Hit or Miss?
Link Removed As Requested
Link Removed As Requested
What do you think of the pics?
Though the performance was overly on-point (IMO), the ladies will continue to have little credibility with me (as a unit) until they start switching on some of the other girls’ microphones. I mean, does Nicole even need a ‘solo’ career, after all she’s living it out within the group anyway.
What do you think of the performance?
This week’s The Best You Never Heard serves up unknown to the masses cuts by Destiny’s Child, 3LW, Jamelia and former Xscape member Kandi. Do you have any suggestions for future instalments? Drop me an email at sam@thatgrapejuice.net
Destiny’s Child – Gots My Own
Though a very solid effort, one thing that till this day puzzles me about Destiny Child’s 2004 LP ‘Destiny Fulfilled’ is that a sizable proportion of the bonus, international only etc tracks could easily have featured on the album – most especially considering it’s overly generous track list size (11 tracks). Perhaps, one of the best of these tracks is the Rodney ‘Darkchild’ Jerkins produced ‘Gots My Own’. The song, which is very much in the vein of DC’s ‘Independent Women’ stance, is great IMO primarily because its Old Skool feel is so far removed from your typical Darkchild production, and moreover the expected Destiny’s Child sound. Also, the ladies’ unmatched harmonies/vocal arrangements work particularly well here.
Listen: Gots My Own
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3LW – Feelin’ You (ft. Jermaine Dupri)
Listen: I Need
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Your thoughts: Hit(s) or Miss(es)?
Wow….that was terrible…as in like really really bad. It was a sad sight and an even sadder listen. This officially has me thinking that the performance of ‘I’ll Be Loving You Long Time’ at the MTV Japan VMA’s earlier this week was lip-synched. I mean, this is the first time she has sung ‘Touch My Body’ live unsupported by all her studio/backing wizardry and it sounded like a train-wreck. So how was she able to turn in such a tone-perfect performance all on the same promo trip? Suspect as hell.
Anyway, back to this performance; she evidently didn’t sound appalling all the way through, however the parts that were bad, were cringe-worthy. I dread to hear what her voice will sound like in 6 months, speak less a year. Some may think I’m over-dramatizing but if her voice continues its downward spiral, who knows what her future studio recordings will be sounding like. SMH…
What do you think of the performance?
Having delivered such a stellar effort with this, it’s kinda baffling as to why Tyrese has since been unable to release anything worth listening to (shudders at the thought of his last LP ‘Alter Ego’. Word has it he’s currently on a break from music (and is still signed to J Records). Here’s hoping he finds his musical mojo during his downtime and hits us with great cuts like this upon his return.
Your thoughts?
The 47-year-old is set to star as crime fighting police detective Axel Foley in the fourth installment of the hit “Beverly Hills Cop,” Reuters reported.
Murphy reportedly approached Paramount Pictures about the idea and filming is expected to start next year with a summer 2010 release date, according to Reuters.
Brett Ratner, whose work includes the “Rush Hour” movies, is in negotiations to direct the film, while Lorenzo di Bonaventura of “Transformers” was tapped to produce the flick, Reuters reported.
The first “Beverly Hills Cop” debuted in 1984 and was followed up with two sequels — the last of which premiered in 1994. {Source)
Having been largely underwhelmed by many of Ms. Cannon’s performances as of late, I must say I really enjoyed this. ‘I’ll Be Loving You Long Time’ is one of the few tracks that I gravitated toward on ‘E=MC²’, so it’s great to see her do the song justice live – most especially vocally. The ending high-notes were a great touch. More performances like this, please.
What do you think of the performance?