Nick Jonas‘ videography has welcomed a brand new music video.
What for?
His new single ‘Champagne Problems’ which appears on his latest set ‘Last Year Was Complicated.’
What it’s all about?
It sounds like a party jam but in reality it’s about something pretty sad. We [Nick and ex-girlfriend Olivia] had this bottle of champagne that we were saving for our anniversary. We decided that we were going to celebrate the years we had together and the time that we spent together by sharing this bottle of champagne and closing that chapter of our life. Although it was a really sad moment, it was a nice way to kind of close things up. I’m sure she’s heard ‘Champagne Problems’ at this point. The concept of the song, which maybe doesn’t stand out on first listen, is ‘You’re amazing, you’re all the things I hope to find with somebody, but timing, circumstances, all these things play into it not being right”. Champagne is amazing, it tastes delicious, but gives you a really bad hangover.
Last month R&B songstress Sevyn Streeter was prohibited from singing the national anthem just before she was set to perform on live TV.
Overcome with emotion, Streeter informed social media that it was due to her desire to sport a ‘We Matter’ jersey; a move frowned on by the Philly 76ers.
The switch saw the team came under an extensive amount of backlash from the general public and the mainstream media.
They’ve has since apologized to the ‘Prolly’ singer, and now they look to further make amends by inviting Ms. Streeter back to sing the ‘Star Spangled Banner.’
Despite setbacks, Keke Palmer continues her bid for the princess R&B crown.
The ‘Scream Queens’ actress previously released her ‘Waiting to Exhale’ album via Soundcloud, but the debut project failed intrigue the ears of music lovers due to its kids bop skew and undeveloped vocals.
Eager to launch a functioning music career, the 23-year-old has released a 5-track EP named ‘Lauren.’ It’s aim? To open the gates of vulnerability.
Taking its title from the Chicago-native’s first name, ‘Lauren’ aims to introduce the masses to the multi-faceted star’s charismatic personality and her journey of self-discovery.
Taking her cue from various artist who have released projects this year, Palmer accompanies the EP with a 16-minute visual that paints the mood of each track.
After fending off some racists traditional country fans for their fearless leader, Beyonce, they zeroed in on country star Kenny Chesneyfor looking visibly displeased during the Queen Bey’s performance. Once done with him the fan group turned their sights to ‘Clueless’ star Stacey Dashfor slamming Beyonce’s mom, Tina Lawson.
Now, ‘American Idol’ finalist La’Porsha Renae is seeking treatment from bee stings as the #Beyhive have locked in on her for damning Bey’s country showing.
As emails published by Wikileaks continue to cast a confusing shadow over Hillary Clinton’s presidential campaign, the artist Azealia Banks has urged African-American voters to ask themselves on question.
T.I. has been one of the names notable for their efforts in raising awareness of racial injustice.
Hence, it’s little surprise that the King of the South is none-too-impressed with Lil Wayne‘s recent comments regarding the Black Lives Matter movement.
As reported, Weezy publicly disassociated himself from the initiative – declaring that he could not relate because he was rich, addding that he believed racism was no longer a reality. He cited the diverse nature of his audience as his rationale.
Solange has been receiving rave reviews for her new album ‘A Seat At The Table,’ yet her journey to emancipation started five years ago.
This week’s From The Vault journeys back to 2008, a time when the rising star released her first single in 5 years.
Today’s pick is retro number ‘I Decided’.
Serviced as the first single from Solo’s sophomore set ‘Sol-Angel And The Hadley St. Dreams,’ the track was produced by the mighty Neptunes and sampled the iconic handclaps from The Supremes’ ‘Where Did Our Love Go.’
In the US, the cut performed moderately well on the Billboard Hot Hip-Hop/R&B peaking at #44.
For its European incarnation, the throwback cut received a sonic facelift by British DJs The Freemasons which allowed it to access the UK and France’s Top 30 as well as Ireland’s Top 50.
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Acclaimed director and family friend Melina Matsoukas directed the cut’s video which retraced different eras in Pop culture. Travelling through time, the talented songbird can be seen as part of a Supremes-like ensemble performing during the Civil Right Movement era, as a Disco queen on Soul Train, an 80’s popstar in the MTV generation, and finally romancing a love interest in the future.
With its vivid vibrancy and use of pop art, the visual shared similarities with Rihanna’s ‘Rude Boy’ which was released a year later and was also directed by Matsoukas.
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We’ve long been rooting for Ms. Knowles – ever since ‘Hadley St. Dreams’ days. As such, we couldn’t be more amped about seeing her finally getting the recognition she deserves. What’s interesting with ‘A Seat At The Table’ is that its material isn’t far removed from what Solange has been servicing already for years.
Hopefully, the buzz surrounding the project won’t be temporary and will only allow Knowles to expand the conversation with her newly recruited supporters.
In there here and now, though, congrats to Solange for breaking through. At long last.
Still flying high on the critical acclaim of her tertiary opus, ‘A Seat at the Table,’ soulful songbird Solange delivered her debut performance on ‘SNL’ tonight (as previously announced here).
Showing off her oft-praised pipes, the singer/songwriter unveiled the first televised showing of hit songs ‘Cranes in the Sky’ & ‘Don’t Touch My Hair’ – both found on ‘Table’ (which hit #1 the week of its release).
Keen to judge how the youngest of the Knowles clan fared on the sketch comedy show? Her performance awaits you below: