble. I was like ‘Ok, I won’t say anything, but, for future reference, you may not want to be breaking into people’s hotel rooms. Had I called the cops, it could have been a really bad situation for you.” It was all good though; she apologised, (I) took a picture with her, signed her thing and she left. The girl was 15 years old…

Sam: Wow…

Ne-Yo:…that could have been really, really, really bad for me, you know what I mean?

Sam: Yeah!

Ne-Yo: That’s the craziest thing – thus far! Well, that and a chick that got my name tattooed on a (long pause)…region that you just wouldn’t show (laughs). She came to one of my shows and took it upon herself to show it to me while I’m on stage singing (laughs). I was singing ‘Sexy Love’ and I looked at her and she gave me one of these (gestures to his chest) and said to look at the tattoo.

Sam: I’ve just been notified that we’ve run out of time. Thank you very much for your time.

Ne-Yo: No, thank you.

——————————————————-

Ne-Yo’s awesome new album ‘Year of the Gentleman’ is in stores & iTunes now. Do be sure to pick up a copy.
——————————————————-

Your thoughts on the Ne-Yo interview?

Janet Hospitalised; Cancels ShowPop superstar Janet Jackson has been forced to cancel / re-schedule the latest stop on her ‘Rock Witchu’ tour after being rushed to hospital last night:

After she “got suddenly ill during the sound check” of her concert in Montreal Monday, the singer was rushed to a local hospital, according to W&W Public Relations.

Jackson, 42, is being monitored at the hospital and hopes to reschedule the show.

No further information has been released. {Source}

Here’s hoping she makes a speedy recovery.

UPDATE: Reports confirm Janet has been released from the hospital.

Your thoughts?

That Grape Juice are delighted to announce that we have teamed up with Live Nation to offer YOU the chance to win tickets to see Pop Icon Janet Jackson on her already-acclaimed ‘Rock Witchu Tour’!

In an unprecedented move, over the next 4 weeks pairs of tickets to 10 of the tour’s scheduled US stops will be up for grabs.

Over the years, Janet’s fans have shown themselves to be quite the creative force; therefore this give-away will give you all the chance to flex your creative muscles.

Entry Info

To enter the ‘That Grape Juice Wants to Rock Witchu’ competition, entrants must submit a Youtube video simply telling us:

Why I Should Win Tickets To See Janet!

Each week select new cities will be posted, this week’s are:

* East Rutherford: IZOD Center (formerly Continental Arena), New Jersey – Oct 17th 2008

* Atlanta: Philips Arena, Atlanta, Georgia – Oct 19th 2008 (rescheduled)

* Boston: TD Banknorth Garden, Massachusetts – Awaiting rescheduled date

* Philadelphia: Wachovia Center, Philadelphia – Awaiting rescheduled date

* Greensboro: Greensboro Coliseum Complex, Greensboro – Awaiting rescheduled date

* Ft. Lauderdale – Bank Atlantic Center, Florida – Awaiting rescheduled date

Submit the links to your videos to competitions@thatgrapejuice.net in an email titled ‘TGJ Rock Witchu’, followed by the date/city you’re entering for. Please ensure to include your name, age and address also. Entries for this week’s listed dates must be submitted by 13th October 2008!

Good luck!

———————–

Special thanks to: Janet’s management, Live Nation, Aladdin & Snoppy (Gilberto)

MOBO Awards 2008 Nominations That Grape Juice was on hand at the MOBO Awards 2008 Nominations Launch at the swanky Beach Blanket Babylon restaurant here in London yesterday. As I’m sure many of you know, the annual show celebrates the undeniable presence of Music of Black Origin in the contemporary music scene. The event, which was largely populated by press outlets, saw the nominations announced, as well as the show’s hosts – Mel B aka ‘Scary Spice’ and Rev Run.
Estelle leads the field with the nominations, notching up 5 noms. Check out the full list below:

