Pop Icon Janet Jackson‘s eagerly anticipated ABC special aired in the US a few hours ago. In this revealing interview with Robin Roberts, the youngest of the Jackson dynasty spoke candidly about the passing of her brother Michael Jackson, no longer being with Jermaine Dupri, her career and so much more. A great interview, I must say.

Your thoughts?

Singer Janet Jackson (L) and music mogul Jermaine Dupri attend J

Pop icon Janet Jackson is currently doing the promotional rounds for her greatest hits compilation ‘Number Ones’.

Today she phoned in to Charlotte’s Power 98 to talk about a number of things, the most interesting of which was her confirmation that she is indeed single and that she and producer Jermaine Dupri are no longer an item, yet best friends – this after a 7 year  relationship. Jackson, 43, asserted that she ‘adores’ him.

Other highlights from the interview, which you can listen to in its entirety below, include her liking Rihanna’s music (eye-roll) and loving Alicia Keys’, praying for the latter to be successful when she broke into the industry. She also talked spoke on being a vegan, her career and much more. A great listen.

No matter what spin Ms. Jackson (if you’re nasty) puts on it, it’s really unfortunate they called it quits after so long 🙁

Your thoughts?

To celebrate the release of Janet Jackson‘s career-spanning ‘Number Ones’ compilation (due November 17th), Flash Mob America organised a Janet Jackson flash mob to take place today in Los Angeles. For those unaware of what a ‘flash mob’ is, it’s generally when a group of people break into uniform dance in the random-est of places and usually in front of unsuspecting passers by.

The participants in la Jan’s flash mob, who have been practising for weeks, launched into some of the iconic choreography from some of Janet’s biggest hits including ‘If’ and ‘Nasty’ right there in the middle of the street at The Grove. Kudos to all those involved; they killed it.

A bigger kudos, however, goes to Janet’s team, who have been on fire with her promotion as of late. They’re on some Papa Knowles ish (for Bouncy alone, of course!!! LOL). Loving it 🙂

Tidbit: Janet herself was watching this from the rafters. Click here to see

Your thoughts?

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Janet Jackson’s new team are seemingly pulling out all the stops to ensure her forthcoming ‘Number Ones’ compilation is a success. It has been announced that an hour-long Janet Jackson primetime special will air on ABC on November 18th – the day after the LP is released in the US.  {Source}

I cannot wait! With Janet now being the last ‘active’ member of the Jackson dynasty, I’m anticipating she gets treated with the respect she so deserves. Her partnership with new label, A&M/Interscope (expect an announcement about their partnership in the coming month or so) seems to be ensuring that she does.

The label (and her management) are going all out with the promotion for the record, as evidenced by the ABC special, a flash mob (click here for details), rumoured performance at the American Music Awards, and on the UK front – headlining the Jingle Ball, X-Factor, and several other scheduled promo spots. It’s a very exciting time to be a Janet Jackson fan.

Tidbit: Janet begins shooting the video for new single ‘Make Me’ today!

Your thoughts?

rihanna rated r

Wow, it really does seem like Rihanna overload today. Just as a the official tracklist of her ‘Rated R’ LP was unveiled, a new cut from the album, the Young Jeezy assisted ‘Hard’ surfaced. Is it any good though?

Admittedly this is perhaps the best track I’ve heard from the album thus far. Saying that, that’s not particularly a difficult feat to achieve. Sticking to its good points, though, the beat goes hard (no pun intended) and Ms. Fenty’s swagger (however unjustified that is is) rides the production quite effortlessly during the verses – in the process making her irritatingly nasal vocals (on the repetitive and lyrically empty chorus) that much more tolerable this go round.  Why wasn’t this the first single?

Hit or Miss?

soulja_boy

Young rapper Soulja Boy Tell’em will ironically feature on both Chris Brown and Rihanna’s upcoming LP’s. Rihanna’s album, ‘Rated R’, hits stores on November 23rd and Brown’s ‘Graffiti’ will be released on December 15th. Here what Soulja Boy had to say about his contributions to both projects:

“With this particular project [it was] like, ‘Whoa!’ because it was like, ‘Yo, I need you to do something for Rihanna’s album. You got 11 hours. Go,” Soulja Boy said about the last-minute call to work on an unspecified track from Rihanna’s upcoming Rated R disc.

“It was like, ‘What?’ ” The challenge, he said, was how to cook up some verses that would help make a #1 hit in such a short time. Luckily, he had plenty of experience with working fast, thanks to the 30 minutes he said it took him to write his breakthrough hit, “Crank That.”

