For many, the industry’s welcoming of streaming subscription services has seen it combat the evil which was/is illegal downloading.
Alas, the availability of new material on platforms like Spotify, Apple Music and Google Play often leaves fans with little to no incentive to support their favourite act with pure sale purchases.
What this means for labels? A dependency on its older and more established acts to pull in noteworthy numbers the old fashioned way. For Sony, it’s Adele and Beyonce.
For Universal?