BEST UK MALE

Dizzee Rascal
Jay Sean
Sway
Taio Cruz
Wiley

BEST UK FEMALE

Adele
Duffy
Estelle
Leona Lewis
M.I.A

BEST UK NEWCOMER

Bryn Christopher
Chipmunk
DJ Ironik
Skepta
T2

BEST INTERNATIONAL ACT

Akon
Alicia Keys
Chris Brown
Jay Z
Kanye West
Mariah Carey
Mary J Blige
Ne-Yo
Rihanna
Usher

BEST REGGAE

Beenie Man
Busy Signal
Etana
Mavado
Tarrus Riley

BEST JAZZ

Courtney Pine
Guy Barker
Lizz Wright
Tony Kofi
Yolanda Brown

BEST GOSPEL

Ekklesia
GreenJade
Jahaziel
Kirk Franklin
Tye Tribbett

BEST AFRICAN ACT

9ice
Asa
D’Banj Mo Hits Allstars
Faze
Hip Hop Pantsula
Jozi
Jua Cali
Magic System
P-Square
Wahu

BEST SONG

American Boy – Estelle
Dance Wiv Me – Dizzee Rascal
Lollipop – Lil’ Wayne
Low -Flo Rida
Wearing My Rolex – Wiley

BEST R&B / SOUL

Chris Brown
Estelle
Jay Sean
Ne-Yo
Usher

BEST HIP HOP

Dizzee Rascal
Jay Z
Lil’ Wayne
Lupe Fiasco
Wiley

BEST VIDEO

Bashy – Kidulthood to Adulthood
Estelle – American Boy
Leona Lewis – Bleeding Love
Tinchy Stryder – Stryderman
Will.i.am – Heartbreaker

BEST ALBUM

Alicia Keys – As I Am
Estelle – Shine
Leona Lewis – Spirit
Lil’ Wayne – The Carter III
Usher – Here I Stand

The 2008 MOBO Awards take place at Wembley Arena, London on October 15th; and will air live on BBC Three at 9pm.

Your thoughts on the nominations?

{Content Removed As Requested}

And there you have it; the MTV Video Music Awards are over for another year. For all the hype and hysteria, this year’s show failed to deliver on many a front, offering a few genuinely worthwhile moments during an otherwise lacklustre 2 ½ hour telecast.Though it was awesome to see Britney both looking and acting like the Britney everyone knows and loves, I’m sitting here wondering what exactly the point of her segment was. Granted I seemed to be one of the few who didn’t want her to perform, if she was going to speak, it would have helped if it lasted more than 30 seconds. Damn.

Shambolic showing of the night, no doubt, belongs to Ms. Rihanna. Her rendition of ‘Disturbia’ had all the elements of a great performance (truly amazing stage set-up, overly on-point dancers etc)… that is until she opened her mouth. Billy Goat Gruff at her worst. Terrible, just terrible. Though, I must say she redeemed herself ever so slightly with her performance of ‘Live Your Life’ with T.I. (the faux-hood chick thing wasn’t working, though. No). Rihanna aside, Clifford was on fire.

Christina Aguilera’s first post-pregnancy performance was notable, not least because we were given our first look at her new musical/image direction (seems Xtina has embraced the Electro-Pop sound – jumped on the bandwagon, maybe?), more so the fact that 95% of the performance was lip-synched. She gets a pass, somewhat, as she’s already proven herself to be one this generation’s greatest vocalists. That said, I’m still not entirely sold on ‘Keeps Gettin’ Better’ or this new direction of hers. I guess time will tell.

Is it bad that I haven’t (and don’t intend to) watch The Jonas Brothers or Kid Rock performances? LOL LOL…not enough time in the day…

I feel quite proud seeing Leona getting her shine over in the States, who would have ever envisioned a Lil’Wayne / Leona performance? As for Weezy’s showing with T-Pain, it was kinda ‘samey’ IMO.

Highlights of the night, no doubt, were Pink and Kanye West. Pink’s show-stopping performance of ‘So What’ really has me liking the song even more than before. While, Kanye’s debut of ‘sing song’ new single ‘Love Lockdown’ was great…a much needed spark of energy to close out an otherwise tired show.

