With her latest single ‘Spend Dat‘ – an infectious tune many have already crowned the “song of the Summer” – Yung Miami twirled to a personal milestone on this week’s Billboard Hot 100.
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‘Spend‘ made its Hot 100 debut on the updated edition of the tally this week, premiering at #66. Here are the numbers that powered its placement.
- Streaming ≈ 5.7 million U.S.-based streams
- Sales ≈ 700 digital downloads
- Radio Airplay ≈ 4.2 million audience impressions
Already a viral hit on social media, having been tagged in several videos that have garnered hundreds of thousands of views each, ‘Spend’ – released April 24 – finally hopped from #1 on the Billboard Bubbling Under Hot 100 to a #66 opening on the main all-genre tally.
The appearance marks the highest of the former City Girls‘ star’s solo career to date, besting the #81 peak of 2021’s ‘Rap Freaks.’
Coming as the latest taste of the new music set to line the tracklist of her yet-titled debut solo album, ‘Spend’ – which is poised to hop to even higher Hot 100 heights next week – follows the warmly received tunes ‘Tea Time‘ and ‘News Flash.’
Click here to see who joins her on the latest edition of the all-genre hitlist!
![Chart Check [Hot 100]: Yung Miami Earns the First Top 40 Hit of Her Solo Career with Viral Smash 'Spend Dat'](https://thatgrapejuice.net/wp-content/uploads/2026/06/spend-dat-top-40-thatgrapejuice-2026-yung-miami-464x260.jpg)
This is a paid ad?
Too bad it’s for such a trash song that further degrades the culture. The message in the lyrics is for low vibrational people.
It’s so degenerate. No wonder it’s a hit. When it comes to black female artists the industry purposefully seeks, chooses, and employs heaux, former skrippaz, lethbians, and obese thotz who refuse to stop embarrassing themselves online. The goal is for these women to infect the community with low vibrational energy and moral decay. Immoral, low vibrational people are easier to control. This is gonna encourage stealing so the prison industry can eat. I don’t think it’s a coincidence either that this song popped up the same time as KeKe Palmer’s movie “I Love Boosters.”