The pressure was not as intense when he got the call to guest on a track from Rihanna’s ex, Brown. “I got nothing but love for Chris, that’s my homeboy,” said Soulja of the singer, whose Graffiti will be his first release since his assault on Rihanna in February. “He called me up and he was like, ‘Yo, I need you on this song for my album. Will you come through?’ ”

The answer, of course, was yes — and the result is a tune titled “She’s Bad.”

“My approach to it was, if me and Chris Brown ever did a song together it got to be the best song ever,” he said. “When people hear it, it gotta be automatic, be in all the kids’ heads, all the girls definitely gotta love it, all the females gotta love it. That was my approach to it. I was just thinking, ‘What is the slickest lines I could say to a female to make them fall in love with this record?”

{Source}

If there is one thing that this boy has is work ethic. He really gets his name out there and stays on his grind. If only he applied this same zeal to developing quality material for himself, he could become one of Hip-Hop’s heavyweights instead of being known as the ‘Ringtone King’. That’s a damn shame.

Thoughts?

Legendary diva and comeback queen Whitney Houston took to the stage on tonight’s X-Factor results show to perform new single ‘Million Dollar Bill (Freemasons Mix)’. As with most things ‘Whitney’ these days, her appearance on the show was almost exclusively the main talking point on everybody’s lips.

As for the actual performance, I really, really enjoyed this. Ms. Houston commanded that stage like the unashamed diva that she is. Work! Her  energy and overall stage presence were so off-the-charts that they compensated for the still-rather-good (for 2009 Whitney) vocals. In what I hope doesn’t become a big deal, Nippy’s ‘wardrobe malfunction’ was in reality a minor and she continued on like the professional she is, poking fun at it at the end.

The interview at the end, upon watching it live, had me (and a whole lot of other folk) giving a collective ‘What in the blue hell?’ For whatever the reason, Ms. Houston wasn’t quite ‘with it’, this evidenced by her not having much of  clue when the album was to be released, the constant looking at the floor, fidgety composure, and the lengthy gap in answering some of the questions. That said, I do not agree with some of whispers-turned-loud accusations that Whitney is back to her troubled times. I strongly doubt it’s that. I guess only she know’s the reading. However, after talking everything there is to talk about with Oprah, it’d be great if her team did a Britney Spears and limit the talking/doing interviews and have her just perform.

What do you think of the performance?

MOBO Awards 2009 Nominations The MOBO Awards 2009 took place in Scotland last night at the SECC Area. Ever on point with our award show coverage, we have been in search of performance videos, yet little of substance has popped up Youtube (something in itself I’d imagine folk will read into). In any case, our girl Kelly Rowland performed her smash duet with David Guetta ‘When Love Takes Over’ at the event, however sound issues plagued the performance, something Kelly herself took to her Twitter after her performance to vent about. See Kelly’s Twitter message, as well as the actual performance below:

But, what I will say is the MoBo’s owe me an apology!!!! I was LIVID after the show! I wanted you guys to be the 1st to hear it from me! rehearsals. were fine. soundcheck. was fine. performance, wad a struggle at 1st. But, I got through it! {Source}

Ms. Kelly seemed heated (peep her face when she realised the issue). Not a bad performance, considering. I’m looking forward to seeing Kelly perform new material now, though.

Your thoughts?


omarion2

After a somewhat tumultuous few months, a period which saw him sign and severe ties with Timabland and Lil’ Wayne’s labels, Omarion today announced that he has signed a new deal with EMI. Check out the report below via MTV:

The former B2K frontman announced Thursday (September 24) that he signed a new deal with EMI to create his own imprint StarWorld Entertainment. Through the pact, the Los Angeles native will release his next project, Ollusion, due November 24. Just last month, Omarion united forces with Lil Wayne and joined the rapper’s Young Money roster. However, shortly after the news broke, the singer mysteriously parted ways with the camp.


“I have a lot of respect and admiration for the genius of Lil Wayne and the entire Young Money family,” he said in a statement. “I asked to be released from the label to pursue other opportunities that were recently presented to me. Because of our relationship, Lil Wayne had no issue with us ending our business relationship and released me from the label.”

Prior to linking with Lil Wayne, O partnered with Timbaland in 2008, but the union didn’t result in any material being released through the producer’s Mosley Music Group.

Omarion will now ready his third solo album, which will feature collaborations from Tank, Fabolous and Gucci Mane on the first single, “I Get It In,” set to debut October 5.

“My style has evolved so much on this album,” Omarion said in a statement. “I was able to express truly who I am from a creative and artistic standpoint, which allowed me to share a personal side of myself with my fans through my music. This is my masterpiece, and I can’t wait for the world to hear my new album.”

More power to him; it seems ol’ Omari has more lives than Super Mario. Here’s hoping all this label bouncing will result in a worthwhile album. The void Chris Brown has left in the young male R&B/Pop market has been left open for seemingly so long, so this really could be Omarion’s time to shine – providing he ditches the uber nasal singing and the material is half-way decent.