One will, in future, be better off expecting exactly what is on the show’s ‘can’, as opposed to any surprises, seeing as the VMA’s ability to shock and awe seems like a distant memory. Having not turned in anything of substance since 2004, it seems the classic moments that made the VMA’s such a staple fixture on the music calendar have all but disappeared – the Michael/Nsync performance, Beyonce’s infamous ceiling entrance, Britney/Madonna/Christina….need I say more?

Your thoughts on performances / show overall?
Michael Jackson’s 1995 showing at MTV’s staple award show, the Video Music Awards, serves as this week’s From The Vault clip. The King of Pop revisited a string of hits in this medley performance which culminated in a show-stopping rendition of ‘Billie Jean’. Check it out:

Watching this back really has me itching for Michael to own the stage (and the charts) like he once did. Bring on the new album already!

Your thoughts?

Sugababes Working On 'Funky' Album The UK’s leading girl group, the Sugababes, are reportedly looking to serve up a ‘funkier’ sound on their forthcoming sixth studio LP. Check out the report via Digital Spy below:

Despite the girls vowing to take things slowly earlier this year, the new disc is now expected to be released in October – just one year after they brought out Change.

Orson’s lead singer Jason Pebworth, who has been working with the group in the studio, has predicted that the new record will be their best yet.

“I’ve just come out of the studio with the girls and they’re like machines – they don’t stop working,” Jason told the Daily Star. “You gotta admire them. The new tunes are taking them in a much funkier direction.

“I think this next album will be their finest moment. You’re always trying to do something special for Sugababes because they’re no ordinary pop band.”

The group are expected to perform some of their new tracks at the Virgin Mobile V Festival later this month.

In an industry oversaturated with non-singers with pretty faces, the ‘Babes – who are all great vocalists IMO – continue to stand as a refreshing breathe of fresh air. Having enjoyed the girls last record ‘Change’, I’ll definitely be paying close attention to their new LP.

Your thoughts?

{Do you want to see more of the Sugababes and similar artists on That Grape Juice?}

Jamelia It’s somewhat of a slow news day today, however I thought to post this article I stumbled upon earlier on. Written by Jamelia (the UK’s Beyonce….debatable, I know) for the Daily Mail, the piece details the shadyness of the hair extensions trade. The long(ish) read is pretty insightful and, no doubt, very thought provoking for the ladies. Check it out:

Standing inside a Hindu temple in Chennai, India, I watch horrified as a two-year-old girl with long, dark tresses has her head shaved.

She screams as the clippers buzz around her ears and her hair tumbles to the floor.

She is clearly terrified and no doubt has little comprehension of what is happening to her.

Beside her, her mother is having her head shaved, too.

This is a religious sacrifice: the shaving represents a last-ditch plea to a higher power to save their home from being repossessed.

But to me, it appears to be the ultimate in exploitation.

Their hair is casually tossed into a bin, but it will never actually be thrown away.

Though they do not know it, soon their pigtails and plaits will be sold to hair dealers and then shipped on to the salons of Western Europe.

As I watch the lady and her daughter shuffle out, hopeful that this huge sacrifice will make some tangible difference to their lives, I make a promise to myself that I will never wear hair extensions again.

My hair has always been important to me.

As a schoolgirl, I used to get up at 5am to ensure I had enough time to do my hair before school.

Although for a black woman I would be described as having ‘good’ hair – because it is long and straight – naturally, it is not luxurious, thick or sleek enough to meet the demands of the endless photo shoots and concerts I am involved in for my career.

That’s why, in many of the photographs you see of me, I am wearing hair extensions.

For me, putting in my hair extensions feels like a confidence booster, like a man putting on a smart suit.

I wear them to bring out the best in me and to transform myself from busy mum of two into my alter ego, Jamelia the pop star.

And I’m not alone.

All over Britain, girls are clipping, glueing and sewing hair into their heads.