Your thoughts?

As I ready my popcorn for the 2nd episode of Whitney’s interview on Oprah, which starts in about 1/2 hour, I continue to SMH at this video which I stumbled upon earlier. Without pre-empting it, all I’ll say is that this is both shocking and nasty. Where the hell are her parents? Hot mess.
Your thoughts?
Janet Jackson Releasing '#1's'; Working With Darkchild On New LP
It’s been a whirlwind week for Janet Jackson fans; from her Harpers Baazar interview to the announcement that she’d be performing at the VMA’s, to the electrifying performance itself, to debut of new song ‘Make Me’, it’s been a great time to be a Janet fan.
Well, things seem to be looking even greater for Ms. Jackson (if you’re nasty) supporters as it has been confirmed that the singer, 43, is set to release a new ‘#1’s’ LP via A&M/Interscope on November 13th. According to AOL, ‘Make Me’ is indeed the lead single from the 2-CD set, which will comprise of 30 of Janet’s global #1s. {Source}
Initially assuming the LP was some typical label cash in (Janet released her first 3 albums including ‘Control’ and ‘Rhymthn Nation’ on A&M), I was surprised to see the compilation will be 30 songs long and a 2 disc – this has me thinking it really will also include Janet’s newer material (from the ‘janet’ album right through to ‘Discipline’). Interscope’s involvement (as part of A&M/Interscope-Geffen/Universal) really has me leaning towards the notion that they may just be Ms. Jackson’s new label – which would be fantastic as they are a great label (home to Black Eyed Peas, Mary J Blige, Lady GaGa and more).
In other Janet news, hitmaker Rodney ‘Darkchild’ Jerkins has confirmed that he is working on her new original album (due 2010) – and has been for the last few months! Check out the report via MTV:
Sunday night, on the red carpet of the 2009 MTV Video Music Awards, Grammy-winning super-producer Rodney Jerkins spoke fondly of his late friend Michael Jackson and how MJ once beat him at pool. Jerkins also revealed that he and the King of Pop’s baby sis, Janet Jackson, have been collaborating a lot lately. The first record from their sessions, “Make Me,” dropped just a few hours later.
“It’s about dancing,” Jerkins said. “It’s all about her. It’s about [saying], ‘Listen, if you really want to get with me, you gotta make me feel a certain way.’ “
Jerkins, who produced several tracks on Janet’s 2008 album, Discipline, said he and Ms. Jackson have a lot more songs to come.
“I’m working heavily with Janet,” Jerkins said, adding that her new album will have a throwback feel. “We’ve been in the studio for the last month. We’ve been getting it in. We’re going back to basics and fundamental sounds of Janet. We’re trying to target her fans [by making] the records that her fans will embrace. A lot of uptempo stuff makes you feel good. There’s so many different colors of Janet. I’m a fan, I’ve always been a fan of Janet. The Rhythm Nation, the Control, the Janet. record … those make you feel a certain way. It’s been fun. I’m excited about it.”
With their last big collabo being ‘Feedback’ – a Janet classic IMO; I’m definitely excited to see what they come up with. Insiders initially speculated that Janet would solely be making the album with longtime collaborators Jimmy Jam and Terry Lewis, which evidently isn’t the case. Still, reports still suggest the award-winning production duo will feature on the album in a major way. With Darkchild being the producer who has brought out the best in Janet in recent years, a Darkchild, Jimmy Jam & Terry Lewis, Janet album sounds like one hell of a record.
The 2009 MTV Video Music Awards took place tonight in New York’s Radio City Music Hall. Peep That Grape Juice’s performance review at the end of the post, in the meanwhile, enjoy the performances below!:
Janet Jackson – Michael Jackson Tribute


Kanye West / Taylor Swift Incident


Lady GaGa – Paparazzi


Beyonce – Sweet Dreams / Single Ladies

 Pink – Sober

 Beyonce Gives Taylor Swift Acceptance Speech Time 


Jay-Z & Alicia Keys – Empire State of Mind

 


The dust has settled and the many stories that emanated from last night’s MTV Video Music Awards 2009 are making the rounds. Prior to giving my 2 Pence on last night’s happenings, I must give MTV kudos for delivering their best show since 2003. From the outlandish outfits (GaGa had me rolling with her final ensemble) to the shocking unscripted moments and of course the great performances, MTV did the damn thing last night and deserve a lot of credit for it.
As expected Janet Jackson stole the show with her electrifying tribute to her late brother, the King of Pop Michael Jackson. The performance, which saw a fantastic introduction from Madonna, lived up to my expectations, yet wasn’t what I expected (if that makes any sense?). Since news broke of Janet’s performance, I envisioned she’d be dancing like Michael, be dressed like him etc. Instead we get the fierceness that is Janet still do ‘her’ during ‘Scream’, whilst giving a nod to her brother. Ms. Jackson (if you’re nasty!) tore down the house (snatching wigs off many of today’s ‘stars’ in the process!). As we collectively say goodbye to MJ, we should be saying hello again to Ms. Janet, as she is officially back! Not being insensitive about the situation, but after last night, I’d imagine many a label will come a knocking – and rightfully so. She is still beast of a performer on stage. Loved it!
The night’s other show-stealers were IMO Beyonce, Pink and Lady GaGa to a lesser extent. After thinking we were in for another, (albeit great…but another)…standard ‘Single Ladies’ performance, Bouncy proved once again why she is the very best at the moment. As ever, killer vocals and incomparable energy, Ms. Knowles-Carter gave visual spectacle with her mass routine, a showing that encapsulated everything that should be a great award show performance. Say what you want about her, but she is the business!
Can’t say much more than I love Pink! While many in our Urban domain still harp on about her ditching R&B, as a MUSIC lover myself, I feel she has been creatively consistent and continually bettering her artistry with every album and with her stage show. Original, daring, and awesomely executed, her performance of ‘Sober’ ensured she continues to earn my respect. More power to her.
Is it me or was GaGa’s pretty cool performance, hampered by some questionable vocals? I mean close your eyes and listen to it and see if you don’t screw your face up at some parts. Perhaps it’s may be because ‘Paparazzi is my least favourite song of hers’ . Still, I guess much of her appeal is her eccentricity and stage theatrics, which were served up plentifully last night.
I probably am the only one, but Jay-Z’s ‘Empire State of Mind’ doesn’t really rock my world, hence neither did his and Alicia’s performance. By no means bad, just not as great as folk seem to be hyping it up to be…IMO. Lil’ Mama, love, what were you doing?! No, but really. I nearly peed myself when neither Jay or Alica even acknowledged her. How embarrassing.
KANYE…Kanye, Kanye, Kanye. If ever there was a hot ass mess embodied, it would just have to be Kanye West. His behaviour towards Taylor Swift was the epitome of uncalled for, and has IMO done some irreparable damage to his career. Does he think industry folk are gonna be flocking to work with him? Fans rushing to support his singles anytime soon? I mean stranger things have happened, but as powerful as he may be in today’s industry, the media machine that powers this all, is much more powerful – and they aren’t gonna let this one go for a while. I mean, aside from the fact he made himself look like a buffoon, as he wasn’t even nominated in the category he was whining about, he couldn’t have picked a worse ‘victim’. Taylor Swift: Caucasian, young, blonde, pure and innocent seeming. And before you think it, ‘Yes I went there!’ Really not wanting to play the race card, but Kanye really didn’t represent my people in a good light at all. No he’s not an embodiment of every black person, but the way the media can and probably spin it, such generalised undertones will be present. Such a shame. Such a shame.
Anyway, with any good award show being about memorable moments, Beyonce earned new level of respect from me when she graciously called Taylor back on stage to have her ‘moment’. While some will argue it was contrived and she did it for strategic reasons, I feel otherwise. She deserves kudos for that…major props. I can’t say I care too much for Taylor just because of what happened, but how cute was her acceptance speech? Great stuff.
After a series of disappointments in recent years, MTV really came through with the quality of last night’s show; it was well-produced, had great cast of performers and presenters and above all kept me on the edge of my seat. This is how an award show should be done!
Randomness:

* It’s kinda ironic that Janet stole the show this year, as part of the reason the VMA’s have been so rubbish in recent years was because of the repercussions they suffered after the Superbowl. As producers of the infamous half-time Superbowl event in 2004, they received heavy fines and subsequently their live programming steered away from any ‘risqué’ content, which was dry as that is exactly what makes great television! Thank goodness they got it right this year!
* Did anyone else notice Jennifer Lopez wildly cheering on Janet’s performance, which prominently featured her ex husband, dancer Chris Judd – while standing with new hubby Marc Anthony. No, I’m not being messy, just an interesting observation (the connections in the room).
* During Janet’s performance did anyone else spot the dancer almost fall over during the ‘lean’ in ‘Smooth Criminal’? I was like “don’t mess up my Michael’s ish!!!”
* Beyonce’s bodyguard Julius got the side-eye from Bouncy if there ever was one when he was being abrasive and rude during the pre-show. Not professional on his part at all.
* I have had approximately 2 hours sleep, as the show ended London time 5.00am. It was worth it though. Shout-out to those who kept me entertained and were hopefully entertained by our live commentary on Twitter!
Your thoughts?
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