Recent figures show that British women spend a staggering £65 million a year on hair extensions.

As a nation, we now spend five times more on lengthening our hair than we did four years ago.

Yet most of us give very little consideration to the origin of our hair extensions.

Indeed, until I worked on this BBC investigation, I’m ashamed to admit I’d never once stopped to consider where the human hair I had pinned or sewn into my head had come from.

I was so ignorant about the products I was using that I can’t even say how much they were costing me every month or every year.

Then I heard from a friend, earlier this year, that the hair used in the extensions could be taken from corpses. I was horrified.

How did I know I wasn’t wearing a dead person’s hair?

And if I was, had they agreed to that before they passed away, or had they simply had it shaved off in a mortuary without their family’s knowledge?

And if the hair wasn’t taken from the dead, who were this army of women and girls from whom it was taken?

I realised for the first time that there might be a very real human cost to the beauty fad which allowed me to feel more confident on stage.

I wanted to know who on earth was chopping off other people’s hair in the name of our Western vanity, and whose hair I have actually been wearing?

My journey to find out took me via some of London’s most upmarket hair salons and into the heart of rural Russia and India.

What I discovered was truly shocking and distressing.

Did you know, for instance, that in Russia, girls as young as 13 are cutting off their hair to sell for just a few pounds?

This is despite the fact that in the UK, a full head of extensions of the best quality European hair would set you back £2,000.

There is a staggering profit to be made from this trade, and you can bet that none if it is passed back to the girls at the beginning of the chain.

I start my journey by visiting Russia with Tatiana Karelina, a Russian hair-extension expert living in London.

She does 1,000 sets of hair every year for private clients, and is known for providing top-quality soft and fine hair.

She frequently travels to her homeland to source top-quality hair straight from dealers.

We head to a remote rural area three hours from Moscow, where we meet Alexander, a hair dealer.

He tells us his hair is provided to him from collectors, who go around small villages and towns persuading women and girls to sell their hair.

I have a lot of questions for Alexander. I ask him if he knows whether the girls whose hair he sells are being treated fairly.

I ask him if he ever gets hair from dead people. He is cagey and evasive.

He says that he knows the hair doesn’t come from the dead, but he won’t elaborate further.

But when I press him, he finally confesses that he doesn’t know exactly where the hair he is buying comes from.

And by way of illustrating that, the girls who sell hair are treated fairly, he simply states that they know the worth of their hair and wouldn’t sell it unless they were getting paid well.

I leave the meeting feeling deeply uncomfortable.

This man is not sure that the hair he sells is not from dead people, and I’m starting to be convinced that someone is being exploited along the way.

Let’s face it – the rich girls tottering around Red Square in designer heels and carrying Louis Vuitton bags do not need to sell their hair.

Next, Tatiana takes me to her home town of Kashin, another rural area, where we meet a 13-year-old girl, also called Tatiana, who has long hair which reaches her backside.

She tells us she wishes to sell her hair because she has been told she will be paid for it.

To my mind, it’s a travesty – this girl’s hair is gorgeous and she seems too young to really know for sure whether she’s making the right decision.

Usually, this full head of luxurious hair would have cost just £20. Today, perhaps because I am watching, Tatiana pays the girl £100.

It’s the equivalent of most people’s monthly wages here, and the girl is over the moon.

But I feel incredibly uncomfortable about the entire process – there’s something so deeply personal about your hair: it should be every woman’s pride and joy.

What British teenager would ever dream of doing the same?

For the next stage of my investigation, I travel to Chennai, one of the biggest cities in India.

As part of the documentary, I have had some of the hair I wear in my extensions scientifically analysed. The results suggest it comes from this region of India.

In Indian culture, a woman’s hair is her beauty, and the longer your hair, the better your marriage prospects are.

Why then, with such value placed on hair, would anyone even consider selling it?

Yet, incredibly, there are so many women prepared to chop off their hair here that factories have sprung up to process it.

On my visit, I go to see one where the workers sort through, shampoo, brush and blow dry the shorn hair of more than 200,000 women a year. To me, it’s a macabre thought.

So why exactly do these women do it?

Well, as I have mentioned already, there are the many Indian women who shave their hair voluntarily at Hindu temples as a kind of religious sacrifice.

And although some of these women know the hair will be sold, most don’t.

One woman I come across is having her head shaved to give thanks for the fact her child has recovered from a life-threatening illness; another to save her property from repossession.

They clearly believe this is the best way to show their faith and gratitude, and I’m told that millions of pounds raised from selling their hair is spent on the homeless and maintaining the temples.

And yet only a quarter of Indian hair sold on the international market comes from Hindu temples, which means that most of it is coming from women who are simply trying to make a little money.

I also travel to an impoverished village to see how poor-quality hair – the sort that sells on our market stalls in extensions for £5 – is collected.

There, I witness men and women working the rubbish dumps, actually searching for and collecting hair that has been pulled out of hair brushes.

Quite simply, this is their family business. It is, they tell me, a job their fathers and grandfathers have done before them.

It might seem disgusting, but it’s the only income they have.

It is a pitiful existence, and it is fuelled by the demand from Britain and other countries.

What I saw in Russia and India certainly set me thinking, and since I returned I haven’t used hair extensions once, not even when performing at the recent Nelson Mandela tribute concert in Hyde Park.

That was the sort of event at which previously I would never have stepped on stage without them.

But what I have unearthed has profoundly changed my attitude about extensions.

Now, to me, a packet of hair extensions has a face – whether that is a Russian teenager, a woman in India who is shaving her head as a sacrifice or a two-year-old girl in tears because she doesn’t understand what’s happening to her.

I believe that I – and all the other women who use them – should be more responsible about the extensions we buy.

As consumers, we need to make sure that the hair we use is ethical, and has been given with consent.

We need to know that the people it has come from have been treated fairly.

Just as we have fair trade stamps for food, why shouldn’t we have the same thing for hair extensions?

And as the women who drive the market in hair extensions, we also have a moral responsibility to the women who have cut off their hair or shaved their heads for our benefit.

Their hair may be helping to make us more attractive, but thanks to their sacrifice many of them must now be anything but.

Your thoughts?

Chris Brown UpdateIt seems teen star Chris Brown is unstoppable at the moment. Check out this press release via his publicists:

Late last month, Pop/R&B sensation Chris Brown received 10 Teen Choice Nominations –the most nods of any Teen Choice Awards nominee. The nominated categories are as follows:

*Choice Male Hottie
*Choice Music: Male Artist
*Choice Music: R&B Artist
*Choice Red Carpet Fashion Icon-Male
*Choice Music: R&B Track “Forever”
*Choice Music: Single “With You”
*Choice Music: Hookup (Jordin Sparks and Chris Brown “No Air”)
*Choice Music: Love Song (Jordin Sparks and Chris Brown “No Air”)
*Choice Music: Hookup (Lil Mama featuring Chris Brown and T-Pain “Shawty Get Loose”)
*Choice Music: Rap/Hip-Hop Track (Lil Mama featuring Chris Brown and T-Pain “Shawty Get Loose”)

Not content to rest on his laurels as an all-around consummate performer, singer, dancer and actor, the 19-year old Tappahannock, VA native further demonstrates his talent as a songwriter; he recently penned Rihanna’s hit new single “Disturbia” with his writing team Graffiti Artiztz. The single is rising the charts, and currently rests at #11 on the Billboard Hot 100 Singles Chart.

News of the nominations comes as Brown’s newest hit song, “Forever” rises on music and video charts — peaking at #7 on the Billboard Hot 100 Singles Chart. Over the past few months, Chris Brown has remained a fixture on the Top 5 songs charts (including his smoldering duet with labelmate Jordin Sparks — “No Air”) and has sold over 1.5 million albums and over 4 million digital songs with “”Forever,” “With You,” “Kiss Kiss” and “Take You Down.”

More power to him…

Your thoughts?

**